Site specific_London 12. Whether reworking masterpieces from the Uffizi Gallery, capturing the majestic grandeur of the world's great waterfalls, or reinterpreting towns and cities from above in site specific_ (which also includes film, in addition to photography), Barbieri showcases both natural and manmade landscapes from his own unique viewpoint.
Ronchini Gallery, London is proud to present
an exhibition of works by artist Olivo Barbieri
from 30 November 2012 to 12 January 2013.
Barbieri will unveil his first series of aerial
photographs of London, as part of the latest
chapter in his site specific_ series. The Italian
artist has become known for his iconic take
on urban spaces, photographing cities, from
the vantage point of a helicopter, with a
custom large format camera which allows him
to carefully focus on specific areas, producing
images that appear to be of miniature
models.
Barbieri first developed an interest in photography in the early 1970s, focusing on artificial
illumination in both European and Asian cities. His detailed images of urban spaces
developed into the site specific_ series over 10 years ago. Its instantly recognisable view on
cities has, to date, included Rome, Las Vegas, Shanghai, New York, Bangkok, Venice, Mexico
City, Tel Aviv, Brasilia and Amman, among others. In site specific_, Barbieri reinterprets
urban spaces, distancing us from the human noise and hustle and bustle, presenting them to
us instead as pristine, miniature renderings. For Barbieri, it is the shape of the contemporary
metropolis which interests him, rather than a literal transcription of a city.
Representing a departure in Barbieri’s style that has been happening for some years, site
specific_London is far more graphic than previous projects. Barbieri has stopped using tilt
shift lenses and instead has begun to reinvestigate the original idea of the project to render
works which are closer to drawing. Buildings such as The Shard and St Pauls Cathedral are
isolated as Barbieri explores whether architecture fits its location and how it interacts with
surrounding buildings. An important aspect of the site_specific project is the perpetual shift
of how places are interpreted. Barbieri explains his experience of photographing London:
‘’The texture of London from above compared to other cities looks more like a living
organism. I inevitably noticed the constant throbbing of the arteries, the lines of
communication, in continuous dialogue with the land and buildings and the earth.'’
Whether reworking masterpieces from the Uffizi Gallery, capturing the majestic grandeur of
the world’s great waterfalls, or reinterpreting towns and cities from above in site specific_
(which also includes film, in addition to photography), Barbieri showcases both natural and
manmade landscapes from his own unique viewpoint. “I always wonder if our methods of
perception are actually suitable to interpret reality,” says Barbieri. “Photography is
immaterial, and yet it can be as strong as a philosophical statement.”
A book of Olivo Barbieri photographs from over 30 cities will be published in multiple
languages by Aperture in Fall 2013.
About the artist
Born in 1954 in Carpi, Modena, Olivo Barbieri attended the Faculty of Pedagogy and the
DAMS at the University of Bologna before turning his attention to photography in 1971.
Originally focusing on artificial illumination in European and Oriental Cities, by the 1990s, he
had developed a special technique that allows him to shrink vast urban landscapes into
miniaturised model-like imagery. Showcased in his on-going site specific_ series, he has
captured cities such as Rome, Amman, Las Vegas and Shanghai, among others. Barbieri’s
works can be found in the collections of the Bibliothèque nationale de France in Paris, the
Canadian Centre for architecture, Montréal, Sevile’s Centro Andaluz de arte
Contemporáneo and the San Francisco Museum of Modern Art. He has exhibited at MoMA,
New York; Tate Modern, London; The Wexner Center for the Arts and the Museum of
Contemporary Art, Chicago, and has been the recipient of numerous awards for both his
photography and film work.
About Ronchini Gallery
Ronchini Gallery is a contemporary art gallery founded by Lorenzo Ronchini in 1992, in
Umbria, Italy, which expanded in February 2012 with a space in Mayfair, London. Its
exhibitions have explored pioneering movements within Italy; the gallery aesthetic is defined
by Minimalism, Spatialism, Conceptualism and Arte Povera and it retains an unblinking
future-focus on progressive movements. Ronchini Gallery evolved from 20 years of private
collecting. Paterfamilias Adriano Ronchini was an early supporter of artists such as Alighiero
Boetti, Daniel Buren, Joseph Kosuth, Frank Stella and Michelangelo Pistoletto and collected
their work throughout the seventies. Subscribing to the highest standards of curatorship and
scholarship, the gallery provides a rigorous context in which its artists can be viewed.
Ronchini Gallery also maintains a successful publishing arm which produces exhibition
catalogues, monographs, critical texts and artist’s books.
For press information: Sophie da Gama Campos or Toby Kidd at Pelham Communications, +44 (0) 208 969 3959, sophie@pelhamcommunications.com or toby@pelhamcommunications.com
Preview: 29 November 2012, 6-8pm
Ronchini Gallery
22 Dering Street, London
Opening Hours: Monday – Friday 10am–6pm, Saturday 10am – 5pm
Admission free