The New Contemporary 2012. This edition features renowned international and national galleries in combination with the presentation of younger galleries, with a supplementary program: Vienna Quintet, Vienna Talks, Vienna Sonic, Vienna Studio, Vienna Live and Vienna Click.
(Vienna, August 29, 2012) In our largely globalized society, artistic questions and strategies
comply less and less with the borders of topographic or political geographies. Rather, they
increasingly reflect new forms of a sociocultural discourse that links different stakeholders –
also with the help of new social media – into a global network regardless of cultural
boundaries. A place located at the intersection of different cultures which recognizes its
function as a catalyst in the advancement of these new cultural identities is virtually
predestined to assume a position at the forefront of new artistic developments. With its rich
cultural heritage, but also an extraordinarily dynamic and increasingly multi-ethnic
contemporary art scene, Vienna deserves an art fair with an international format that
corresponds with its status of a metropolis and with Austrian galleries that have, for many
years, successfully positioned themselves in the international art market.
With the elaboration of the exhibition format behind VIENNAFAIR The New Contemporary, an
important first step has successfully been made toward an enhanced international presence
in the gallery scene and, above all, among art collectors around the world. The participation of
renowned international and national galleries in combination with the presentation of younger
galleries that act as forerunners in contemporary art production enables VIENNAFAIR The
New Contemporary to offer the unique opportunity to experience the work of established
artists alongside that of emerging artists and new talents – and a chance for buyers to expand
their own art collections in both directions.
The idea of Europe as an expanded economic and cultural space, beyond the borders of the
EU, is central in the further development of the focus on Central, Eastern, and Southeastern
Europe, an idea that once again demonstrates VIENNAFAIR The New Contemporaryʼs
unique position in the international art fair circuit. In addition to the numerous Eastern
European galleries, many of which began their international careers in earlier editions of
VIENNAFAIR, VIENNAFAIR The New Contemporary also presents Istanbulʼs upcoming
gallery scene, both renowned and young galleries from St. Petersburg and Moscow, and even
a special showcase of art from the Caucasus region, which is still far removed from the art
market. This creates an unrivaled and lively platform for exchange between the still very
Western-oriented art market and regions in which totally new forms of cooperation between
art, economy, and civil society are currently blossoming.
Informed significantly by the parallel development of digital technologies and the historical
emergence of new political geographies, unprecedented cooperations are forming
internationally between the individual arts sectors, between high and pop culture, and
between artistic practices and the creative industries. VIENNAFAIR The New Contemporary
investigates these phenomena – for example, in the special program VIENNA CLICK and
also prior to the fair in its International Art Industry Forum – and demonstrates the creative
potential of such interconnections. VIENNAFAIR The New Contemporary thereby offers the
creative scene a forum where they can discuss strategies for the development of new
markets with prominent international representatives from cultural and creative industries, the
finance sector, and the art market. In this way, Vienna becomes a breeding ground for
innovative and far-reaching artistic ideas and a laboratory for new economic models in the
global art market.
Extensive visitor program with experts from the international art world
In addition to the presentations of the galleries, it is equally important to the artistic directors
of VIENNAFAIR The New Contemporary to offer the public further information about the focus
regions and also to initiate new cooperations between the individual art branches. To this end,
VIENNAFAIR The New Contemporary has organized an extensive supplementary program:
VIENNA QUINTET, VIENNA TALKS, VIENNA SONIC, VIENNA STUDIO, VIENNA LIVE, and
VIENNA CLICK. The successful cooperation with “departure”, the City of Viennaʼs creative
agency, will also be continued in the framework of VIENNA TALKS.
VIENNA QUINTET – Contemporary artistic positions from Azerbaijan, Belarus, Georgia,
Kazakhstan, and the Ukraine
VIENNA QUINTET – A special exhibition with artists Leyla Aliyeva, Khanlar Gasimov and
Altay Sadigzadeh from Azerbaijan, Tutu Kiladze and Ketuta Alexi Meskhishvili from Georgia,
the artist duo Galim Madanov & Zauresh Terekbay from Kazakhstan, A.R.CH. and Sergey
Zhdanovich from Belarus, and Sergey Bratkov from the Ukraine, presents the latest
developments in the contemporary art scenes of these former Soviet republics. This exhibition
by Christina Steinbrecher and Vita Zaman, the artistic directors of VIENNAFAIR The New
Contemporary, was organized in close cooperation with curators and art institutions in these
countries.
