Two Exhibitions
dal 23/4/2015 al 20/6/2015
Segnalato da
23/4/2015
Two Exhibitions
Wiener Secession, Wien
Josef Strau's works is anchored in the written word. He contrasts fairly restrained architectural structures with often large quantities of text. Kristin Oppenheim is best known for her highly intriguing sound installations.
Josef Strau
curated by: Annette Südbeck
Josef Strau’s experimental artistic practice is anchored in the written word. In his installations, he contrasts fairly restrained architectural structures with often large quantities of text. Recurring formats for his linkages between text and object are pamphlets on lamps from flea markets, illuminated manuscripts, and printed and handwritten texts on posters and canvases. The texts themselves are marked by a typographical play with text and gaps as well as by Strau's specific style of writing, which nimbly and playfully tracks his stream of consciousness. Oscillating between the important and the unimportant, he interweaves everyday stories of urban scenes with intimate revelations and literary motifs.
Strau says about his exhibition at the Secession: “It is another exercise in extemporaneous production. The show will contain four exhibitions, although each one of them will not appear executed in the form of its still fictional completeness. They will appear as if abruptly abandoned in mid-production, either by consequence of an interrupted process, or somehow metaphorically, as if the artist had disappeared at one moment during the intense preparation period before his institutional one-person show. This gives rise to a ‘romantic’ mode of interruption, or also of the compositional form of aleatoric deletions, or rather, a work with such musical or text motives rather than with themes, that determines the form for all the other parts of production presented in the exhibition.”
Josef Strau is known for his shifting roles as gallerist, curator, writer, musician, and artist. He has written not only in most of his art productions, but also for numerous publications, catalogues, and magazines. His recent solo shows have been on display at the Renaissance Society, Chicago (2014), the Liverpool Biennale (2014), House of Gaga, Mexico City (2013, 2010) and Greene Naftali Gallery, New York (2012). The artist's book Josef Strau. Turtle Dreaming will be published in conjunction with the exhibition. Josef Strau, born in Vienna in 1957, lives in New York.
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Kristin Oppenheim
curated by: Jeanette Pacher
Kristin Oppenheim is best known for her highly intriguing sound installations. Since the 1990s, she has installed these audio works both in exhibition spaces and outdoors. The American artist associates the mesmerizing sound of the pure singing voice with video, architectural elements, or (swinging) theatrical lights. Her interest in theater, performance, and storytelling is apparent in the specific “staging,” into which the audience is literally immersed. In these “sonic spaces” she addresses issues such as memory, dreamlike states, the presence of absence, or the inner voice. The ghostly presence of the disembodied voice repeating song snippets over and again develops a narrative of great suggestive power.
The artist uses her voice as well as other sound sources as instruments to convey a certain (psychological) mood. She experiments with repetitions, echoes, superimpositions, intonation, and volume to control the impact of the soundtrack or amplify the desired perception of an intimate situation. With this purely auditive form of performance, the actor is not present, but the narrative and melody resonate in the listener’s imagination and become inscribed upon his or her memory.
In Echo, Oppenheim projects a narrative in which sleep, nocturnal waking, dream images play central parts: the exhibition revolves around a mental state different from our everyday consciousness with its focus on functioning—and revolves and revolves and revolves, like the canon-like chant in the sound installation Where Did You Sleep Last Night or the ghostly somnabulistic imagery of the new film installation Ultramarine, which might infiltrate our subconscious like a slow-acting drug.
The LP Where Did You Sleep Last Night? is released in conjunction with the exhibition.
Kristin Oppenheim was born in Honolulu in 1959 and lives and works in New York.
Image: Kristin Oppenheim, Where did you sleep last night, 2015, LP cover
Press contact:
Karin Jaschke Tel: +43-1-5875307-10, Fax: +43-1-5875307-34 presse@secession.at
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