Anish Kapoor, Painting. Further to his ongoing concerns with human presence and perception, in Painting, Kapoor investigates the ephemeral nature of sight, and examines the role of the psyche in our interpretation of visual stimuli. Marijke van Warmerdam, Promise. The works in Promise relate to Marijke van Warmerdam's continued interest in the passing of time and the recurring states and actions that exist within it.
Anish Kapoor, Painting, 52-54 Bell Street
Marijke van Warmerdam, Promise, 29 Bell Street
Lisson Gallery is pleased to present exhibitions of new work by Anish Kapoor
and Marijke van Warmerdam, both opening May 14th.
Further to his ongoing concerns with human presence and perception, in
Painting, Kapoor investigates the ephemeral nature of sight, and examines
the role of the psyche in our interpretation of visual stimuli. Employing a
broad spectrum of materials including powder pigment, light and amorphous
reflective surfaces, he challenges the eye while engaging the viewer on a
spiritual level. Demanding that we question our ability to distinguish
between what we are shown, what we think we see, and what information the
brain believes it has been given to process, he seems to question whether
'seeing' is actually 'believing'. As with all of his work, the viewer is an
intrinsic component of his sculptural exploration.
Although his work is perceived as solely abstract, Kapoor's practice is
nonetheless centered very much on the human spirit. Expanding upon
Minimalist concerns with the body, his work relies on the viewer's
individual associations to transform his spaces and it is their experiences
that ultimately bring the work to life.
Anish Kapoor lives and works in London. This will be his first UK exhibition
since the highly acclaimed Marsyas was commissioned for the Turbine Hall, as
part of the Unilever Series for Tate Modern, in October 2002.
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The works in Promise relate to Marijke van Warmerdam's continued interest in
the passing of time and the recurring states and actions that exist within
it. In the film, photography and sculpture presented in this new body of
work, van Warmerdam employs repetition and the film loop to superimpose the
present with an anticipated future and an imagined past.
The films Weather forecast and Green deal metaphorically with the issue of
time passing. In the panoramic film loop Weather forecast, a bathtub acts
as a gauge for constantly changing weather conditions. In Green we are
presented with a cropped playground scene of children making and destroying
sand cakes in real time. Meanwhile, a single leaf in the foreground
performs it's own cycle of the seasons, turning from yellow to green and
back again to yellow. In Now, Soon, and Coming up soon van Warmerdam has
photographed the various stages of bud, full bloom and fallen blossom
against the backdrop of a sheet of white card.
Once again, through use of an artificial framework to isolate parts, van
Warmerdam sharpens our perception, challenging us to actively examine what
we see, reconsider it, and notice qualities that are not immediately
apparent, discovering that which is interesting, strange, beautiful and
unique.
Marijke van Warmerdam lives and works in Amsterdam, Holland.
The work Weather forecast has been produced by the Baltic Centre for
Contemporary Art, Gateshead. Lisson Gallery is grateful for the support of
the Mondriaan Foundation in the presentation of the work of Marijke van
Warmerdam.
Gallery Opening Times: Monday to Friday 10 - 6, Saturday 12-5
Lisson Gallery, 52-54 & 29 Bell Street, London, NW1 5DA
T: 00 44 (0)20 7724 2739
F: 00 44 (0)20 7724 7124