Azerbaijan: In her graphic works, paintings, and sculptures, Leyla Aliyeva deals extensively
with the traditions of her homeland Azerbaijan. In addition to her own artistic activities, she
serves as the chair of the Heydar Aliyev Foundation – a charitable and culturally and
politically engaged non-profit organization – supporting young artists from Azerbaijan who live
and study in Russia and in Europe.
In his installations and performances Khanlar Gasimov uses materials such as rice, plastic
bottles, jute bags, or human hair to elicit a melancholic cultural nostalgia against the backdrop
of the enormous sociopolitical and cultural changes taking place in Azerbaijan. Altay
Sadigzadeh “sneaks” miniature scenes of everyday life into his abstract paintings and
drawings. He forges exciting combinations of his post-modern mythical reflections on society
with surreal images that derive their force from caricatures and comics. Gasimov and
Sadigzadeh were represented at the 54th International Art Exhibition – La Biennale di Venezia
in 2011 with works in the Azerbaijan National Pavilion and will produce new works extra for
VIENNA QUINTET.
Belarus: With a great eye for detail, A.R.CH. (Michael Senkova) tells disturbing stories about
the pathological alienation of society in his paintings. The doomed protagonists are cloaked in
a darkness, somewhere between memories, dreams, and fairytales. The photo artist Sergey
Zhdanovich eternalizes moments of absolute silence with his camera: His poetic images of
barely visible movements of rigid forms in vast landscapes seem to dissolve the borders
between reality and an infinite future.
Georgia: Inspired by the writings of Roland Barthes, Ketuta Alexi Meskhishvili poignantly
thematizes the temporality of the medium photography through the manipulation of the
photographic image and the collaged integration of the everyday into the picture. Tutu Kiladze
is committed to traditional oil painting with its classical genre pictures and still lifes. In the
framework of VIENNA QUINTET she presents two big and nine small format canvases
featuring market scenes from Tbilisi.
Kazakhstan: The installation “Transgression” by artist duo Galim Madanov & Zauresh
Terekbay, presented during VIENNA QUINTET, was also exhibited in the Central Asia
Pavilion at the 54th International Art Exhibition – La Biennale di Venezia in 2011. 250 acrylic
paintings, densely stacked side by side on shelf boards, with everyday symbols of modern life
unify into a portrayal of the merciless way in which consumer society swallows people up.
The Ukraine: In his portraits, which at times push the boundaries of truthfulness and good
taste, the Ukrainian photographer Sergey Bratkov – enfant terrible and one of the most
important contemporary artists of the former Soviet region – relentlessly documents the
rapidly transforming society after the demise of the Soviet Union and its search for identity.
The special exhibition VIENNA QUINTET strives to raise awareness for these geographies
and invites to a dialogue with the artists, cultural workers, and collectors.
VIENNA TALKS
VIENNA TALKS showcases a broad spectrum of interdisciplinary talks with interesting
representatives from the contemporary art scene and from the fields of cultural management,
architecture, and literature – a program that reflects the intentions of VIENNAFAIR The New
Contemporary to their fullest. On each day of the fair is a thematic focus: VIENNA QUINTET,
Turkey, Russia, and On Collecting.
VIENNA QUINTET Day (Thursday, September 20, 2012)
Thursday afternoon is dedicated completely to VIENNA QUINTET. Under the motto “Shifting
Perceptions”, the artistic directors of VIENNAFAIR The New Contemporary, Christina
Steinbrecher and Vita Zaman, introduce the work of the artists from five former Soviet
republics who are participating in the special exhibition. In discussions and slideshows,
visitors have the chance to gain insights into the contemporary art scenes in Azerbaijan,
Belarus, Georgia, Kazakhstan, and the Ukraine.
