The Museum of Modern Art - MoMA
New York
11 West 53 Street
212 7089400
WEB
Lee Friedlander
dal 4/6/2005 al 29/8/2005
2127089400
WEB
Segnalato da

Museum of Modern Art



 
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4/6/2005

Lee Friedlander

The Museum of Modern Art - MoMA, New York

Retrospective. Born in 1934, he upended the earnest humanism of postwar photography with his lively, irreverent glimpses of city streets and his tongue-in-cheek self-portraits of the 1960s. The offhand wit and graphic verve of those early pictures have never disappeared, but since the early 1970s the photographer's mastery of craft, affection for tradition, and voracious curiosity have spawned a fluid stream of observation, ever more nimble and sensuous.


comunicato stampa

Retrospective

This major retrospective surveys one of the most inventive and prolific careers in the history of photography. Born in Aberdeen, Washington, in 1934, Lee Friedlander upended the earnest humanism of postwar photography with his lively, irreverent glimpses of city streets and his tongue-in-cheek self-portraits of the 1960s. The offhand wit and graphic verve of those early pictures have never disappeared, but since the early 1970s the photographer’s mastery of craft, affection for tradition, and voracious curiosity have spawned a fluid stream of observation, ever more nimble and sensuous.

Working in extended series that he often makes into books—two dozen of them so far—Friedlander has merged quantity with quality. Friedlander presents some 500 photographs, organized into discrete groups whose subtle variations capture the vitality of a very generous art. Most prominent are several projects, spanning four decades, that offer a vivid and far-reaching vision of what Friedlander calls the “American social landscape.” This central theme is supplemented with portraits, self-portraits, landscapes, still lifes, nudes, studies of people at work, and—exhibited for the first time—a current series of landscapes made in the American West.

The exhibition is accompanied by a major publication that includes over 800 reproductions, essays by Peter Galassi and Richard Benson, and a comprehensive catalogue of Friedlander’s books, special editions, and portfolios.

Organized by Peter Galassi, Chief Curator of Photography.

The exhibition is made possible by The William Randolph Hearst Endowment Fund.

The publication is made possible by The John Szarkowski Publications Fund.

The accompanying educational programs are made possible by BNP Paribas.

Image: Lee Friedlander. Father Duffy. Times Square, New York City. 1974. Gelatin silver print, 71⁄2 x 111⁄4" (19.1 x 28.5 cm). The Museum of Modern Art, New York. Purchase © 2005 Lee Friedlander

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