Sand In Your Eyes. The photographs she chose to work from for this show all have an inherent interference, either in the photographic process such as vaseline or coloured filters on the lens, or oil and turps stains from Bjerger's studio.
A man sits on a stool with a brush in his hand, taking a break from painting a white
wall blue. Somebody takes his picture. The photograph is printed in a DIY magazine
that ends up, 30 years later, in a painter's studio. The painter leaves it lying
around, soaking up oil and turps while she absorbs the image. She paints the image
with its accidentally accrued stains and spatters. The man sits on a stool in a
painting. His clothes are covered in drips of the blue paint he has on his brush.
The newly painted wall is covered in greasy blots. Stains spread from the floor over
his leg. He looks disconsolate, stuck in this feedback loop of paint and image. His
work always half-finished, worse than when he started.
Anna Bjerger’s fascination is in the construction of an image. She works from
photographs. Having found an image it might lie around her studio for some years
while she absorbs its essence. The photographs she chose to work from for this show
all have an inherent interference, either in the photographic process such as
vaseline or coloured filters on the lens, or oil and turps stains from Bjerger’s
studio. When painted, these disruptions cause the viewer to rethink the image and
take a slower look.
The exhibition will feature a major new work, ‘Filter’, comprising an image of a
woman holding a colour chart repainted 24 times on panels hung as a diamond grid.
The repetition of a single motif, each treated with the same intensity, makes it
impossible to relate to the panels as singular images. Their differences becomes
virtues, their mistakes accepted, as it becomes more and more unclear what we are
looking at.
Bjerger says ‘Painting is the subject of my work, everything around it is just a way
of making sense of it.’
Anna Bjerger (SE, 1973) studied at the RCA, London. She now lives and works in
Sweden. She has works in the collections of Moderna Museet, Stockholm, Stedelijk
Museum, Amsterdam, Zabludowicz Collection, Tishman Speyer Collection among many
others. She has a solo show at Växjö Konsthall in March, in which she has chosen
to include works by Vera Nilsson (SE, 1888-1979). A 2 person show at Galerie
Møller-Witt in Aarhus and will feature as part of the Nordic focus at Armory show,
NYC. A new monograph on her work has recently been published with essays by
Christian Viveros Faune and Karin Faxen.
Image: Anna Bjerger, Inbetween, 2011, Oil on aluminium, 120 x 120 cm
Opening Friday February 3. 17.00 – 20.00
David Risley Gallery
Bredgade 65A, 1260 Copenhagen
wed-fri 12-17, sat 11-15