Michael Beutler
Dewar & Gicquel
Ida Ekblad
Vincent Ganivet
Hedwig Houben
Emmanuelle Laine'
Charles Mason
Sandra Patron
Zoe Gray
The exhibition attempts to reveal what 'production' means for artists today, not only in relation to art history but also to the aforementioned shifts in working and production in our globalized consumer society. Descendants of conceptual art as much as of our industrial heritage, the artists on show do not hesitate to delve into craftsmanship, the recuperation of materials, and bricolage, employing a vocabulary of forms, gestures and techniques while avoiding the fetishization of perfect technique.
A group show with: Michael Beutler, Dewar & Gicquel, Ida Ekblad, Vincent Ganivet, Hedwig Houben, Emmanuelle Lainé, Charles Mason
Curated by Sandra Patron & Zoë Gray
In Europe, in our “post-industrial” era, we are increasingly distanced from the production of the goods
we consume. Our downing of tools seems linked to a change in our relationship with the material world,
provoking a more passive attitude towards the things with which we surround ourselves. When they break we
throw them away, unable to fix them and unable (or unwilling) to understand how they work. In recent years,
however, there has been a resurgence of interest in making, in notions of self-sufficiency and craftsmanship.
While such notions may find particular resonance in these times of economic crisis, they are also part of a
larger school of thinking that is reconsidering our relationship to work and production.
This changing relationship with material production finds an echo in recent art history.
The dematerialization of the art object – triggered by Marcel Duchamp at the start of the 20th century and
labelled by art historian Lucy Lippard in 1968 – led to an art where the idea became pre-eminent, often
taking prominence over the physical realization of an artwork. There was also an increasing interest in the
delegation of an artwork’s production to third parties. While this liberated artists from the obligation to
produce physical artworks themselves and opened the door for a wide range of experimentation, it did not
obliterate the desire of artists to produce physical works, nor their curiosity to use materials to explore and
express their ideas.
The exhibition Manufacture at Parc Saint Leger attempts to reveal what “production” means for artists
today, not only in relation to art history but also to the aforementioned shifts in working and production
in our globalized consumer society. Descendants of conceptual art as much as of our industrial heritage,
the artists in Manufacture do not hesitate to delve into craftsmanship, the recuperation of materials, and
bricolage, employing a vocabulary of forms, gestures and techniques while avoiding the fetishization of
perfect technique. In fact, several of them also share the practice of consciously “misusing” their chosen
materials and techniques. Others explore the possibilities offered by the unknown, by failure, chance and
accident. What inspires them all in their production processes that are often long, sometimes laborious,
is the question of practice and how this practice entails a form of familiarity, complicity and emancipation
towards the world. In this back-and-forth between artisanal and industrial process, between contemporary
and traditional materials, between thought and form, the artists of the exhibition develop a shared approach
based on experimentation and empiricism.
If the exhibition’s title is a nod to the manufacturing history of the site – formerly a bottling factory for Pougues-les-Eaux’s spring water – it also enables us to consider the centre as it is today: an art factory, a permanent building site where the question of art’s production is posed on a daily basis.
Program of events:
-Sunday, June 19th, 3pm:
Exhibition tour
-Wednesday, July 13rd:
Performative act & and exhibition tour
In partnership with the festival Les Zaccros d’ma rue
-Wednesday, August 24th, 11am:
Parc Saint Léger’s exhibition tour
In partnership with the festival Les Conviviales de Nannay
-Friday, August 26th, 7pm:
Pouguestivales
Exhibition tour with picnic & live music
Image: Hedwig Houben, Colour And Shapes, A Short Explanation Of My Artistic Practice, 2010. Video
Manufacture II
24 September–5 November 2011 at
John Hansard Gallery (England)
Manufacture is supported by the Mondriaan Foundation.
For further press information, please contact:
Fanny Martin, Media Relations fanny.martin@parcsaintleger.fr
Vernissage friday June 10 h 6.30 p.m.
Parc Saint Léger, Centre d'art contemporain
Avenue Conti - 58320 Pougues-les-Eaux, France
Open Tuesday to Sunday 2pm-7pm
Free entrance