Xiang Liqing's world of images by Li Xu, curator, Shanghai Art Museum. The name Xiang Liqing first started to make itself known as a photographer. However, his talents extents far beyond just photography and a series of his works reflecting his special and unique interpretation of images are testimony to this fact.
Xiang Liqing's world of images by Li Xu, curator, Shanghai Art Museum
The name Xiang Liqing first started to make itself known as a
photographer. However, his talents extents far beyond just photography
and a series of his works reflecting his special and unique
interpretation of images are testimony to this fact.
Initially, Xiang Liqing focused his camera on uniform and ordinary
residential buildings to be found in any city of China. After careful
selection and elaborate photography, he cut the pictures into small
fragment-like units. Following computer processing, these fragments
were made into new vividly colored pictures with a Bop-like effect. The
crowded fragments were arranged in geometrical spaces just like a
puzzle, creating an unimaginable psychological tension. Later, he
became infatuated with colorful soap bubbles, deeply imbued with social
and economic symbolism. The vehicles of various dreams, these soap
bubbles floated high in the urban air only to be burst by a finger or
needle. Afterwards, shifting his focus to the ego, Xiang Liqing took a
series of pictures with autobiographic and literary imagery. What
remained unchanged was that these pictures too were cut into fragments
of various extents and overlapped, squeezed, torn and placed askew,
resulting in unfathomable works marked with a certain hollowness and
ambiguity.
Recently, Xiang Liqing completed a new series of oil paintings. At
first glance, they might appear abstract, however, further observation
will see viewers realizing representational concepts. The images are
all human beings, human beings arranged as if in a maze. They are just
like fragments that constitute society. Existing within their
negligible and insignificant daily life, all their identities,
personalities and characteristics are eliminated. In the works of Xiang
Liqing, they are just images composed of brushstrokes. The only value
to their existence is to comprise an imperfect ornamental canvas. Xiang
Liqing said, ¡°this is my direct feeling about people, behaviors of
the people in my pictures are illusory, collectivized, lonely, affected
and blind.¡±
It is absolutely likely for an artist to have comprehensive creative
abilities. However, due to limited efforts, they usually prematurely
position themselves as oil painters, traditional Chinese painters,
sculptors or photographers. The definition is conducive for
organizations to identify artists¡¯ status and falls in with the
traffic rules of commercial operations. However, when we look back at
the history of art, we discover that each ancient Chinese artist
simultaneously possessed accomplishments in literature, calligraphy,
painting and seal cutting. Since the Renaissance to modern times, there
have also been many western artists with a comprehensive range of
accomplishments. Young Xiang Liqing, who persists in his exploration of
cross-discipline art, will no doubt provide us with clear and ample
proof of his abundant creative energies. I believe that the continual
increase in his variety of creative means, my eyes will be present with
an even greater expression of Xiang Liqing¡¯s world of images.
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