Speakers in 30-minute intervals – 3:00 pm: Mila Askarova, founder and director of Gazelli Art
House, London and Khanlar Gasimov, artist, Baku/New York – 3:30 pm: Kestutis Kuizinas,
founder and director of the Contemporary Art Centre, Vilnius, Simon Rees, head of Museum
Management, Curatorial Development and Fundraising, MAK Vienna, and Sergey
Zhdanovich, artist, Minsk – 4:00 pm: Tutu Kiladze, artist, Tiflis, Miranda Mirianashvili,
collector, Tiflis, and Irena Popiashvili, director, Tbilisi State Academy of Arts – 4:30 pm: Galim
Madanov & Zauresh Terekbay, artist duo, Almaty, Almagul Menlibaeva, artist, Almaty/Berlin,
and Sara Reza, critic and curator, London – 5:00 pm: Yana Barinova, art critic and curator,
Kiev, Sergey Bratkov, artist, Moscow, Bjorn Geldhof, artistic director and curator,
PinchukArtCentre, Kiew.
Turkey Day (Friday, September 21, 2012)
In the framework of three discussion rounds on Friday afternoon, Nazlı Gűrlek, the curator of
the special project “DIYALOG”: Art from Turkey, speaks with experts about current
developments in the Turkish art scene. The three thematic fields are On Collecting, On
Institutions, and On Curating.
On Collecting – 3:00 pm: Osman Erden, president of AICA Turkey, Istanbul, Zeynep Öz,
curator and founder of SPOT, Istanbul, and Agah Ugur, collector and CEO, Borusan Holding,
Istanbul. On Institutions – 3:30 pm: Esra Aysun, director of the Museum of Innocence and
Turkey coordinator, Soros Foundation, Istanbul, Merve Caglar, general secretary, SAHA
Association, Istanbul, and Simon Rees, head of Museum Management, Curatorial
Development and Fundraising, MAK Vienna.
On Curating – 4:00 pm: Canan Dağdelen, artist and teacher at the University of Applied Arts
Vienna and Basak Doğa Temür, exhibition director and curator, ARTER, Istanbul.
Russia Day (Saturday, September 22, 2012)
With eight Russian galleries, contemporary art from Russia is very prominently represented at
VIENNAFAIR The New Contemporary. Whoever wants to learn more about the Russian art
scene is invited to Russia Day on Saturday afternoon when themes such as biennale models,
art foundations and institutions, and cooperation initiatives will be dealt with.
Speakers in 30-minute intervals – 3:00 pm: Anne Maier, press manager, Haus der Kulturen
der Welt, Berlin on the theme Biennale Models with Joseph Backstein, director of The
Institute of Contemporary Art, Moscow and commissioner of the Moscow Biennale of
Contemporary Art and Alisa Prudnikova, director, Ural Branch of the National Centre for
Contemporary Arts and commissioner of the 1 and 2 Ural Industrial Biennial, Ekaterinburg.
– 3:30 pm: Under the motto Corporate Initiatives, David Grosz, ARTIFEXpress editor-in-chief,
moderates a discussion with Alistair Hicks, senior curator, Deutsche Bank, London and
Walter Seidl, curator, ERSTE Bank Collection, Vienna, about the motivations and experiences
of cooperation initiatives in the fields of art and culture.
– 4:00 pm: On Foundations is the title of the third discussion round in which Marina Kurikhina,
curator and independent advisor speaks with Tarek Echeverria Samperio, director, Fundación
Magnolia, Mexico City, Justyna Buśko, president of the board, Art Stations Foundation 5050,
Poznań, Marko Lulic, artist, Vienna, and Valentina Volchkova, director of The Pace Gallery,
New York, about the importance and role of art foundations.
On Collecting Day (Sunday, September 23, 2012)
ERSTE Event: Conversations on Collecting in Eastern European Countries
On Sunday afternoon under the title On Collecting, collectors, gallerists, and curators have
their say. Different private collections, collecting models, and issues related to collecting in
emerging markets will be introduced. The discussion rounds are organized in cooperation with
Erste Bank, an institution that has continuously supported the art scenes in Central, Eastern,
and Southeastern Europe for years.
