Anton Henning
dal 26/5/2011 al 22/7/2011
Segnalato da
26/5/2011
Anton Henning
Galerie Bob van Orsouw (old location), Zurich
Painting for Sculpture Lovers. The artist plunders archives - art historical ones and others - and not only stamps them with his personal signature, but absorbs, "metabolizes", interprets and re-informs them, like a jazz musician.
Anton Henning's creativity knows no bounds. He uses every technique, starting with painting, then with drawing, sculpture, photography, film and music, all the way to environmental installations. But to him, painting is the most important. There are few artists who wield brush and paint with such ease and such delight as this German born 1964 in Berlin.
Like many artists of his generation, Anton Henning works from what is already out there. He plunders archives - art historical ones and others - and not only stamps them with his personal signature, but absorbs, "metabolizes", interprets and re-informs them, like a jazz musician. He constantly finds new points of reference and incorporates them into his own universe. In this way patinated sculptures, still lifes, flower pieces, landscapes and ornamental abstractions come about that - despite all their differences - are almost always recognizable from their bright but not gaudy colors and, above all, by their seemingly hard-to- top lightness of being.
One of the great constants in Anton's work is the female nude. American pin-ups, fine-art nude photography, pornographic and art-historical source material: the artist's interests are wide ranging. In this meanwhile fourth exhibition at Galerie Bob van Orsouw, he comes up with quasi cubist-filtered female nudes. Indeed the ornamental lineation that organizes the picture plane is more constructive than deconstructive. Anton Henning speaks, quite pardonably, of "curvism", since the forms - in comparison with Picasso and Braque - are softer and rounder. The fact that Manet and Ingres also have an input here makes the game really interesting. Nothing is as it at first seems. Henning lays false trails and dangles bait that sends his public on detours. But detours that are insightful and thrilling. And indeed his paintings, although alluding delightfully and wittily to past epochs, are rooted in the here and now. Thus Anton Henning cultivates a glorious irony that is able with ease to countermand the weight of art-historical tradition as well as of history.
Rolf Bismarck and Claudia Spinelli
Anton Henning (*1964, Berlin) lives and works in Berlin and Manker. He is one of the leading German present-day artists and has become internationally known from exhibitions at De Pont Foundation, Tilburg (2002); Kunstmuseum Luzern (2003); Museum für Moderne Kunst (MMK), Frankfurt am Main (2005); Marta Herford, Herford (2005); Museum Haus Esters, Krefeld (2005); Stedelijk Museum voor Actuele Kunst (SMAK), Ghent (2007); Haus am Waldsee, Berlin (2009), among others. After "Elf fast makellose Malereien" (2004), "Westwärts schweift der Blick: ostwärts streicht das Schiff" (2006) and "Heimweh" (2009), this exhibition is the artist's fourth solo presentation in our gallery.
Image: Anton Henning: Pin-up No. 162, 2011
Oil on canvas, 125 x 140 cm, 49 1/4 x 55 1/8 inch
Opening: 27 May 2011 - 18:00
Galerie Bob van Orsouw
Albisriederstrasse 199a - Zurich
Opening hours: Tue/Wed/Fri 12–6 pm, Thu 12–8 pm, Sat 11–5 pm
Free admission