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7/10/2005

Kerstin Kartscher, Simon Carroll, Tacita Dean

Tate St Ives, St Ives (Cornwall)

Three Exhibitions

Kerstin Kartscher

Kerstin Kartscher (b 1966) is the third artist to participate in the prestigious Tate St Ives Artists' Residency Programme, based at the historic Porthmeor Studios in St Ives. During the 12 month residency Kartscher has developed a new body of work for the special exhibition opening this October.

Born in Nurenburg her work portrays new fantasy worlds for contemporary women. Free of social, emotional and psychological constraints Kartscher's women celebrate their femininity within fantastical, elegant and immense landscapes.

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Simon Carroll

Simon Carroll (b1964) is known for his exuberant, often challenging ceramic vessels. Uniquely expressive, his pots deconstruct the history of ceramics, particularly Staffordshire slipware. He draws inspiration from an eclectic range of sources including Elizabethan ruffles, sombreros, Cornish wind-farms, Henri Matisse and his own experience of working on the land.

Intuitively constructed, the vessels are anarchic, breaking all conventions of the highly finished form. Walls crack, bases list, classic lines are pummeled, references deliberately clash, surfaces are inconsistent. Equally informed by his print-making and large-scale raked beach drawings, mark-making is a vital element of the artist's language.

The build up of surfaces which are richly painted or dripped with slips and glazes, are energetic and engage with a surreal wit. Carroll’s vessels challenge the boundaries of ceramic practice, and move towards sculptural form whilst indulging in the sheer joy of making.

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Tacita Dean

This exhibition presents work by British artist Tacita Dean (b1965), focusing on works inspired by her experience of Berlin, where she has lived since 2000. A leading artist of her generation, Dean works in a variety of media including prints and drawings but most notably film and sound. She is fascinated by the close relationship between film, the passing of time and the possibilities they present in the construction of narrative.

Exploring Berlin, her films sensitively capture the complex histories imbued in the material culture and architecture of this formerly divided city and its people. Evocative, melancholy and mysterious, her work suggests a personal experience wrapped up in the larger rhythms of history.

The first presentation of her work in a public gallery in the UK since 2001, this exhibition includes her first major Berlin work Fernsehturm 2001. An atmospheric film made in the revolving restaurant of former East Berlin's famous Television Tower, Fernsehturm captures the changing atmosphere of this landmark place as day turns to night, revealing shifting perspectives of locality, social history and politics.

In addition, three of Dean's works will be shown in the UK for the first time:

Die Regimentstochter 2005
A group of framed opera and theatre programmes, with carefully and mysteriously excised covers, reveal the text and photographs beneath; highly allusive, they create new political stories.

Pie 2003
The artist records the view through her studio window of magpies flocking in the birch trees outside, giving a more intimate reading of the presence of nature and the process of artistic activity from within the city.

Palast 2004
Shown at the Venice Biennale this year, in her latest film Dean reflects Berlin's divided history in the jaded façade of the once iconic Palast, the government building of the former German Democratic Republic.

Image:Tacita Dean, Palast, 2004
Courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York / Paris

Opening:

Tate St Ives
Porthmeor Beach, St Ives, Cornwall (GB)

Hours: March - October daily 10.00-17.30; November- February Tuesday - Sunday 10.00-16.30, closed 24, 25, 26 December.

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