Henny Acloque
Phillip Allen
Tim Bailey
Nathan Barlex
Mike Bartlett
Alice Browne
Lindsey Bull
Nick Carrick
Michelle Charles
Clem Crosby
Theo Cuff
Kaye Donachie
Sarah Douglas
Sarah Dwyer
Andrew Graves
Paul Housley
Thomas Hylander
Hannah Knox
Laura Lancaster
Robert Lang
Sarah Lederman
Eleanor Moreton
Mali Morris
Alex Gene Morrison
Nadia Mulder
Jill Mulleady
Mahali O'Hare
Scott O'Rourke
Joanna Pawlowska
Joanna Phelps
Benjamin Senior
Shaan Syed
Zack Thorne
Gavin Toye
Helen Turner
Claire Undy
David Webb
Robert Welch
Andy Wicks
Jo Wilmot
Alli Sharma
Painting between representation and abstraction. Fade Away is the first in an ongoing series of exhibitions at Transition with guest curators focusing on the diversity of contemporary painting and exploring the ways in which artists are engaged with it. Curated by Alli Sharma.
curated by Alli Sharma
Henny Acloque, Phillip Allen, Tim Bailey, Nathan Barlex, Mike Bartlett, Alice Browne, Lindsey Bull, Nick Carrick, Michelle Charles, Clem Crosby, Theo Cuff, Kaye Donachie, Sarah Douglas, Sarah Dwyer, Andrew Graves, Paul Housley, Thomas Hylander, Hannah Knox, Laura Lancaster, Robert Lang, Sarah Lederman, Eleanor Moreton, Mali Morris, Alex Gene Morrison, Nadia Mulder, Jill Mulleady, Mahali O’Hare, Scott O’Rourke, Joanna Pawlowska, Joanna Phelps, Benjamin Senior, Shaan Syed, Zack Thorne, Gavin Toye, Helen Turner, Claire Undy, David Webb, Robert Welch, Andy Wicks, Jo Wilmot.
Fade Away is the first in an ongoing series of exhibitions at Transition with guest curators focusing on the diversity of contemporary painting and exploring the ways in which artists are engaged with it.
Fade Away, which is curated by Alli Sharma, with an accompanying text by Barry Schwabsky, features paintings that oscillate between representation and abstraction. With widely diverse references and subject matter, they all share a strong material presence. Whatever the creative enquiry, they make you think about paint and the act of painting.
Some of the Fade Away artists work directly from the perceptible world; others use the representational as a point of departure into the abstract, or conversely, explore the abstract, which reveals itself as subject. The dialogue between surface and illusion, representation and abstraction, performs a paradoxical balancing act where surfaces are brushed, scored, erased, layered, revealed, dripped and collapsed. Compositions teeter on the verge of illegibility where images emerge and fade away.
Image: Clem Crosby, 'Picabia', 2010, oil on Formica, 51x41cm
Private View: Thur, 2 Dec, 6-9pm
Transition Gallery Unit
25a Regent Studios, 8 Andrews Road, London
Gallery open: Thur-Sun, 12-6pm
free admission