Loud voices can be heard through the window of a small house in the centre of Ghent. White porcelain
plates launched from the same window narrowly miss you. As a chance passer-by you get the feeling
you are witnessing a couple arguing and the heap of shards on the street makes you think the
argument has been going on for weeks. In fact it is all part of a work by the French artist Patrick
Lebret, one of the fifty-five artists in the ?Over the Edges? exhibition.
The idea of an exhibition in and about the centre of Ghent took shape when, several years ago, Jan
Hoet was asked to organise a contemporary event for the Charles V year. According to Hoet and his
co-curator Giacinto Di Pietrantonio, the artist should be better able than anyone to accentuate the
structure and richness of a city. For example, the American artist Brian Tolle brings a façade on the
Korenlei to our attention. A wall has been installed in front of the existing 16th-century façade, showing
in great detail the reflection of the façade in the water.
The starting point for ?Over the Edges? is the corner, ?the boundary
between interior and exterior, between indoors and outdoors,
between private and public?. The corners are the city?s structural
accents. In the old city centre, made unique by the history in its very
pores, the corners of streets and houses function as reference points
in the orientation of the city. So, for example, there are the highly
realistic guide dogs for the blinds by the American artist Tony
Matelli which indicate the direction on three corners at various points
in the centre.
From early April till late June, poets, musicians and fire-eaters will
perform with some degree of regularity on a covered stage at the
western door to the Cathedral of St Bavon. This black stage is the
contribution made by the Flemish artist Thierry De Cordier. His
work, the ?Chantoir? is on the one hand intended to challenge the
visitor to take an active part in the exhibition, and on the other refers
directly to the history of the location, to the time when the church was
the focus of a great many economic and social functions.
Giuseppe Gabellone has not based his work on a single corner, but
rather the complex street pattern in which the corner is seen as the
point at which several streets join together. He has transformed this
pattern into a box measuring one and a half metres square. This
work is shown inside a house. The way the artists handled the
concept of the corner has always been entirely in their own hands; they themselves chose a location in
the centre of Ghent and also had complete artistic freedom. The artists came to Ghent in groups
spread over two years to get to know it and to transform their view of the city into a contribution to the
exhibition. It was not laid down in advance that the works had to be on the outside of the corner, so one
will see works both inside and outside.
?Over the Edges? has been worked out and organised by SMAK, the Museum of Contemporary Art.
This relationship is also emphasised in the exhibition, for instance in the two booking and information
stands, one in the city centre and one in the museum. The tickets are accompanied by a street map of
the exhibition, which, as well as the locations, also provides a short description of all the works to be
seen. The ticket is for admission to both all the indoor locations and the museum itself.
While the exhibition is on, a room in the museum will used to display the designs, sketches and
models by the artists involved. A taxi will go back and forth between the museum and the city centre.
The Thai ?taxi artist? Navin Rawanchaikul will see to it that his contribution creates a unique
connection between the city and the museum.
For visitors who wish to start their tour of the works from the centre itself there is plenty of opportunity to
obtain more information and buy tickets in the historical heart of the city. With his ?Meeting Point?
project, comprising several information and meeting points, the Spanish artist Angel Vergara will be
providing the route of the exhibition with a certain continuity. He has used material from the Belgian
army for this. As a consequence, from April to June the city will not only be occupied by works of art,
but this occupation will in a manner of speaking also be supported and reinforced by the army.
Artists participating
Mario Airó, Simone Berti, Marco Boggio Sella, Dirk Braeckman, Maurizio Cattelan, Tom
Claassen, Thierry De Cordier, Peter De Cupere, Wim Delvoye, Honoré d?O, Jimmy Durham,
Olafur Eliasson, Jan Fabre, Alicia Framis, Nicolas Floc?h & Micha De Ridder, Giuseppe
Gabellone, Alberto Garutti, Cai Guo Qiang, Fabrice Gygi, David Hammons, Jonathan Horowitz,
Ilya Kabakov, Allan Kaprow, Kcho, Stefan Kern, Masato Kobayashi, John Körmeling, Joseph
Kosuth, Dimitris Kozaris, Patrick Lebret, Bernd Lohaus, Emilio Lopez-Menchero, Tony Matelli,
Rita Mc Bride, Juan Munoz, Maria Nordman,Michelangelo Pistoletto, Avery Preesman,
Philippe Ramette, Navin Rawanchaikul, Gert, Robijns, Ugo Rondinone, Pipilotti Rist, Michael
Ross, Kiki Smith, Haim Steinbach, Charlene Teters, Brian Tolle, Keith Tyson, Hubert &Jan Van
Eyck, Atelier Van Lieshout, Vedovamazzei, Angel Vergara, Sislej Xhafa, Huang Yong Ping
Practical information "Over the Edges"
Dates
1 April to 30 June 2000
Museum opening times
10 to 6 everyday except Mondays
Price of tickets + map of the city
300 BEF / 7.44 E: individual visitors
200 BEF / 4.96 E: groups of 15 or more and concessions (students, under-25s, over-55s,
school-groups, etc.)
Information
Charles V infoline:+32.70.233.888
SMAK: tel: +32 9 221 17 03 fax: +32 9 221 71 09
SMAK Museum of Contemporary Art Ghent
Citadelpark, 9000 Ghent Belgium
phone 32 - 9 - 2211703