An exhibition of figurative paintings and drawings. Tom Ellis, G- Brecht, Keith Robert, Paul Ryan, William Steiger, Marcel van Eeden.
An exhibition of figurative paintings and drawings
Tom Ellis's small paintings are loose and painterly, and explore the
boundaries between abstraction and narrative description. Often Ellis
constructs models of imaginary landscapes and makes paintings directly
from them. The recent winter landscapes are made in this way and are
shown alongside the models.
G- Brecht is a London based Dutch artist. He is known for his large-scale
paintings of
office interiors, as well as his works depicting an outside world where nature
and human technology, in the form of surveillance monitors, lighting systems
and control stations, vie for dominance.
Keith Robert's new large landscape paintings, from the series The Edge of
a Cold River,
combine a painterly surface with a distorted sense of photographic realism.
Using a palette of only black, blue and electric pink he produces a filtered
image akin to those created by infra-red cameras.
Paul Ryan makes large pen and ink drawings on tissue paper, meticulously
enlarged from small sketches. The gestural appearance of the resulting
drawings is made up of thousands of small marks. Ryan has been recording
his environment in sketch books for the last eighteen years and we will be
showing three works, Beach, Spiders and The Three Crosses, the latter
taken from a part of Michelangelo's famous drawing.
William Steiger's work is inspired by a former industrial age. The paintings
represent structures which epitomise progress, movement and technology.
His meticulously rendered paintings flirt with abstraction - devoid of all detail
the subjects are stripped down to line, tone and colour. Included in the show
will be Schuylkill - an aerial landscape of patchwork fields intersected by a
winding river and Dirigible at Mooring Mast, a view of a zeppelin tethered to a
mast. William Steiger lives and works in New York.
Marcel van Eeden's small graphite drawings refer to photographs which
pre-date his birth in 1965. The images - which include bar and restaurant
interiors, street scenes, burning buildings and landscapes - appear to have
been randomly chosen but they are an attempt by van Eeden to describe
everything from a world he never occupied. Closely hung these uniform works
are punctuated by similar sized abstract and text based images derived from
old advertisements. This is the first time Marcel van Eeden's work has been
shown in London.
Opening times: Tuesday - Friday 11am - 6pm
Saturday 12noon - 4pm
Image:
Marcel van Eeden
no title pencil on paper 14 x 19 cm
percy miller gallery
39 Snowsfields London SE1 3SU
T. 020 7207 4578
F. 020 7207 0593