The Anton and Annick Herbert Collection housed in Ghent represents important positions in Conceptual, Minimal Art, and Arte Povera that can be described as paradigmatic. The collection is marked by two historical cornerstones; 1968 and 1989. It is on the one hand the political events of these two years that exert their influence on the collection and thus lend it an unmistakeably political profile. On this occasion Kunsthaus Graz hosts a symposium on the relation between knowledge, collecting and art.
Works from the Herbert Collection
The Anton and Annick Herbert Collection housed in the Belgian City of Ghent
represents important positions in Conceptual, Minimal Art, and Arte Povera that can
be described as paradigmatic. The collection is marked by two historical
cornerstones; 1968 and 1989. It is on the one hand the political events of these two
years that exert their influence on this extraordinary collection and thus lend it
an unmistakeably political profile. But it is above all the choice of the work that
uniquely reflects these periods of European change on an intellectual and
philosphical level. The artists, for whom Annick and Anton Herbert have shown and
continue to show such a committed interest, have each been involved in a radical new
orientation, charging their works of art with critical consciousness.
Together with the Austrian artist Heimo Zobernig a radical presentation has been
devised that aims to follow the collection’s chronological sequence.
Artists: Carl Andre, Giovanni Anselmo, Art & Language, John Baldessari, Robert
Barry, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Jean-Marc Bustamante,
Andre' Cadere, Hanne Darboven, Jan Dibbets, Luciano Fabro, Gilbert &
George, Dan Graham, Douglas Huebler, Donald Judd, On Kawara, Mike Kelley, Martin
Kippenberger, Joseph Kosuth, Sol LeWitt, Richard Long, Mario Merz, Reinhard Mucha,
Bruce Nauman, Giulio Paolini, A.R. Penck, Michelangelo Pistoletto, Gerhard Richter,
Thomas Schutte, Robert Smithson, Niele Toroni, Jan Vercruysse, Didier
Vermeiren, Lawrence Weiner, Franz West, Ian Wilson, Heimo Zobernig.
On the occasion of this exhibition Kunsthaus Graz hosts a symposium on the relation
between knowledge, collecting and art:
Does Art Know?
Collection and Knowledge in Discourse
Symposium, June 9 - June 10, 2006
The extent, to which a collection can represent a point of self-reflexivity for the
museum as a location in the collection of knowledge and its presentation, is also to
be discussed within the framework of this symposium with the participation of
artists of the exhibition and museum specialists.
Friday, June 9
1:30pm Peter Pakesch
Welcoming Words
1:45pm Vladimir M. Petrov
Bridging the Gap between Intuition and Concept: Reflection and Expositions
2:30pm Karl Acham
Ars Longa - Scientia Brevis: On Continuity and Change in Art and Science
3:45pm Panel Discussion
Art and Knowledge: Karl Acham, Jan Debbaut, Luciano Fabro, Dan Graham, Vladimir M.
Petrov, Michelangelo Pistoletto.
Moderated by Hans-Joachim Muller
7pm Opening of the exhibition:
Inventory - Works from the Herbert Collection
Saturday, June 10
10am Peter Pakesch, Anton Herbert
Introduction
10:15am Bettina Habsburg-Lothringen
Museums as Sites of Science(popularisation)
10:30am Paul Horwich
Entertainment and Knowledge: Art and Collection
11:15am Sophie Richard
Okey Dokey: The ‘Hidden’ Knowledge of Art Collections
12:30am Panel Discussion
Collection and Knowledge:
John Baldessari, Paul Horwich, Joseph Kosuth, Sophie Richard, Lawrence Weiner.
Moderated by Martin Prinzhorn.
Opening: Friday, June 9, 2006, 7pm
Kunsthaus Graz
Landesmuseum Joanneum, Lendkai 1 - Graz