Yto Barrada
Claude Gacon
Markus Buser
Eric Hattan
Andrei Monastirski
Stephen Prina
Monika Snosnovska
Silke Wagner
Taking a distanced, critical look at oneself, taking oneself seriously as an artistic theme without succumbing to smugness: in capital letters unites eight artists of different generations and origins, whose works reflect on the Kunsthalle Basel as an institution, its location, its activities and its aura.
Yto Barrada (born 1971, Paris), Claude Gacon (born 1956, Basel), and
Markus Buser (born 1943, Basel), Eric Hattan (born 1955, Basel), Andrei
Monastirski (born 1949, Russia), Stephen Prina (born 1955, Los
Angeles), Monika Snosnovska (born 1972, Poland), Silke Wagner (born
1968, Germany).
In the picture:Eric Hattan, sans titre, 1996
Taking a distanced, critical look at oneself, taking oneself seriously as an
artistic theme without succumbing to smugness: in capital letters unites
eight artists of different generations and origins, whose works reflect on
the Kunsthalle Basel as an institution, its location, its activities and its
aura. The impending refurbishment of the building offers an appropriate
occasion to look back on the eventful history of one of the oldest
Kunstvereine or art associations. What can its history teach us for the
future?
In addition to the artists various perspectives, the institution itself will
throw some light on both its location and its activities, rendering the
history of the institution and its links and networks visible by presenting
works from the collection of the Kunstverein Basel. Questions will also
be raised as to the future handling of its stocks.
Through the foundation of the Kunstverein Basel (Basel art association)
in 1839 and the construction of the Kunsthalle in 1869, the association
played an influential role in promoting a greater acceptance of
contemporary art and in the course of time assumed the function of a
model for many of the exhibition venues that were established at a later
date. Today, the art associations, and thus also the Kunsthalle Basel, are
confronted with new questions and problems that arise in the face of the
ever more densely populated museum landscape. The era of the classical
typology - here Kunsthalle, there Kunstmuseum or project room - is long
over for Basel in particular. The opening of the Museum für
Gegenwartskunst was followed by that of the Fondation Beyeler; then
came the Musée Jean Tinguely and next year the Schaulager der
Emanuel Hoffmann Stiftung will join the group. Furthermore Basel is also
the home of numerous smaller exhibition venues focusing their efforts on
contemporary art.
Consequently, contemporary art is becoming established faster today
than ever before and is even gaining more direct access to museums.
Moreover, contemporary art can also be found more often in the art
collections of open-minded and dynamic companies and collectors. Does
this mean the end of the traditional role of the Kunstverein? In view of this
dynamic development, the Kunsthalle sees itself called upon to approach
new tasks, one of which is to reflect on the site in which, and conditions
under which contemporary art is generated.
This exhibition is curated by Peter Pakesch and Christina Végh. The
accompanying catalogue in German and English is published by Schwabe
Verlag and costs Sfr 20.
Contact: Christina Végh, chvegh@kunsthallebasel.ch
Lower Rooms 1-7
Opening: Friday, 27 September, 18.30 hrs
Opening hours:
Tuesday - Sunday 11 a.m. - 5 p.m.
Wednesday 11 a.m. - 8:30 p.m / closed on Mondays
Kunsthalle Basel
Steinenberg 7
CH-4051 Basel