Themes and participants:
Shifting Perceptions: Baltics – 3:00 pm: Riivo Anton, collector, Tallinn, Lolita Jablonskiene,
chief curator, National Gallery of Art, Vilnius and Elina Zuzane, art market critic,
arterritory.com, Riga. Moderation: Karin Laansoo, director of the Contemporary Art
Development Centre, Tallinn.
Private Collections – 3:30 pm: Dieter Bogner, Collector, Vienna and Zsolt Somloi, collector,
Private Collection Katalin Spengler – Zsolt Somloi, Budapest. Moderation: Carola Annoni,
artist and art manager, Vienna.
Models of Collecting – 4:00 pm: Harald Falckenberg, collector and founder of the Sammlung
Falckenberg, Hamburg, Sarah Aibel, curator, Sender Collection, New York, James Lindon,
collector and founder of the Lindon Gallery, London, Nu Nguyen, curator, Ovitz Collection,
Los Angeles. Moderation: Bettina Steinbrügge, curator for contemporary art, Belvedere/21er
Haus, Vienna.
Collecting in Pre-Market Countries – 4:30 pm: Gabor Ebli, art historian, Budapest, Branko
Franceschi, curator, Marinko Sudac Collection, Zagreb, Béla Horváth, collector, The Horvath
Art Foundation, Budapest, Vessela Nozharova, freelance curator, Sofia, Gaudenz B. Ruf,
Swiss collector and initiator of the G.B. Ruf Award Bulgaria, Sofia, and Simona Vilau,
contributor, EEC Project, Bucharest. Moderation: Hans Knoll, collector and founder of Knoll
Galleries, Vienna/Budapest.
VIENNA SONIC
From Futurism and Fluxus to the latest tendencies in the twenty-first century, sound art has
developed into an independent and recognized art form within the fields of fine arts and
music. In sound sculptures, installations, and music performances, artists shape the interplay
between sound, space, time, movement, and form. But despite its increasing presence in
museums and exhibition halls, sound art has yet to ensure a sustainable anchoring in the art
market.
Against this backdrop, VIENNA SONIC explores possibilities in the framework of
VIENNAFAIR The New Contemporary to make sound audible as an exclusive phenomenon in
time and space and thereby put it up for artistic debate. With its experimental format, VIENNA
SONIC aims to provide VIENNAFAIR The New Contemporary with a corresponding acoustic
space. Musicians and sound artists are invited to participate in a process-oriented acoustic
design of certain zones throughout the fair. In cooperation with Ars Electronica FutureLab,
Linz and Ö1 Kunstradio, Vienna, a sound database will be compiled from material from the
Prix Ars Electronica Archive and the Ö1 Kunstradio sound pool and then modified and
manipulated live or via the Internet by artists such as Antye Greie aka AGF, Richard
Dorfmeister, Chris Eckman, Rupert Huber, Irena Karpa, and Tamikrest. On each of the four
days of the fair, a musical motif forms the departure point for the composition: Interval, Space,
Speed, Groove. These themes originate from the sound pool of Tosca, who will present their
latest, sixth album on the occasion of the opening of VIENNAFAIR The New Contemporary.
VIENNA SONIC: Concert Performance – Tosca and Colin Snapp
(Wednesday, September 19, 2012 – 10:00 pm)
As a special highlight to kick-off the VIENNA SONIC program, Tosca (Rupert Huber and
Richard Dorfmeister) present their sixth original album in a concert performance together with
Brooklyn video artist Colin Snapp.
Address: Odeon, Taborstraße 10, 1020 Vienna.
Admission with VIP card or special invitation. Registration required.
VIENNA SONIC: Sonic Nite (Friday, September 21, 2012, 6:00–9:00 pm)
The Sonic Nite in Hall A forms the climax of the VIENNA SONIC program.
6:00–7:00 pm: Rupert Huber live remix of the Tosca/Snapp performance and the VIENNA
SONIC database with contributions from Antye Greie aka AGF, Chris Brokaw, Chris Eckman,
and spoken word samples Irena Karpa.
