The Great Learning of London (A Taxi Opera) by Beatrice Gibson is a live performance and radio work in seven parts based on "The Knowledge" (the infamous London cabbie navigation system and mnemonic device students must master in order to become licensed cabbies).
The Great Learning of London
A collaboration between artist Beatrice Gibson and musician Jamie
McCarthy, ‘If the Route:’ The Great Learning of London is a live
performance and radio work in seven parts based on The Knowledge (the
infamous London cabbie navigation system and mnemonic device students must
master in order to become licensed cabbies) .
The Performance.
The live performance of the 'if the route' has been developed
collaboratively with 10 students from Knowledge Point and four improvising
string players.
A complex and fascinating mathematics of the everyday, The Knowledge
involves learning 320 routes or runs mapped within a six-mile radius of
Charing Cross. Traveling approximately 26,000 miles across the city on
Honda C90's, knowledge students memorize a total of 30,000 streets.
‘Calling over’ entails that after the completion of the days run[s],
students must call them out, reciting them out loud. Partners form to call
over runs to one another, using recital and repetition as a means to
remember the city. Knowledge Point on Caledonian road, one of several
taxi universities students may attend and whose curriculum includes a
series of mnemonic devices to aid in their endeavor, is filled with pairs
of men and increasingly the odd woman aurally reciting sets of directions
to one another. Entering it is to be surrounded by the city fragmented and
auralized into sets of sentences and street names, a veritable symphony
performing the city as text .
Using the technique of calling over as its principle sound source, the
performance of ‘if the route’ celebrates and elaborates this formidable
system and poetic by re-contextualizing it within in the space of the
gallery. Modeled on paragraph seven of Cardew's original score, Gibson and
McCarthy's compositional structure emphasizes the practice of calling over
as an ongoing process of repetition, memorization, rehearsal and
navigation, articulated in a networked and non heirarchical manner.
The Score.
‘If the Route’ takes it title from The Great Learning, the well known
score by the radical and experimental 60’s composer and musician Cornelius
Cardew. Informed by similar developments and ideals in the Fluxus
movement and realized around the same period, Cardew’s work was rooted in
belief of the democratic potential of music as a social platform, his
score’s often intended for implementation by untrained
musician-performers. Cardew’s version of the Great Learning was a score
in seven paragraphs, rooted in and acoustically generated by the Confucian
text of the same name. Playing on the title of ‘the great learning’ as it
relates to The Knowledge and its own system of learning, and borrowing
from the methodology, structure and political intent of Cardew’s score,
Gibson and McCarthy have used both aural and non aural research into the
knowledge as the generative principle behind composition. The score for
'if the route' provides the basis for both realization of live perfo
rmance and the radio works.
The Radio Works.
Mirroring the seven paragraphs of Cardew’s score, the radio piece
comprises seven parts and takes place over seven weeks. In keeping with
the spirit of Cardew and the political gesture of experimental composition
in general, seven practitioners from varying fields and disciplines have
been commissioned by Gibson and McCarthy to use and translate the score
for radio according to their own personal and varying interpretations.
Participants include; artist and architect Celine Condorelli, artist
Beatrice Gibson, musician and composer Kaffe Matthews, musician Jamie
McCarthy, artist and writer, Tom McCarthy, poet and cabbie, Simon
Phillips, and architect and theorist, Eyal Weizman in collaboration with
Peter Mörtenböck & Helge Mooshammer (Networked Cultures)
Studio Voltaire
1A Nelson's Row - London