Delfina Foundation
London
Catherine Place, 31 (Victoria)
+44 0 2072335344
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Ahmet Ogut
dal 18/6/2012 al 20/7/2012
Mon - Sat 11 - 18

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Ahmet Ogut



 
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18/6/2012

Ahmet Ogut

Delfina Foundation, London

Or whistle spontaneously. Working across a variety of media, Ogut references to complex topics including religion, social and rural customs, and the spectre of war, often offset by an edge of humour.


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Delfina Foundation is delighted to announce the first solo UK show of the Kurdish/Turkish artist Ahmet Ögüt, in residence at Delfina Foundation in partnership with Tate Learning’s community programme.

Working across a variety of media, Ögüt has gained international acclaim for his subtle references to complex topics including religion, social and rural customs, and the spectre of war, often offset by an edge of humour.
He co- represented Turkey at the 53rd Venice Biennial (2009) and has exhibited widely including the 9th and 12th Istanbul Biennials, the 4th Moscow Biennial and 5th Berlin Biennial – among many others.

At Delfina Foundation, Ögüt will exhibit the videos Light Armoured (2006) and Things We Count (2008), alongside his latest work Oscar William Sam (2012), shot in Zuccotti Park days before the NYPD violently removed the Occupy Wall Street camp. Together, the videos unpick the social and political realities of everyday life, while also blurring the lines between fact and fiction. The works also explore the notion of resistance within varying types of relationships, through the simple acts of repetition and continuity.

Oscar William Sam (2012), single channel video, 4:00 min, courtesy of the artist. The title is suggestive of the acronyms often used by law enforcement services and military forces to identify and single-out individuals. In the video, a hand points out across the Occupy Wall Street camp, identifying individuals by one, calling out the most popular first names in US. The identity and goal of the video’s main protagonist remains unclear. Oscar William Sam alludes to the supposed anonymity of those involved in protest movements and the shifting terrain between power and impotence, perpetrator and victim.

Things We Count (2008), single channel video, 6:20 min, courtesy of the artist. In this video, the camera slowly pans across an airplane graveyard in the Arizona desert where hundreds of discarded or defunct American Air Force planes are stored. A male voice methodically counts, alternating between English, Turkish and Kurdish. Through repetition, we come to imagine the numbers of the dead and injured or levels of destruction without a need for a single personal story.

Light Armoured (2006), Animation 1:07 min, courtesy of the artist. In this short animation, a camouflaged Land Rover is hit by small stones thrown by an unknown source. The vehicle’s design designates it as belonging to the military. As stones bounce off its armour without causing damage the futility and impotence of the attack is obvious. Played on a constant loop, it is both an anti-war gesture, against all camouflaged and normalised tools that harm humanity, as well as a comment on the futility of combat.

Notes to editors: Ahmet Ögüt received his BA from the Fine Arts Faculty of Hacettepe University, and his MFA from the Art and Design Faculty of Yildiz Technical University. Ögüt was a resident artist at the Rijksakademie in Amsterdam in 2007-2008. Recent solo exhibitions were held at SALT, Istanbul (2011); Fondazione Giuliani, Rome, Italy (2011); Kunsthalle Lissabon, Lisbon (2011); and Van Abbemuseum, Eindhoven (2010), among others.

Recent group exhibitions: 12th Istanbul Biennial, Istanbul (2011); 4th Moscow Biennial, Moscow (2011); Garage Projects, Venice (2011); and Asian Art Biennial, Taichung (2011), among others. In 2009 Ahmet Öğüt co-represented Turkey at 53rd Venice Biennale. Recent awards include the 2011 De Volkskrant Beeldende Kunst Prijs (Netherlands) and the 2010 Kunstpreis Europas Zukunft, Museum of Contemporary Art (Germany).

Delfina Foundation is an independent, non-profit foundation dedicated to facilitating artistic exchange and developing creative practice through residencies, partnerships and public programming, with a special focus on international collaborations with the greater Middle East & North Africa. To date, Delfina Foundation has hosted nearly 100 artists, curators and writers from 18 different countries. In 2013, Delfina Foundation will expand into an adjacent property in Catherine Place SW1, doubling the number of residencies as well as the size of its exhibition space.
Ahmet Ögüt is on the second stage of his year-long residency with Delfina Foundation and Tate Learning’s communities programme. His residency will culminate in December 2012 with a participatory new work provisionally titled The Silent University. The project involves refugees and asylum seekers unable to practice their previous profession or use their qualifications due to a variety of reasons. Working collaboratively, the artist and participants are developing a knowledge exchange platform, akin to an academic programme, that will be publicly accessible. The project will culminate in a public performance at Tate Modern in December 2012, around themes developed in the workshops.

Press Contact:
Miranda Sharp, miranda@delfinafoundation.com
+ 44 (0)207 233 5344
Ana Vukadin, ana@suttonpr.com
+44 (0)207 183 3577
Opening Tuesday 19 June 18:30 – 20:30

Address: Delfina Foundation
29 Catherine Place, London SW1E 6DY
Mon – Sat, 11:00 – 18:00

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