7 – 8 pm: Soundscapes without tones. Including sound works and samples from: Sam
Auinger, Bruce Odland, Bill Fontana, Rupert Huber, Berliner Theorie, Alien Productions and
the Ars Electronica archive.
8 – 8.45 pm: Colin Snapp live sound mix. A live remix of the sounds of Colin Snappʼs video
work.
8.45 – 9 pm: Intervention by A FAIR CAMP. A camp in a fair, a camp that is fair, a camp
affair.
VIENNA LIVE
VIENNA LIVE is a VIENNAFAIR The New Contemporary series of events that shifts our
visitors out of their typically passive role as spectators. Artists invite them to participate in
creative processes.
EAT: Artist Cooking hosted by “1hourrestaurant” by René Stessl.
Usually the trained chef and learned artist René Stessl opens his “1hourrestaurant”
somewhere on the streets. Everything he needs for his restaurant fits into a rucksack and a
wheelbarrow: two chairs, one table, and a “fine-dining-three-course-menu”. At the fair he
extends his “1hourrestaurant” by hosting “Artist Cooking”: He invites his artist-colleagues to
create a special dish with him, which he serves in an intimate setting. Each lunch is set up as
a performance and interactive event. “If you want to spread love, become a cook! Not a priest,
Buddha, or a guru” – René Stessl. Venue and time will be announced.
PROTEST: A FAIR CAMP – A camp in a fair, a camp that is fair, a camp affair
From September 20 to 23, 2012, a non-stop workshop with computers, music machines,
photocopy machines, drawings, paintings, poetry, and performances dedicated to Pussy Riot
takes place in Hall A during opening hours. The participants who are solidaric with the
Russian punk band and who will actively involve the visitors are: Vava Dudu, a singer in the
band La Chatte aka VAVA DUDU, the poet Azzedine Saleck aka The Founder of the Desert
that Hides the Forest Ltd., filmmaker and Russian translator Stanislav Dorochenkov aka The
Duchess of Langeais, an actor working under the alias Taser Lipstick, the essayist and
success-ist Damien Airault aka DA, and the musician Arthur Moulton aka WAW.
IMAGINE: Warren Neidich “In the Minds’ I” – Performance Installation
In the Mindʼs I is a one-on-one performance artwork in which Warren Neidich, an American
artist based in Berlin and Los Angeles, utilizes the participantʼs visual memories of objects
and scenarios which they choose from a catalog and creates works of art in their mindʼs eye.
In the Mindʼs I takes place during opening hours, the location will be announced shortly.
EXPRES: Natalia Mali
The artist, born in the Northern Caucasus region, now living and working in Moscow and
London, invites visitors to participate in a photo shoot in Hall A, during opening hours. There
they have the opportunity to change their mode of dress into a national, ethnic, or pseudo-folk
costume. During the performance, the “models” reinvent their identities and ultimately become
“cultural monuments” – but also symbols or products of global consumerism that point to
issues such as national identity, emigration, and multiculturalism.
BALANCE: Katya Bochavar
In cooperation with Yogawerkstatt.at and the Moscow-based artist, curator and architect
Katya Bochavar, VIENNAFAIR The New Contemporary offers free yoga at various locations
in Hall A, where visitors can find inner balance and peace amid the hectic fair environment.
LOVE: Maria Hassabi –
Spontaneous dance performances
Two dancers, Maria Hassabi, a native Cypriot, and Hristoula Harakas from Greece, now both
living in New York, explore and subvert the space of the art fair in daily site-specific dances
that occur spontaneously throughout VIENNAFAIR The New Contemporary. The
performances deal with the paradoxical issues of a live performance searching for resolution:
How to be present in the moment (of a live work) and still reflect upon the performanceʼs
defining theoretical framework? The relationship between the audience and the performers,
their mutually assigned spaces, movements, and roles, is implicated in the work as they share
the sequence of what unfolds. It is within the time and space of this particular shared
experience of shifting bodies and facial gestures, subtle fluxes and halted poses, that a truly
plastic theater of contemporary live performance emerges.
