George Best
Ashley Bickerton
Simon Bill
Joe Bradley
Brendan Cass
George Condo
Cullinan Richards
Mark Handforth
Dietmar Lutz
Hayley Tompkins
Barry McGee
David Musgrave
Paul Newman
Andre' Niebur
Rupert Norfolk
Nicolas Party
William Pope.L
Laure Prouvost
Rob Pruitt
RH Quaytman
Imran Qureshi
Alessandro Raho
Dan Rees
Tamuna Sirbiladze
John Russell
Fabienne Audeoud
DJ Simpson
Josh Smith
Alexis Marguerite Teplin
Paul Thek
Richard Tuttle
Markus Vater
Richard Woods
Zheng Guogu
Sophie von Hellermann
Gavin Wade
Questioning and utilising the function of painting as an essential element of forming a space for art, a grouping of exquisite moments of 'painting' are brought together, supported by a customized architecture for painting, newly installed to a square and triangular grid.
George Best, Ashley Bickerton, Simon Bill, Joe Bradley, Brendan Cass, George Condo, Cullinan Richards, Mark Handforth, Dietmar Lutz, Hayley Tompkins, Barry McGee, David Musgrave, Paul Newman, André Niebur, Rupert Norfolk, Nicolas Party, William Pope.L, Laure Prouvost, Rob Pruitt, RH Quaytman, Imran Qureshi, Alessandro Raho, Dan Rees, Tamuna Sirbiladze, John Russell & Fabienne Audéoud, DJ Simpson, Josh Smith, Alexis Marguerite Teplin, Paul Thek, Richard Tuttle, Markus Vater, Richard Woods, Zheng Guogu.
Curated by Sophie von Hellermann & Gavin Wade.
The giant beast of painting raises its head in a panicked wild scream. It resumes, shaking off the desperate and the terrified, and gnaws at it’s own flesh out of an insatiable hunger. The scene, the action, is diffused into a kaleidoscopic space of many colours — the motif merging into the background. A battle ensues between the abstract and the figurative, the narrative and the photo-realist, the amateur, the faux naïve, the romantic, the conceptual and the bad. Now, though, there is no more fighting. Something else takes its place. As the hungry eyes of the beast sweep the room it recognizes that for all that has been said about the end, the final, the last, and the knowingly bad, at least everyone is trying their BEST.
Curated with artist Sophie von Hellerman, Painting Show is an exhibition as an act of painting. Questioning and utilising the function of painting as an essential element of forming a space for art, a grouping of exquisite moments of ‘painting’ are brought together, supported by a customized architecture for painting, newly installed to a square and triangular grid.
Hellermann has painted a sequence of wall panels as a backdrop depicting a brief history of civilization, and Tamuna Sirbiladze and Nicolas Party make wall paintings across the large main walls of the gallery. Glasgow based Party is using the complete range of 200 colours of ‘Montana Gold’ spray paint, and Vienna based Sirbiladze continues her gestural, delicate, wall paintings recently seen in Franz West’s kitchen para-pavilion in the Venice Biennale.
The gallery is full with painting, from the amateur work of the footballer George Best and ‘bad painting’ of Paul Thek through to the sophistication of Ashley Bickerton’s post-neo-geo works and Zheng Guogu’s computer influenced Chinese calligraphy. Within this ‘kaleidoscopic kitchen’ lie cartoon characters, monochrome figures, bears, S-Tar Children, paper golums, rainbows, smiling women, knives, computer controlled pig-brains, signs about walls, signatures, love hearts, dirty materials, cardboard worlds, drips, blood and gold.
Painting Show is part of a series of group productions examining modes of display and the construction of a public sphere — the gallery. The series started with ‘This is the Gallery and the Gallery is Many Things’ in 2008, followed by ‘Sculpture Show’ and ‘Abstract Cabinet Show’ in 2009, ‘Curtain Show’ and ‘Book Show’ in 2010, and ‘Narrative Show’ in 2011. Each project invites new curatorial and artistic voices to effect change upon the existing conditions of Eastside Projects and aims to impact on artist practice further afield.
Preview 6–8pm 25 November 2011
Eastside Projects
86 Heath Mill Lane, Birmingham, B9 4AR, UK
Open Thursday 12–6.30pm
Friday & Saturday 12–5pm
closed 18 Dec – 4 Jan
Free entry