Faisal Abdu'Allah
Kourush Adim
AES art group,
Jananne Al-Ani
Ghada Amer
Farah Bajull
Samta Benyahia
Shadafarin Ghadirian
Ghazel
Emily Jacir
Ramesh Kalkur
Majida Khattari
Shirin Neshat
Harold Offeh
Zineb Sedira
Elin Strand
Mitra Tabrizian
A major touring exhibition and publication organised by InIVA. Veil examines one of the most powerful symbols in contemporary culture. Touring the UK during 2003, this is the first major exhibition and publication to explore the position of the veil in today's complex global order, endlessly repositioned by changing world events.
A major touring exhibition and publication organised by InIVA
Veil examines one of the most powerful symbols in contemporary culture. Touring
the UK during 2003, this is the first major exhibition and publication to
explore the position of the veil in today's complex global order, endlessly
repositioned by changing world events.
Twenty artists and film-makers address the question of the veil in all its
complexities and ambiguities, challenging any single or fixed cultural
interpretation. Veil's core is made up of a wide cross-section of international
contemporary artists including: Faisal Abdu'Allah, Kourush Adim, AES art group,
Jananne Al-Ani, Ghada Amer, Farah Bajull, Samta Benyahia, Shadafarin Ghadirian,
Ghazel, Emily Jacir, Ramesh Kalkur, Majida Khattari, Shirin Neshat, Harold
Offeh, Zineb Sedira, Elin Strand and Mitra Tabrizian.
Veil spans the spectrum of contemporary visual arts practices, with an emphasis
on lens-based work; on one level, the project is an exploration of the roles of
photography, film and video as contemporary tools for addressing notions of the
veil. This emphasis is underpinned by the inclusion of historic and contextual
work including Gillo Pontecorvo's ground-breaking documentary-style film The
Battle of Algiers (1965) alongside the work of lesser known twentieth-century
figures such as French psychiatrist and photographer Gaëtan de Clérambault and
the French military photographer of the Algerian War Marc Garanger.
One of the many unique qualities of this exhibition is the visual dialogue
between newly commissioned works and existing key works. Faisal Abdu'Allah's
large-scale photographic diptych The Last Supper has been critically acclaimed
for its exploration of religious iconography within the context of the black
British body. AES art group is a Moscow-based art collective that produces
controversial dystopian images of an urban near future. Shirin Neshat's dramatic
series of photographs explores women's dynamic participation in contemporary
Iranian culture. Elin Strand has been commissioned to produce a series of
site-specific performances fusing together traditional manufacturing techniques
in stitching with conceptual ideas around adornment and the body. Ghazel's
time-based self-portraits present a humorous spin on the video diary and
travelogue. Majida Khattari has been commissioned to stage one of her live art
fashion shows that critiques the clothing manufacturing industry, specifically
for the newly refurbished Modern Art Oxford.
The exhibition disrupts contemporary notions of the veil but ultimately the
project intends to become a starting point for a new international dialogue
across cultures within the visual arts arena. Initiated by Zineb Sedira (artist,
curator), developed by Jananne Al-Ani (artist, curator) and Sedira, and curated
by Al-Ani, David A. Bailey (curator, writer), Sedira and Gilane Tawadros
(director, inIVA), Veil is an inIVA touring exhibition.
A major illustrated publication, Veil: Veiling, Representation and Contemporary
Art is published alongside the exhibition, with essays by Jananne Al-Ani, David
A. Bailey, Alison Donnell, Hamid Naficy, Zineb Sedira and Gilane Tawadros, with
a preface by Reina Lewis and reprinted texts by Leila Ahmed, Frantz Fanon and
Ahdaf Soueif. Edited by David A. Bailey and Gilane Tawadros, and published by
inIVA in association with Modern Art Oxford.
This project is supported by Arts Council National Touring Programme in
association with the Iran Heritage Foundation with additional support from
Bernina Sewing Machines.
Exhibition opening: 13 February
14 February - 27 April 2003: The New Art Gallery Walsall
5 July - 16 August 2003: Bluecoat Gallery & Open Eye Gallery, Liverpool
22 November 2003 - 26 January 2004: Modern Art Oxford
inIVA's programme of exhibitions and talks features artists and thinkers who
explore the creative possibilities provided by the constant interaction of
cultures in the contemporary world. http://www.inIVA.org
veil@iniva.org
Olivia Plender
Press Officer
inIVA
institute of international visual arts
6-8 Standard Place, Rivington Street
London EC2A 3BE
Tel: 020 7729 9616
Fax: 020 7729 9509
The New Art Gallery Walsall
Gallery Square
Walsall