POP: The Bruce High Quality Foundation
The Bruce High Quality Foundation is the official arbiter of the estate of fictive artist Bruce
High Quality, a social sculptor in the spirit of Joseph Beuys. After the group was represented
in Berlin in 2010 with an art market-critical film (“Lʼeau de Vie, Un Film de Jean-Luc Godard”,
DUVE Berlin), they have now conceived a new work for their appearance in the framework of
VIENNAFAIR The New Contemporary that targets the art and financial markets.
Inspired by a line in American author Don Delilloʼs novel “Cosmopolis” – the protagonist Eric
Packer remembers a poem in which “a rat became the unit of currency” – a pack of human-
scaled animatronic rats sing the Lorraine Ellison song “Stay With Me Baby”, an RnB classic
from the mid-1960s. They are accompanied by another group called “Apology”, which albeit
are mute. With their action, The Bruce High Quality Foundation focus on the notion of
speculation, which has only grown stronger in the art market in recent times. The Sound
sculpture can be heard on various locations throughout the fair.
VIENNA CLICK
VIENNA Click links the real space of the art fair with the virtual realm of the online world.
Launched this year Click is a central program point of VIENNAFAIR The New Contemporary.
Visitors can tap into the latest online information about the participating galleries,
VIENNAFAIRʼs social media output, plus a range of art-based social media publications and
key global art market indexes that form an interactive network providing up-to-date price
information on contemporary art. Detailed information at www.viennafair.at
VIENNA STUDIO
With its special program for students at this yearʼs fair, VIENNAFAIR The New Contemporary
builds upon its established relationships with the art academies in Vienna and has expanded
its network to include universities in neighboring cities in Austria, Slovakia, Hungary, and the
Czech Republic and their tertiary programs with a cultural focus that encompasses more than
just the fine arts. In VIENNA STUDIO, from Thursday, September 20 to Sunday, September
23, 2012, art students will have the unique chance to experience the fair in a different way:
One art expert and three artists will create performative conversations and guided tours
through VIENNAFAIR The New Contemporary. On each of the four days at 11:00 am, one of
the speakers invites students under the motto “Meet & Greet” to a breakfast followed by a
work presentation. After the introduction, the group embarks on a short tour through the fair
from 11:30 am to 12:00 pm. Also non-art students are welcome to join VIENNA STUDIO and
win a valuable insiderʼs view into the art scene. Free entry upon presentation of a valid
student ID card.
Irena Karpa (Thursday, September 20, 2012, 11:30 am – 12:00 pm)
Irena Karpa is a Ukrainian writer, performer, and journalist and is one of the most influential
personalities active in the Ukrainian blogosphere. Her band QARPA is a regular on MTV
Ukraine.
Oliver Richon (Friday, September 21, 2012, 11:30 am – 12:00 pm)
Olivier Richon is a Swiss-born artist based in London, whose work is presented with IBID
PROJECTS at the fair. Currently, his photographic work can be seen in the exhibition
“Another London. International Photographers Capture City Life 1930–1980” at the Tate
Britain, Millbank in London.
Colin Snapp (Saturday, September 22, 2012, 11:30 am – 12:00 pm)
Colin Snapp is an American artist who lives and works in New York. In 2011, his work was
included in projects at the Whitney Museum of American Art and the New Museum of
Contemporary Art in New York.
Edelbert Köb (Sunday, September 23, 2012, 11:30 am – 12:00 pm)
In the period between 1974 and 2002, Edelbert Köb was a professor and pro-rector of the
Academy of Fine Arts Vienna, president of the Vienna Secession (1982–1991), head of the
Kunsthaus Bregenz (1990–2000), and director of the Museum Moderner Kunst Stiftung
Ludwig Wien (2002–2010). Today he is active as a curator for national and international
exhibitions and a founding member of the VF Beteiligungs KG, an Austrian group of art and
culturally interested persons who own 30% of the VF Betriebsgesellschaft mbH.
