The Buried Alive Group
Mario Garcia Torres
Mathilde ter Heijne
Artistic Authorship between Desubjectivization and Recanonization. The artist-subject seems to depend on splitting up by means of the strategies of camouflage and disguise in order to "survive," as he/she already has to play so many roles and fill so many gaps in today's capitalist society.
There are many reasons why artists appear as fictive persons or anonymously in a collective and create narratives situated between fiction and reality: as reference to gaps or blind spots in an otherwise discursively safeguarded canon, as a critique of institutional structures of authorship or their representational politics of normative gender roles and ethnicity, as protection from political persecution, and, last, not least, to demystify the inflated figure of the artist person. Collective authorship is currently situated on the fault lines of a deconstructed, postmodern concept of the subject and the anarcho-activist forms of resistance and critique of capitalism that may (and must) be organized collectively. These formations also refer to issues of virtual identities and the phantasms of their respective security policies. Narrative and documentary evidence still seems to be central to the construction of alternative identities and the camouflaging of their fictitiousness when it comes to revealing the claim to truth of both historicizing discourses and canonical formations in art history: historiography and memory can be reconstructed and reevaluated this way.
In this respect the exhibition attempts to trace several questions: Does the "death of the author" go hand in hand with the rebirth of the audience or the reinvention of artistic sovereignty? Is the desire to contest authenticity and to form collective authorship a means to resist the post-Fordist pressure of individualization? The artist-subject seems to depend on splitting up by means of the aforementioned strategies of camouflage and disguise in order to "survive," as he/she already has to play so many roles and fill so many gaps in today's capitalist society.
Curators: Georgia Holz, Claudia Slanar
Artists: Hina Berau / Judith Fischer, Ursula Bogner, Dagmar Buhr, The Buried Alive Group, Zoe Crosher, Carola Dertnig / Lora Sana, Justine Frank, Mario Garcia Torres, Janez Janša, Janez Janša, Janez Janša, Barbara Kapusta, Matthias Klos, Maxim Komar-Myshkin, Warren Neidich, Roee Rosen, SUPER VÉRO, Mathilde ter Heijne, Unknown Artist, Laura Wollen, Donelle Woolford, Ronda Zheng / Ricarda Denzer / Isa Rosenberger
An exhibition in the context of the key topic "The girl as artist and performer. Worlds of artistic de/subjectivization"
Accomanying program in xhibit and M 13 at the Academy, Mumok cinema, Top-Kino, and Tanzquartier Wien from 22.11.2013
Further events in the context of the key subject:
international Conference: "THE GIRL ON >SUBJECT<=???"
23.11.2013, 10.00 a.m. - 7.00 p.m., Room M 13
Concept: Elisabeth von Samsonov
Image: Mathilde ter Heijne, Mathilde, Mathilde, 1999 (Videostill), Courtesy of the artist
Ruth Lackner T +43 (1) 588 16-1304 firstname.lastname@example.org
Opening: Thursday, 21.11.2013, 7.00 p.m., xhibit
Welcome address: Andrea B. Braidt, Vice Rector for Art and Research, Academy of Fine Arts Vienna
Introduction: Georgia Holz and Claudia Slanar, curators
Concert for six signal generators, composition: Ursula Bogner
Academy of Fine Arts Vienna
Schillerplatz 3, 1010 Wien
Opening hours: Tue-Sun, 10.00 a.m.-6.00 p.m., free admission
Special opening days: 08.+26.+30.12.2013 and 06.01.2014,
10.00 a.m.-6.00 p.m.
Closed on 24.+25.12.2013 and 01.01.2014