The fifth exhibition in The Fruitmarket Gallery's four-year series of new art in Scotland, presents new works by Michelle Naismith and Rosalind Nashashibi, winner of the 2003 Beck's Futures Art Prize. Both artists' work takes the form of projections.
NEW COMMISSIONS BY THE FRUITMARKET GALLERY
ROSALIND NASHASHIBI
MICHELLE NAISMITH
VISIONS FOR THE FUTURE V, the fifth exhibition in The Fruitmarket Gallery's
four-year series of new art in Scotland, presents new works by Michelle
Naismith and Rosalind Nashashibi, winner of the 2003 Beck's Futures Art
Prize.
Both artists' work takes the form of projections. Nashashibi's observational
films capture ordinary lives and spaces contrasting with the theatrical
scenarios and fictional hybrid characters created by Naismith.
The 16mm films of Glasgow-based Rosalind Nashashibi, 30, are naturalistic
works of documentation without commentary. She films in public and private
spaces, capturing everyday activity in which a sense of time being spent or
contained is explored.
Nashashibi presents a new work, Humaniora, set around British hospital
buildings, along with recent films MIDWEST and MIDWEST FIELD, portraying the
people and neighbourhoods of Omaha, Nebraska, where Nashashibi completed an
artist's residency (2001-2002). The latter films featured in the exhibition
presentation at the Institute of Contemporary Art, London, of Beck's Futures
3. Awarding the £24,000 exhibition prize, Chair of the Judging Panel Michael
Landy said the judges were unanimous in their decision - 'Rosalind's work is
simply exceptional.'
Nashashibi's interest lies in the way human activity shapes landscapes and
the subsequent changes to structures and spaces.
'There are no commentaries, just observation,' Nashashibi says. 'The works
are a testament to the presence of the watcher, as well as a record of what
took place. I never cover up the fact that I am filming. I try to disappear
somehow behind the camera so that I have little or no effect on my
surroundings'.
Michelle Naismith, 36, who lives in Glasgow and Nantes, France, makes
videos, influenced by video work of the late 60s and 70s, that are
theatrical fusions of fact and fiction. For her new video, Au Revoir Moodle
Pozart (2003), she develops the deliberate humour in her work to disarm the
viewer, introducing a hybrid renaissance character inspired by a poodle and
eighteenth century figures Mozart, Swiss psychic Anton Mesmer and German
philosopher Schopenhauer.
Taking a theatrical stance and often utilising props or partial disguise,
she demonstrates a self-conscious thread and distance within the work,
prompting the viewer to question the certainty of what she/he is viewing. 'I
am trying to formulate my own quasi-mythic systems, developing these as
tools or languages to help generate other ideas,' she says.
Michelle Naismith and Rosalind Nashashibi will exhibit at the 2003 Venice
Biennale Art Fair. Nashashibi's work will be showcased as external
projections on to the Scottish Pavilion, sponsored by the Scottish Arts
Council, whilst work by Naismith's Nantes-based research group MultiPoint is
featured in Utopia Stations, curated by Hans Urlich Obrist, Rikrit
Tirivanija and Molly Nesbitt.
Both artists completed MFA degrees at Glasgow School of Art
between1998-2000. Subsequently they have widely exhibited their work.
Naismith has exhibited in Belgium, France, Germany, Ireland, London, Norway,
Spain, Sweden, Glasgow and London. She has featured in The Fruitmarket
Gallery exhibitions presence, 2002, and My Father is the Wise Man of the
Village, 2001. Nashashibi has exhibited in Australia, Italy, Lebanon,
Palestine, United States of America, Glasgow, Llandudno, London, Sheffield
and Southampton. Last year she completed a two-month artist's residency in
East Jerusalem.
The Visions For The Future series commissions and showcases the work of
leading artists from or based in Scotland. The final exhibition in the
series will present new work by Paul Carter and Chad McCail (4 October - 22
November 2003).
Previous exhibitions in the series have featured Ross Sinclair and Martin
Boyce (September - November 1999), Anne Bevan and Graeme Todd (February -
April 2000), Annette Heyer and Steve Hollingsworth (October - November 2000)
and Graham Fagen and Victoria Morton (November 2002 - January 2003).
Image: Michelle Naismith, Au Revoir Moodle Pozart, 2003
Exhibition supported by the Scottish Arts Council and the Esmee Fairbairn
Foundation.
Additional support The Cruden Foundation.
PREVIEW
Friday 30 May, 6.30-8.30pm
EXHIBITION
Mon - Sat 11am - 6pm
Sun 12pm - 5pm
Admission free.
ARTISTS' TALKS
MICHELLE NAISMITH
Thurs 5 June, 6.30pm
ROSALIND NASHASHIBI
Sat 21 June, 2.00pm
Admission free.
Advance booking recommended.
NEW PUBLICATIONS
MICHELLE NAISMITH
pp64, full colour illustrations,
225 x 170mm
Texts by Douglas Park, Dessislava Dimova and Mick Peter.
ROSALIND NASHASHIBI
pp64, full colour illustrations,
225 x 170mm
Texts by Francis McKee, Lucy Skaer and Sarah Tripp.
For all media enquiries, interviews and press material, please contact
Annie Woodman
Media and Marketing Manager
Tel: 0131 226 8182
Fax: 0131 220 3130
The Fruitmarket Gallery
45 Market Street
Edinburgh