Paul Chan
George Condo
Keren Cytter
Simon Denny
Patrizio Di Massimo
Simon Fujiwara
Amy Granat/Cinema Zero
Thomas Houseago
Bethan Huws
Nathaniel Mellors
Laure Prouvost
Pietro Roccasalva
Vincent Honore'
Exploring indexical motifs such as the dissolution of language, the theatricalised body and the 'breakdown' of an image, the project questions how a notion such as 'exhaustion' can be formally enacted. More Pricks Than Kicks borrows its title from the first book published by Samuel Beckett. This collection of short proses, in particular their witty and dry humour together with the formal qualities of Beckett's style (as analysed by Gilles Deleuze in his essay The Exhausted), confers its tone to the exhibition. Curated by da Patrizio Di Massimo and Vincent Honore'.
curated by da Patrizio Di Massimo and Vincent Honoré
The David Roberts Art Foundation is pleased to present More Pricks Than Kicks, an
exhibition co-curated by DRAF’s director Vincent Honoré and artist Patrizio Di Massimo.
Exploring indexical motifs such as the dissolution of language, the theatricalised body
and the “breakdown” of an image, the project questions how a notion such as
“exhaustion” can be formally enacted.
Language informs many of the works on view. Abused and manipulated to the point it
cannot be conceived even as an imperfect tool for communication, language is
characterized by collapses, stammers, fragmentations, collages, ellipses, mixed idioms or
unknown tropes. This peculiar manipulation forces language to its dissolution. The same
is applied to the body. Choreographed, distorted and fragmented, this “anxious” body
manifests the convulsive aspects of the human condition through the burlesque. Body and
language can only be overtly theatricalised for them to reflect any intimate existential
needs (creativity, History, history of art, decay, religion, eroticism, etc.). "The work of art
for those who use it, is an activity of unframing, of rupturing sense, of baroque
proliferation or extreme impoverishment which leads to a recreation and a reinvention of
the subject itself." (Felix Guattari in Chaosmosis)
Such (mis)treatments of language and body naturally lead to the image’s breakdown.
Because the works “take by force a structure that was on the verge of asserting itself” (as
Felix Guattari wrote on George Condo’s paintings in an early text, 1990), they generate
disquieted and often humorous images: incongruous, absurd, anachronistic, kitsch,
regressive or hybrid works. It is through this methodical and rhizomatic manipulations,
borrowing of classical codes in an iconoclastic approach, that the works eventually
address a crisis of the standard representative modalities, and of creation itself.
More Pricks Than Kicks borrows its title from the first book published by Samuel Beckett.
This collection of short proses, in particular their witty and dry humour together with the
formal qualities of Beckett’s style (as analysed by Gilles Deleuze in his essay The
Exhausted), confers its tone to the exhibition. More Pricks Than Kicks intends to create a
platform to question creation in its more sinister quality, contemporary time in its less
graspable entity. The works are not fixed proposals but active processes: exhausted since
themselves are necessary failed attempts to exhaust a form, a medium, a system, a notion.
Their linked dynamic is formed by a methodical crisis that cultivates accidents, a crisis
that accepts exhaustion as the paradoxical core of any creative dynamic.
ABOUT MORE PRICKS THAN KICKS
The exhibition is the outcome of a twelve months dialogue and research between curator
Vincent Honoré and artist Patrizio Di Massimo about contemporary practices and
curatorial projects. Most of the artists invited in the exhibition had been asked to
participate in this conversation by either entering into a collective dialogue, sharing
references or sources, proposing new works and interventions. The exhibition includes a
variety of media (sculptures, paintings, drawings, wall texts, videos, performances)
together with a number of works from the David Roberts Collection displayed for the first
time in London. Vincent Honoré and Patrizio Di Massimo curated the exhibition in
collaboration with Sandra Pusterhofer, Assistant Curator and Annabel Rioux, Intern.
EVENTS AND PERFORMANCES
On Thursday 14 October from 7pm, David Roberts Art Foundation will present an
evening of specially commissioned performances and events to coincide with Frieze.
Artists and groups participating are Patrizio Di Massimo, Amy Granat/Cinema Zero and
Laure Prouvost.
ABOUT THE DAVID ROBERTS ART FOUNDATION LIMITED
The David Roberts Art Foundation: exhibiting, producing, sharing. A platform dedicated
to critical dialogues and experiments, programmed by Vincent Honoré. The David
Roberts Art Foundation Limited is a registered charity in England and Wales (No.
1119738) and a company limited by guarantee registered in England and Wales (No.
6051439) at 25 Gosfield Street, London, W1W 6HQ. It is proudly supported by the
Edinburgh House Estates group of companies.
Image: Amy Granat/Cinema Zero
Opening 12th October from 6.30pm
Events and Performances: Thursday 14th October from 7pm
David Roberts Art Foundation Fitzrovia
111 Great Titchfield Street, London
Opening times: Tuesday – Friday 10am – 6pm, Saturday 11am – 4pm
Free admission