The detailed program for VIENNA QUINTET, VIENNA TALKS, VIENNA SONIC, VIENNA
LIVE, VIENNA STUDIO and VIENNA CLICK: www.viennafair.at
VIENNAFAIR The New Contemporary continues cooperation with departure, the
creative agency of the City of Vienna
curated by_vienna is a project by departure that commissions co-operations between
Viennaʼs leading contemporary art galleries and internationally renowned curators. Now in its
fourth year, curated by_vienna 2012 will be held in 22 galleries throughout the city, opening
on September 20 and running until October 25. Under the title “art or life: aesthetics and
biopolitics”, this yearʼs project conceived by Eva Maria Stadler in cooperation with the
galleries explores the interconnections between work, economy knowledge, and politics. The
focus is centered on the question of how art approaches the interplay between work and life
and what role it plays in the process. 25 curators have been invited to develop special
exhibitions for the participating galleries. During VIENNAFAIR The New Contemporary an
accompanying discussion program “art or life: in conversation” will take place at the curated
by_vienna booth. Further information: www.curatedby.at
Intensified focus on Central, Eastern, and Southeastern Europe
About 30 percent of the galleries participating in VIENNAFAIR The New Contemporary are
from the focus regions. Galleries from Bulgaria, Estonia, Croatia, Lithuania, Poland, Romania,
Russia, Slovakia, Slovenia, the Czech Republic, Hungary, and the Ukraine are represented in
the fair.
As in previous years, Erste Bank is facilitating the main focus on Central, Eastern and
Southeastern European countries within VIENNAFAIR The New Contemporary. “We promote
artists and galleries from the East and Southeastern regions of Europe by supporting galleries
that would not have been able to participate in the fair because of their economic situation. As
a result of this strategy, VIENNAFAIR The New Contemporary has developed a profile that
we would like to continue to support under the new management,” states Ruth Goubran, head
of Community Affairs and Sponsoring at Erste Bank.
Contemporary Turkish art also in the limelight in 2012
The successfully initiated dialogue between Vienna and the Bosporus will continue at the
2012 VIENNAFAIR The New Contemporary in the special project “DIYALOG”: Art from
Turkey. Co-initiated and supported by OMV for the second time, six galleries from Istanbul –
The Empire Project, MARS İstanbul, Galeri Nev İstanbul, NON, Rampa, Rodeo – will show a
representative cross-section of the diversity of Turkeyʼs emerging contemporary art scene. In
addition there will be an information zone about the art scene in Turkey. This special project is
curated by art critic Nazlı Gűrlek who was born in Istanbul.
Over and above its economic engagement, the OMV would like to contribute to the cultural
dialogue in the realm of contemporary art. In addition to Austria and Romania, Turkey is one
of the international oil and gas companyʼs key markets.
Vienna Chamber of Commerce awards Gallery Prize for the best booth presentation
once again in 2012
Already for the seventh time President Brigitte Jank will present the Galleries Prize of the
Vienna Chamber of Commerce for the most innovative and exceptionally creative booth
presentation at VIENNAFAIR The New Contemporary. Prize money in the amount of EUR
5000 will be awarded in two categories respectively: The “Emerging Gallery Prize” focuses on
young galleries that were founded in the last five years. The “Established Gallery Prize”
honors an established gallery whose many years of work and presence in Vienna have
strengthened Viennaʼs position as a hub in the international art market.
Further steps toward internationalizing the Vienna art marketplace
In order to help advance the targeted internationalization of the Vienna art marketplace,
VIENNAFAIR The New Contemporary opens doors for exhibitors to enter into new
partnerships and business fields above and beyond the art market. In the framework of
VIENNAFAIR The New Contemporary the international auction house Sothebyʼs will present
select artworks from this yearʼs Autumn Auction of modern and contemporary art. Also the
domestic auction house Dorotheum will present their varied selection of works at their own
booth. Therewith VIENNAFAIR The New Contemporary has established new cooperations
that represent yet another strong incentive for international collectors to come to Vienna.
VIENNAFAIR The New Contemporary is pleased to announce two new partners:
VTB Capital Investment Management and Redline Capital Management S.A.
