OMA
Rem Koolhaas
Judith Bernstein
Matthew Brannon
Ingrid Calame
Chris Dorland
Elmgreen
Dragset
Ellen Gallagher
Amy Granat
Mary Heilmann
Jacqueline Humphries
Deborah Kass
pulp
ink
Glenn Ligon
Adam McEwen
Barry McGee
Sterling Ruby
Gary Simmons
Rirkrit Tiravanija
Lawrence Weiner
Art Production Fund
'Cronocaos' is an exhibition about the increasingly urgent topic of preservation in architecture and urbanism by OMA / Rem Koolhaas. It examines the growing 'empire' of preservation and analyzes the consequences of these regimes for how we build, rebuild, and how we remember. For 'After Hours: Murals on the Bowery' seventeen international artists create site-specific paintings on roll-down security shutters of numerous commercial supply stores along the Bowery between Houston and Canal Streets.
OMA / Rem Koolhaas
Cronocaos
5/7/11 - 6/5/11
“Cronocaos” is an exhibition about the increasingly urgent topic of preservation in architecture and urbanism by OMA / Rem Koolhaas and organized by the New Museum. First presented at the 2010 Venice Biennale, at the invitation of Kazuyo Sejima, Commissioner, “Cronocaos” takes place at the New Museum’s 3,600-square-foot, partially renovated, ground-floor space at 231 Bowery. It examines the growing “empire” of preservation and analyzes the consequences of these regimes for how we build, rebuild, and how we remember.
Twelve percent of the planet now falls under various systems of natural and cultural preservation. According to Koolhaas, heritage is becoming more and more the dominant metaphor for our lives today—a situation he calls “Cronocaos.” Koolhaas seeks to find what the future of our memory will look like, and how our obsession with heritage is creating an artificial re-engineered version of our memory. Lacking a set of coherent strategies or policies and generally not engaged by architects and designers, preservation is an under-examined topic, but increasingly relevant as we enter an age of “Cronocaos,” in which the boundaries between preservation, construction, and demolition collapse, forever changing the course of linear evolution of time.
“Cronocaos” includes historic objects and photographs; analysis of the rapid growth of preserved urban and natural territories; and a timeline of OMA projects that have confronted the issue of preservation over thirty-five years of practice, including the 2001 proposed extension to the Whitney Museum of American Art and the curatorial master plan for The State Hermitage Museum in St. Petersburg. Each project within the OMA timeline will take the form of a postcard for visitors to peel off the wall and take home. By the end of the exhibition, preservation and depletion will be evident in the exhibition itself. Reflecting the exhibition’s themes, the former restaurant-supply space will be visually transformed into two very different areas: one side will remain “preserved” as it was while inhabited by the restaurant supply store; the other will be minimally renovated.
Visitors may purchase tickets to see “Cronocaos” at the Visitor Services desk at the New Museum, at 235 Bowery.
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After Hours: Murals on the Bowery
5/7/11 - 7/2/11
For “After Hours: Murals on the Bowery,” taking place on the occasion of the Festival of Ideas for a New City, seventeen international artists create site-specific paintings on roll-down security shutters of numerous commercial supply stores along the Bowery between Houston and Canal Streets. The project continues the rich history of art-making in the New Museum’s neighborhood, where artworks often appear in unexpected public locations.
At the invitation of the New Museum, the Art Production Fund selected a cross-generational, international group of artists, and approached proprietors of retail spaces along the Bowery who will host the murals for two months. In some cases, the murals may remain indefinitely.
Participating artists include Judith Bernstein, Matthew Brannon, Ingrid Calame, Chris Dorland, Elmgreen & Dragset, Ellen Gallagher, Amy Granat, Mary Heilmann, Jacqueline Humphries, Deborah Kass, pulp, ink, Glenn Ligon, Adam McEwen, Barry McGee, Sterling Ruby, Gary Simmons, Rirkrit Tiravanija, and Lawrence Weiner.
Image credit: Artwork by Mary Heilmann. Courtesy Art Production Fund. Photo by James Ewing.
About Art Production Fund
Art Production Fund (APF) is a non-profit organization dedicated to producing ambitious public art projects, reaching new audiences and expanding awareness through contemporary art. Recent projects include: Prada Marfa, Elmgreen & Dragset, Valentine, TX, 2005, permanent; Greeting Card, Aaron Young, Park Avenue Armory, 2007; Electric Fountain, Noble & Webster, Rockefeller Plaza, 2008; The Whitney Biennial, Park Avenue Armory, 2008; Kalup Linzy, Member's Only, Prospect 1 New Orleans, 2008; Scribble, Karl Haendel, 2009; Kalup Linzy, Kembra Pfahler, Haim Steinbach, Proenza Schouler for Pitti W, Florence, Italy 2009; ART ADDS, Alex Katz, Shirin Neshat, Yoko Ono, New York City, 2010, Chuck Close, Kehinde Wiley, NYC 2011; PAUSE, Yoko Ono and T.J. Wilcox, Jennifer Steinkamp, Cosmopolitan, Las Vegas, NV, ongoing; White Ghost, Yoshitomo Nara, Park Avenue, NYC, 2010; Rob Pruitt: Holy Crap, Sothebyʼs, New York City, 2010. Co-Founders: Yvonne Force Villareal & Doreen Remen; Director: Casey Fremont; Project Manager: Theodora Schamber.
More info about Festival of Ideas for a New City:
http://www.festivalofideasnyc.com/
Image credit: Artwork by Mary Heilmann. Courtesy Art Production Fund. Photo by James Ewing.
Press Contacts:
Gabriel Einsohn
press@festivalofideasnyc.com
Andrea Schwan, Andrea Schwan Inc.
info@andreaschwan.com
New Museum
235 Bowery - New York
Hours:
Wed 11 AM - 6 PM
Thurs 11 AM - 9 PM
Fri / Sat / Sun 11 AM - 6 PM
Mon and Tues closed
Admission:
General Admission: $12
Seniors: $10
Students: $8
18 and under: FREE
Members: FREE