DHC/ART Foundation for Contemporary Art
Montreal
451 St-Jean Street
1 514 8493742 FAX 1 888 9342278
WEB
Jake and Dinos Chapman
dal 3/4/2014 al 30/8/2014
wed-fri 12pm-7pm, sat-sun 11am-6pm

Segnalato da

Myriam Achard


approfondimenti

Jake & Dinos Chapman



 
calendario eventi  :: 




3/4/2014

Jake and Dinos Chapman

DHC/ART Foundation for Contemporary Art, Montreal

Come and See. The Chapmans' varied and multidisciplinary practice grapples with a wide range of themes including morality, religion, sex, death, philosophy, the history of art, and consumer culture. This large-scale exhibition presents a wide survey of their oeuvre: sculpture, painting, drawing, printmaking, film, literature, and installation offer a riotous immersion into the horror and hilarity that inhabits their world.


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Jake & Dinos Chapman: Come and See is organized in collaboration with the Serpentine Galleries, London.

DHC/ART Foundation for Contemporary Art presents Come and See, the first major exhibition in North America by British artists Jake and Dinos Chapman. In collaboration since the 1990s, the Chapmans’ varied and multidisciplinary practice grapples with a wide range of themes including morality, religion, sex, death, philosophy, the history of art, and consumer culture. While provocative and deliberately confrontational, their work is also deeply critical, challenging us to acknowledge what is uncomfortable and messy through irreverence and dark humour.

This large-scale exhibition, displayed in DHC/ART’s two locations, presents a wide survey of the Chapmans’ oeuvre: sculpture, painting, drawing, printmaking, film, literature, and installation offer a riotous immersion into the horror and hilarity that inhabits their world. On view is Disasters of War IV (2001), one of the artists’ earliest print portfolios, which references Francisco Goya’s famous and critical depiction of war and its atrocities resulting from Napoleon’s occupation of Spain. The Sum of All Evil (2012-13) is the latest monumental iteration of the well-known Hell series of vitrine dioramas, and features apocalyptic landscapes teeming with miniature figures of Nazi soldiers and McDonald’s characters in the throes of grotesque cruelty. The overwhelming scale of these scenes is outdone only by the incredible detail and painstaking labour evident here and in other works by the Chapmans. The Chapman Family Collection (2002) parodies traditional museum displays and ethnographic museal practices. This selection of bronze sculptures merges the fetishization of ethnographic objects with McDonald’s characters—symbols of the commercial world—in order to reveal the underlying hypocrisy of globalization, colonialism, and commercialization.

Named after Elem Klimov’s 1985 film, Come and See provides an opportunity to behold an impressive array of works by these prolific artists. Above all, however, it is an invitation to keep our eyes open, to bear witness, to question and, perhaps, even to delight.

Jake (b. 1966, Cheltenham) and Dinos (b. 1962, London) Chapman were nominated for The Turner Prize in 2003. They have exhibited their work extensively since the 1990s, including recent solo exhibitions at SongEun ArtSpace Museum, Seoul, and PinchukArtCentre, Kiev (both 2013); The Hermitage, St Petersburg (2012); and Tate Liverpool (2006).

DHC/ART Foundation for Contemporary Art

Founded in the fall of 2007, DHC/ART Foundation for Contemporary Art is a gallery space housed in a converted historic building in the heart of Old Montreal. A privately endowed foundation, DHC/ART presents some of the most compelling works from around the world.
The Foundation—which has quickly carved out a reputation as one of Montreal’s foremost spaces for contemporary art—offers free admission and flexible opening hours.

DHC/ART also aims to foster a greater appreciation and understanding of the art it presents. For each exhibition, the Foundation offers an education and outreach program and various public events, all free of charge.

Image: Jake and Dinos Chapman, When the world ends, there’ll be no more air. That’s why it’s important to pollute the air now. Before it’s too late. After the end of the world, also, all the technological advances which have been made in this century, which could at this very moment allow a leisure society for all but a few technicians, and a few women with wombs, - so that there will, I mean there could, be no more social class - after the end of this world when humans are no more, the machines for human paradise will run on their own. Just as McDonald’s now runs.  (Free Willy), 2012. Fibreglass, plastic and mixed media / 80 11/16 x 50 5/16 x 50 5/16 in. (205 x 127.8 x 127.8 cm) © Jake and Dinos Chapman. Photo: Ben Westoby. Courtesy artists and White Cube

For more information, please contact Myriam Achard, Director, Communication and Public Relations at 1 514 866-6767, ext. 5104 or by email at machard@dhc-art.org.

DHC/ART
451 & 465, St-Jean Street - Montreal, Quebec H2Y 2R5
Wednesday – Friday
12 PM – 7 PM
Saturday – Sunday
11 AM – 6 PM
Free Admission

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