The video installation 'AutoBiography' shows an endless number of alternative biographies for Anders Bojen and Kristoffer Orum based on family photographs from their suburban middle class backgrounds. 'The Tourist Gaze' large-scale installation by Randi Jorgensen and Katrine Malinovsky exploring the context of the Flux Factory gallery and its history as a former greeting card factory.
Anders Bojen & Kristoffer Ørum
AutoBiography
In the video installation AutoBiography, Anders Bojen and Kristoffer Ørum rewrite their biographies according to a mathematical system that continuously generates new unstable interpretations of their identities and explores the autobiography as a phenomenon.
Over the last couple of years Bojen and Ørum have worked on rewriting the history of specific places in order to rethink their meaning. In this project they combine mathematics with popular psychology in order to rewrite their own biographies and reinvent themselves in ways that they could not have scripted. Through images, narration and custom-designed software, their biographies merge into a new unstable hybrid identity.
A video projection shows an endless number of alternative biographies for Bojen and Ørum based on family photographs from their suburban middle class backgrounds. Images of school, parents, friends, pets, and more are all mixed together. Following the model for the development of personality created by Erik H. Erikson (1902 – 1994), a voice-over narration continuously chronicles the formative experiences and phases in the artists’ lives. The algorithmic video accounts for all of the things which, according to popular psychology, define our personalities.
The ways in which artist stage themselves autobiographically, from the reverence for artistic genius to the focus on identity politics in contemporary theoretical discourse is central to the reception of art today. AutoBiography creates a field of tension between the causalities of a mathematical system and the search for identity through past experiences. An impersonal system determines the description of the self – a simultaneous undermining and enactment of the role and persona of the artist.
---
Randi & Katrine
The Tourist Gaze
In ”The Tourist Gaze” Copenhagen-based artist duo Randi & Katrine have created a large-scale installation exploring the context of the Flux Factory gallery and its history as a former greeting card factory. The installation is comprised of a grid of buildings, with each rooftop containing its own world of unique pleasure, seduction, and playfulness. The viewer is invited to walk between the structures and watch each narrative unfold throughout the city. On one roof an abstracted pinewood forest grows, while the next roof displays ”Twistee Treat,” a fictional pineapple factory with a fabricated history.
These sculptural works by Randi Jørgensen (b. 1974) and Katrine Malinovsky (b. 1976) are a result of their common interest in combining architecture, objects and narration, and a fascination with monumental scale installations in which a dynamic exchange with the viewer and a specific space are emphasized.
Randi & Katrine have worked collaboratively since 2003. Anthropomorphic houses, artificial gardens, mechanical ships and vernacular architecture are recurrent themes in their large-scale works. Recently the artists have made a number of psychadelic public sculptures around Denmark and South Korea, including a teapot garden house and a pinewood forest-themed playground. They have also been commissioned for a number of public works, including a recent award to create the facade of a Danish public ferry.
Opening Reception: Friday May 4, 7pm – late
Flux Factory
39-31 29th Street - Long Island City, NY
Gallery Hours: May 5, 6, 10 – 14, 12-6 pm