Anna Barham
Nina Beier
Marie Lund
Alejandro Cesarco
Amelie Dubois,
Dora Garcia
Fabio Kacero
David Lamelas
Jan Mancuska
Helen Mirra
Claire Morel
Tania Mouraud
Ewa Partum
Charles Sandison
Anja Isabel Schneider
The show explores the question of 'fragmentary' or elusive reading-that is, reading which resists and unsettles the reader. The selected works examine the relations and interactions between the text and the reader, the condition, the act, and the process of reading which give rise to meaning.
Curator Anja Isabel Schneider
ARTISTS
Anna Barham, Nina Beier & Marie Lund,
Alejandro Cesarco, Amélie Dubois,
Dora García, Fabio Kacero, David Lamelas,
Ján Mančuška, Helen Mirra, Claire Morel,
Tania Mouraud, Ewa Partum and
Charles Sandison
WORKS ON LOAN FROM
Billarant Collection; the galleries Ruth
Benzacar, Buenos Aires; Acarde, London
and Murray Guy, New York; and the
artists.
Digital book, electronic book, or e-book, are all terms designating
the new forms given to the book, paperback, printed matter, or the
manuscript. The creation and distribution of new reading tools
undermine traditional modes of writing and reading which are facing
a great challenge today.
To enter a three-dimensional book: this is what Anja Isabel Schneider
invites us to do. She sees her exhibition as a reading in itself,
subject to interruptions and suspensions generated by the architecture
of the space. The selected works examine the relations and interactions
between the text and the reader, the condition, the act, and the
process of reading which give rise to meaning.
From the formes brèves1 in the space occupied by Ján Mančuška to
Ewa Partum’s conceptual poems, from Amélie Dubois’ sound palimpsest
to the taxonomy of words invented by Fabio Kacero, from Anna Barham’s
wordplays to Charles Sandison’s ballet of words, these works foreshadow
the changes in the reader’s behaviors in the digital age. Inscribed
within the spaces of the 49 Nord 6 Est – FRAC Lorraine, this exhibition
invites the audience to discern, decipher, construct... and imagine!
Anja Isabel Schneider’s project questions the notion of reading in
its various modalities of experimentation, experience, and structure.
This exhibition explores the question of “fragmentary” or elusive
reading—that is, reading which resists and unsettles the reader.
Every reader/visitor is thus given an essential role–that of an
active reader. As a secular literary form, the forme brève privileges
certain artistic genres: dedication, poem of circumstance, index,
news flash, word play, witticism, haiku, fragment, maxim, etc. It
solicits the imagination of the reader who is no longer a passive
audience but becomes a producer. Between the texts and their readers,
the spaces generated by formes brèves—blank or latent spaces—thus
become a pause, a reflexive moment, a break for inspiration, an
invitation to create...
The exhibition formes brèves,
autres, 25 will be enriched with
a live performance by Ewa
Partum, taking place at Frac
Lorraine at the show’s opening.
Known for her pioneering
conceptual and feminist work,
the renowned Polish artist uses
words and letters–taken from
literary texts–as a starting
point for her performance
pieces. In her ephemeral actions
from the 1970s, Partum employed
white cut-out letters from
paper-alphabets (sold at the
time for propaganda uses in
Polish shops) to create her own
language, a visual and
‘conceptual poetry’.
For her performance at Frac
Lorraine, Partum will be using
re-produced letters to create a
text installation, which will be
visible during the entire
duration of the exhibition.
Production
MARCO, Museo de Arte
Contemporánea de Vigo / FRAC
Lorraine, Metz, France
Communications Department
Marta Viana / Pilar Souto+34 986 113900
marta.viana@marcovigo.com
pilar.souto@marcovigo.com
MARCO, Museo de Arte Contemporanea
Rua Principe 54 (Pontevedra) - Vigo
Hours:
Tuesdays to Saturdays (including
bank holidays) from 11am to 2.30pm
and from 5pm to 9pm
Sundays, from 11am to 2.30pm