VTB Capital Investment Management is one of the key business divisions of VTB Capital, the
VTB Groupʼs investment arm. Hence, VTB Capital Investment Management can employ the
international platform and the experience of VTB Capitalʼs experts to provide distinct
advantages to their existing and potential clients and to offer a wide range of investment
solutions for individual and institutional investors. Their main services include open-ended unit
investment funds and discretionary managed accounts for high net worth individuals and
financial institutions, including money from pension funds, insurance companies, endowment
funds of nonprofit organizations, and money from indemnification funds of self-regulating
organizations. VTB Capital Investment Management is also engaged in the management of
venture funds, private equity, and hedge funds.
Redline Capital Management S.A. facilitates cross border investment capital flows between
Russia and international capital markets. It manages innovative investment vehicles with a
focus on carefully selected economic growth stories around the world. Redline caters to ultra
high net worth individuals and institutional investors and creates custom tailored investment
products for them. Through the alliance with the Luxembourg-based East West United Bank,
Redline offers a world-class suite of financial services and structuring solutions.
International Art Industry Forum – Another program highlight:
Information hub at the intersection of culture and economy.
Just before the opening of VIENNAFAIR The New Contemporary 2012, Skateʼs Art Market
Research in cooperation with Deloitte Luxembourg, the Art Investment Council, The Art
Newspaper, and leading personalities from cultural industries warmly invite you to participate
in the first International Art Industry Forum on September 19 and 20. A high growth potential
and a sheerly inexhaustible innovative power are predicted for the cultural economy and its
affiliated creative industries. The International Art Industry Forum will explore the potential of
this new economic branch from different perspectives. In five lecture blocks – The Evolution
of the Art Industry: Four Perspectives, New Models in Art Investment, Who Will Invest in the
Art Business, New Directions in Art Finance, and New E-Models in the Art Business – new
models of art investment will be introduced, the possibilities of new cooperations between
private investors, governmental funding organizations, and foundations in the funding of
cultural projects will be discussed, new business models in art consulting and the rental of
artworks presented, and the importance of the digital revolution for the art market will be
emphasized on the basis of select best practice examples. Furthermore, a panel discussion at
the end of the conference will present an outlook toward the developments we can expect in
the coming years.
Among the speakers are Christoph Thun-Hohenstein, director, MAK (Vienna), Anna Somers
Cocks, chief executive, The Art Newspaper (London), Anders Pattersen, managing director,
ArtTactic (London), Spencer Hyman, Artfinder (London), Alexander Spuller, art collector and
director of the Art Photography Fund (Vienna), Andrea Jungmann, managing director of
Sothebyʼs Austria (Vienna), Michael Plummer, co-founder, Art Investment Council & Artvest
(New York), Thomas Galbraith, director of Analytics, Artnet, New York, Noah Horowitz,
author, “The Art of the Deal: Contemporary Art in a Global Financial Market” and managing
director, The Amory Show (New York), and Etienne Schneider, Minister of the Economy and
Foreign Trade, Luxembourg. Detailed information and registration under:
www.artindustryforum.com
Image: Halim Al Karim, Lost Memory 7, 2001. Photograph lambda print © AB Gallery, Lucerne
Press relations: VIENNAFAIR The New Contemporary
Christina Werner
w.hoch.2wei. Cultural Project Management
Breite Gasse 17/4, 1070 Vienna
T +43 (0)1 524 96 46-22, werner@kunstnet.at
Press Conference: 19 September 2012 10 a.m.
Messe Wien, Hall A, Entrance A
Messeplatz 1, 1020 Vienna
Opening Hours
Thursday, September 20, 2012, 11:00 am – 7:00 pm
Friday, September 21, 2012, 11:00 am – 9:00 pm
Saturday, September 22, 2012, 11:00 am – 7:00 pm
Sunday, September 23, 2012, 11:00 am – 6:00 pm
Tickets
€ 18.00 Day ticket for adults
€ 9.00 Reduced day ticket
€ 12.50 Reduced day ticket for clients and employees of sponsors
€ 29.00 4-day ticket
€ 9.00 After-Work-Ticket (Thursday/Friday starting at 4:00 pm)
Free entrance for children under 14