15/9/2011
Matthew Brandt
M+B, Los Angeles
At the core of the exhibition stands one particular circumstance: when two vessels pass each other in their domestic waters. Created with their own depicted fluid, two large-scale salted paper prints represent this specific occurrence in both Chinese and American waters. Brandt's act of juxtaposing this simple circumstance creates a shared cultural meeting point.
M+B is pleased to announce Two Ships Passing an exhibition of new work by Matthew Brandt. “Two
ships passing” is a common saying describing the possibilities and often unresolved nature of love and
connection. The show’s title borrows from this multi-layered expression—its ambiguity as well as promise of
potential—to describe the peculiar interdependency between The United States and China.
At the core of the exhibition stands one particular circumstance: when two vessels pass each other in their
domestic waters. Created with their own depicted fluid, two large-scale salted paper prints represent this
specific occurrence in both Chinese and American waters. Brandt’s act of juxtaposing this simple circumstance
creates a shared cultural meeting point.
At the entrance to the gallery a sign reads, “For your safety do not touch the artwork,” warning visitors of the
exposed electrical current running through the etched copper picture planes. These photographs of urban
Hunan China, the birthplace of Mao Zedong, are circuit boards. This technology was once dominated by US
manufactures, today it is primarily produced in China. The electricity courses through the conduit skirting
around large-scale photographs of American Lake in Tacoma, Washington, chromogenic prints soaked in the
lake water. The electrical current leads to a single original Edison Company bulb (circa late 1800s), now a
symbolic relic of technologic innovation and industrial procedures that have helped define America as a super
power. Uninterested in resurrecting arguments about Chinese-US relations, Matthew Brandt creates a platform
depicting two places, two bodies, and where they meet.
Born in Los Angeles in 1982, Matthew Brandt received his BFA from Cooper union in 2004 and MFA from The
University of California Los Angeles (UCLA) in 2008. His work has recently been exhibited in New York,
reviewed in the New Yorker and his precocious talent has landed him in the permanent collections of the Los
Angeles County Museum of Art (LACMA), the Armand Hammer Museum (Los Angeles) and the Elton John
Collection. Brandt currently lives and works in Los Angeles.
This exhibition is part of Pacific Standard Time: Art in L.A. 1945–1980, a Getty initiative that brings together
more than sixty cultural institutions from across Southern California to examine the history of contemporary art
in Los Angeles.
Opening: Friday, September 16, 2011, 6 – 9 pm
M+B
612 North Almont Drive - Los Angeles
Hours: Tuesday – Saturday, 10 am – 6 pm, and by appointment
Admission free