Drawings from the Graphic Collection. Koch belonged to a generation which aimed at refining the empirical reproduction of nature by means of ideal compositions and the "incorporation of stories," mostly from mythology. Curated by Cornelia Reiter
curated by Cornelia Reiter
Joseph Anton Koch (1768-1839), a native of Tyrol, definitely ranks among the most important representatives of Neo-Classicist landscape painting and drawing. He spent most of his life in Rome, where he, as a markedly integrative personality, became the center of the German artists' colony. Koch belonged to a generation which aimed at refining the empirical reproduction of nature by means of ideal compositions and the "incorporation of stories," mostly from mythology.
The Graphic Collection of the Academy of Fine Arts Vienna possesses one of the largest collections of Joseph Anton Koch's drawings which, with only a few exceptions, were incorporated into the Academy's holdings as a single body of works directly from the artist's estate in 1865. Their range spans from Koch's early Swiss nature studies to his generously conceived cycles of illustrations for cornerstones of European literature (Dante's Divina Commedia, Macpherson's The Works of Ossian, and tragedies by Aeschylus), from mythological and Christian subjects to his late nature studies made in the vicinity of Rome. Together with the artist's drawings, two portraits were added to the collection: a drawing by Johann Michael Wittmer and a caricature by his assistant Hieronymus Hess, which depicts the artist painting the Schmadribach Falls; both reveal a lot of Koch's character and temperament, who seems to have been an affable and amicable man, but also prone to fits of rage and mordant criticism.
PechseeJoseph Anton Koch, Dante and Virgil Looking down on the Barterers Immersed in the Lake of Boiling Pitch. Ciampólo di Navarra, 1803, pen over pencil, 370 x 295 mm
© Graphic Collection of the Academy of Fine Arts Viennat
The occasion for the presentation in the exhibit space of the Academy of Fine Arts Vienna has been provided by the completion of the third volume of collection catalogues on its nineteenth-century works - an undertaking that has been made possible through the Austrian Science Fund's support. More than 850 drawings have been systematically described for the first time - which is all the more important as these works constitute the material intensely studied by Koch's pupils.
A catalogue presenting the works on display, among them Koch's "Views of Rome" cycle of prints and two extraordinary views of Rome recently purchased by the Casa di Goethe, will be published on the occasion of the exhibition shown in Vienna and in Rome. A symposium is scheduled to take place in both venues on the day after the opening.
(text by Cornelia Reiter)
Translation: Wolfgang Astelbauer
Exhibition tournee
25.05.-24.07.2011, Casa di Goethe, Rome
25.05.2011, Symposium at the Austrian Historical Insitute at the Austrian Cultural Forum
11.03.-06.05.2012, Museum Georg Schäfer, Schweinfurt
Image: Joseph Anton Koch, Agnello Brunelleschi, vom sechsbeinigen Drachen angefallen, 1803. Illustration zu Dantes "Divina Commedia", Federzeichnung © Graphic Collection of the Academy of Fine Arts Vienna
Symposium on Joseph Anton Koch (in German language): 23 March 2011, 9.30 am - 6 pm
Exhibition of the Academy of Fine Arts Vienna
Program: http://www.akbild.ac.at/resolveuid/7a9ce7283b6d7c58ac458b627ef87607
Academy of Fine Arts Vienna
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