Richard Aldrich
Troy Brauntuch
Manon de Boer
Matthew Buckingham
Moyra Davey
Thea Djordjadze
Aurelien Froment
Rachel Harrison
Charline von Heyl
Ull Hohn
William E. Jones
Elad Lassry
Rosalind Nashashibi
Blinky Palermo
Laure Prouvost
Steve Roden
Emily Roysdon
Rosemarie Trockel
Ed Atkins
Marc Camille Chaimowicz
Steven Claydon
Sergej Jensen
Sam Lewitt
R.H. Quaytman
Josef Strau
Paul Thek
An exhibition that explores the language of repetition, bringing together works that destabilize conventional ways of seeing and considering what is past and what is present. Engaging gesture, image sequence, material affect, and displaced narrative, the works on view create disjunctions with the way the time of the present is experienced, challenging our understanding of what it means to be contemporaries.
Richard Aldrich, Troy Brauntuch, Manon de Boer, Matthew Buckingham, Moyra Davey, Thea Djordjadze, Aurélien Froment, Rachel Harrison, Charline von Heyl, Ull Hohn, William E. Jones, Elad Lassry, Rosalind Nashashibi, Blinky Palermo, Laure Prouvost, Steve Roden, Emily Roysdon, and Rosemarie Trockel
Novel with Ed Atkins, Marc Camille Chaimowicz, Steven Claydon, Sergej Jensen, Sam Lewitt, R.H. Quaytman, Josef Strau, and Paul Thek
SculptureCenter is pleased to present Time Again, an exhibition that explores the
language of repetition, bringing together works that destabilize conventional ways of seeing
and considering what is past and what is present. Engaging gesture, image sequence,
material affect, and displaced narrative, the works on view create disjunctions with the way
the time of the present is experienced, challenging our understanding of what it means to be
contemporaries. Curated by Fionn Meade, Time Again will be on view May 9 – July 25, 2011.
An opening reception will take place Sunday, May 8th, 5-7pm and is open to the public.
Within the exhibition, archival and historical settings are re-animated only to be undone,
including William E. Jones’s video Berlin Flash Frames, 2010, which parcels out footage from
an unedited film produced by the U.S. Information Agency found in the National Archives of
the United States labeled with the provisional title “Berlin, 1961.” Jones’s re-edit features
distanced shots of the Berlin Wall under construction alongside propagandistic scenarios
featuring actors on stage sets. Similarly, Emily Roysdon’s Untitled (David Wojnarowicz
Project), 2001-2007, responds to and redirects Wojnarowicz’s earlier work Arthur Rimbaud
in New York, 1978-79, while an excerpt from Marc Camille Chaimowicz’s Shoe Waste?,
1971-2005, returns to documentation of a clandestine action performed above and beneath
the River Thames in London.
Additional works to be exhibited include a new sculpture by Rachel Harrison, Avatar, 2010;
Ull Hohn’s series of plaster relief paintings, Untitled, 1988; Thea Djordjadze’s Deaf and dumb
universe (Gerüst), 2008; and Troy Brauntuch’s Stamps, 1975-2007, which gathers together
the artist’s collection of figurative rubber stamps that have been used in his collages over the
past thirty years. Also on view will be sculpture, collage, and video works from Rosemarie
Trockel, including Goodbye Mrs. Mönipaer, 2003, a cinematic pantomime that explores the
psychologically fraught role-playing that can emerge between artists and gallerists, studio and
market concerns, and private and public selves.
The performing body and political subject present themselves throughout the exhibition via
acts of estrangement, reversal, ritualized behavior, and fragmentation. Manon de Boer’s film
Attica, 2008, for example, captures a refracted consideration of the 1971 prison uprising in
the form of a musical performance, while Rosalind Nashashibi’s This Quality, 2010, offers an
indirect view of Cairo through tightly framed observations of likeness and variation. Matthew
Buckingham’s Image of Absalon to be Projected Until It Vanishes, 2001, addresses a public
that may no longer exist in a fragmented portrait of the Danish warrior-bishop and quasi-
mythic founder of the city of Copenhagen. Similarly, the place of abstraction reasserts a
longstanding dialog with the place of iconography through modes of projection,
superimposition, doubling, and associative image sequences in works by Richard Aldrich,
Moyra Davey, Charline von Heyl, Elad Lassry, and Blinky Palermo.
Also included within Time Again is a presentation of works organized in collaboration with
Novel, a project founded by London-based editors and curators Matt Williams and Alun
Rowlands. A publication project that takes up experimental writing as a parallel practice to
visual art making, Novel draws on politics, poetry, theory, and storytelling to promote
explorations of language and the possibility of a new critical fiction.
Extending across artistic mediums into sculpture, film and video, photography and
painting, Time Again provokes a consideration of how ‘the now’ of our time is perceived.
A series of talks and performances will take place at SculptureCenter, and a related screening
series will be presented in collaboration with Anthology Film Archives in July (Dates TBA).
The exhibition catalog will feature texts by contributing artists—including Ed Atkins, Josef
Strau, and Richard Aldrich—and essays by Fionn Meade, Jacob King, and Isla Leaver-Yap.
About SculptureCenter
Founded by artists in 1928, SculptureCenter is a not-for-profit arts institution in Long Island
City, NY dedicated to experimental and innovative developments in contemporary sculpture.
SculptureCenter commissions new works and presents exhibitions by emerging and
established, national and international artists. Our programs identify new talent, explore the
conceptual, aesthetic and material concerns of contemporary sculpture, and encourage
independent vision.
Image: William E. Jones, Berlin Flash Frames, 2010. Sequence of digital files, black & white, silent, 9:18 minutes looped. Courtesy of David Kordansky Gallery, Los Angeles, CA.
Media Contact:
Frederick Janka Associate Director t 718.361.1750 x117 f 718.786.9336 frederick@sculpture-center.org
Opening Reception: Sunday, May 8, 2011, 5-7pm
Sculpture Center
44-19 Purves Street Long Island City, New York
Gallery Hours:
Thursday – Monday, 11am-6pm
Admission: $5 suggested donation, $3 for students.