Four French artists, Vincent Lamouroux, Guillaume Leblon, Gyan Panchal and Kristina Solomoukha. In the exhibition space, each work recreates a world in itself, offering a different interpretation of the location. Therefore, instead of generating a global atmosphere, the installation deliberately lets each work exist independently within the space.
[Artists]: Vincent Lamouroux; Guillaume Leblon; Gyan Panchal; Kristina Solomoukha
[Curator]: Marianne Lanavere
Tour-discussion on Saturday 5 April at 2 pm with the participating artists
Through its process, art works and design, Le Parc (The Park) is an exhibition
that deals with the notion of context. Referring specifically to the
Contemporary Art Centre's garden, onto which looks the exhibition space, Le Parc
is also a metaphor for the context, in other words, for what exists outside the
gallery space and in Vilnius.
Four French artists, Vincent Lamouroux, Guillaume Leblon, Gyan Panchal and
Kristina Solomoukha, have been invited to produce new works in response to a
given location, the ground floor gallery of the CAC. Before the installation
works, the artists knew the place only through pictures, and conceived the works
abroad for the most part. Although the proposed projects deal physically with
space by means of site-specific installation and sculptures, wall drawings and a
video shot in Vilnius, they still reflect this geographical distance. They are
mental constructions, approaching the context conceptually.
In the exhibition space, each work recreates a world in itself, offering a
different interpretation of the location. Therefore, instead of generating a
global atmosphere, the installation deliberately lets each work exist
independently within the space. In contrast to the relative autonomy of the
works, the exhibition design gives attention to the context. A corridor leading
from the entrance delays the perception of the exhibition, whereas, in the
further part, an open view through the window distracts the attention from the
gallery space once again.
Le Parc physically and conceptually draws a parallel between the exhibition
space and the garden of the CAC - two spaces that face each other on either side
of a long window. The garden of the CAC, originally conceived in 1965 as a
sculpture park, is currently closed to the public, visible only through the
gallery window. It is now a transitional area, littered with building materials
that vary according to building activity in and around CAC: concrete pipelines,
beams, pallets, heaps of sand or scrap are stored here and there, waiting to be
used.
Exploring this state of transition, the artists' works echo the materials
outside: Lamouroux's MDF wooden structure can be seen as the outline of the
actual architecture; Leblon's heap of stones, attached to the ceiling, reverses
the perception of space; Panchal's rough partitions reveal a white cube hewn out
of a rock; and Solomoukha's wall drawings depict a contrasted and transitional
architecture, in-between function and meaning.
All the works share the desire to initiate a exchange between inside and
outside: Lamouroux's sculpture suggests a link with the outer space; in Leblon's
installation, smoke emerges into the gallery from one of the CAC walls; Panchal
creates another white cube inside the existing space; and Solomoukha's video
refers to the surrounding city. In other respects Le Parc reflects the
combination of nature and artifice that some of these works may express, for
example in Panchal's cave and plexiglas stalactite, and in Leblon's mist
installation. It may also suggest leisure parks and theme parks that Lamouroux,
in his fascination for skate boarding structures, and Solomoukha, in her
imaginative architectural proposals, often use as referents.
In comparison to the materials that have taken the place of the sculptures
outside, the artworks of Le Parc can be seen as unfinished constructions of a
new area. The exhibition mentally extends the park into the gallery, to become
an inside out cover version of the actual garden.
Vincent Lamouroux (born 1974 in St Germain-en-Laye, France; lives in Paris)
Guillaume Leblon (born 1971 in Lille, France; lives in Brussels)
Gyan Panchal (born 1973 in Paris, France; lives in Maastricht)
Kristina Solomoukha (born 1971 in Kiev, Ukraine; lives in Paris and Berlin)
A 48 page catalogue, including views of the exhibition, will be printed during
the exhibition.
The exhibition has been realised with the support of the Association Francaise
d'Action Artistique (in the context of the programme "Carte Jeune Génération",
http://www.afaa.asso.fr) and of the Centre Culturel Francais in Vilnius
(http://www.centrefrancais.lt).
Contemporary Art Centre
Vokieciu 2, 2001 Vilnius, Lithuania
Tel: +370 5 2121954, Fax: +370 5 2623954