"A Matrix" features never before seen paintings from Matsutani's early career, as well as recent organic abstractions in vinyl glue and graphite. Also on view Gupta's sculpture "What does the vessel contain, that the river does not".
Takesada Matsutani - A Matrix
Curated by Midori
Nishizawa
Hauser & Wirth is proud to present 'Takesada
Matsutani. A Matrix', curated by Midori
Nishizawa and organised with Olivier Renaud-
Clement. This will be the gallery's first solo show
with Osaka-born, Paris-based artist, Takesada
Matsutani and also marks the first time his works
will be shown in the UK. 'A Matrix' features never
before seen paintings from Matsutani's early
career, as well as recent organic abstractions in
vinyl glue and graphite. In addition, the exhibition
will include a performance of Matsutani's
'Stream, London, Hauser & Wirth'.
From the early sixties to the early seventies,
Matsutani was a key member of the 'second
generation' of the Gutai Art Association (1954
– 1972), Japan's innovative and influential art
collective of the post-war era. One of the most
important Japanese artists working today,
Matsutani's paintings and performances from
throughout his practice demonstrate the ethos
of Gutai, translated into an artistic language that
is uniquely his own.
In the 1960s, Matsutani began experimenting
with vinyl glue, a material that first entered into
mass production in Japan following World War II.
With paintings such as 'Work-62', on view to the
public for the first time in 'A Matrix', Matsutani
deposited the glue onto his canvases and
allowed it to run down the surface. Matsutani
recalls 'The glue began to drip and as it dried,
stalactites formed, which looked like the udders
of a cow'.
Inspired by the shapes of blood samples he had
observed, Matsutani developed this technique
further, using hairdryers, fans and his own breath
to create bulbous forms reminiscent of the curves
of the human body. Paintings such as 'Work-63'
exemplify these early experimentations with vinyl
glue, a material that continues to fascinate the
artist to this day.
In 1966, Matsutani moved to Paris
and began working at William Hayter's
renowned print-making studio, Atelier
17. When the Gutai Art Association
disbanded in 1972, Matsutani was
able to transition from the artistic
style of his Gutai period into a radical
yet consistent new body of work,
informed in part by his experience
at Atelier 17, in which he expressed
a greater depth of understanding of
pictorial space and composition.
Matsutani's later paintings bring
together the artist's signature media,
vinyl glue, with graphite. In a marked
difference from the raw rendering of
his early works, Matsutani carefully
controls the glue as it moves across
his canvases, making or deflating
pockets of air and creating new
ridges, wrinkles and crevices as the
adhesive hardens. Matsutani then
covers the surface in methodical,
almost meditative, graphite lines.
The shapes created resemble the
unbridled energy of a crashing wave
or the inside of a seed preparing to
germinate, whilst the graphite reflects
light, teasing out hints of texture,
depth and volume.
'Stream-10, 1984 – 2013, London', one of Matsutani's largest works, is a 10-metre sheet of
paper which the artist covers in a blanket of graphite, leaving just one thin white line coursing
through the middle of the paper. Matsutani then completes the work by throwing turpentine
over the edge of the dense surface, quickly dissolving the graphite in a tremendous surge of
energy and an act of cathartic liberation.
During the exhibition's opening,
Matsutani will perform 'Stream,
London, Hauser & Wirth'. In
the centre of the gallery, a bag
filled with water is suspended
above a white piece of paper
held down by a large stone.
Matsutani will pierce small
holes in the bag, allowing a
slow and steady trickle of water
to drip down on to the stone
as he moves a traditional Sumi
stick of rich black ink – used
in traditional Chinese calligraphy – repetitively
across the stone's surface.
As the water
drips over the ink-stained rock, Matsutani's
constant back and forth motion pushes the
ink in a spray on to the paper. The stone and
paper will remain throughout the exhibition
as a document of the performance.
Takesada Matsutani was born in Osaka, Japan
in 1937. He began exhibiting with the Gutai
Art Association in 1960 and officially joined the
group in 1963. In 1966, he received a grant
from the French government after winning first
prize in the 1st Mainichi Art Competition, and
subsequently moved to Paris, France where
he continues to live and work today.
Works by Matsutani are currently on view in
the major survey exhibition, 'Gutai: Splendid
Playground' at the Guggenheim Museum,
New York NY until 8 May 2013. Matsutani's
paintings were also featured in the recent group exhibition at Hauser & Wirth New York, 'A
Visual Essay on Gutai at 32 East 69th Street' (2012). Matsutani is included in the collections
of many public institutions including Musée d'Art Moderne de la Ville, Paris, France; Tokyo
Museum of Modern Art, Tokyo, Japan; and the Ashiya City Museum of Art, Ashiya, Japan.
'Takesada Matsutani. A Matrix', will be published on occasion of the exhibition at Hauser
& Wirth. Featuring rare archival photographs, an interview with the artist by Mizusawa
Tsutomu and Inaniwa Sawako, and texts by Kate van Houten, Midori Nishizawa and Ming
Tiampo, curator of 'Gutai: Splendid Playground', the book will be available in June 2013. In
addition, Hauser & Wirth will host an artist talk with Matsutani in conversation with Tiampo
on Saturday 18 May.
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Subodh Gupta - What does the vessel contain, that the river does not
Following its critically-acclaimed presentation at the Kochi-Muziris Biennale, Subodh
Gupta's sculpture 'What does the vessel contain, that the river does not' will be on view for
the first time outside India at Hauser & Wirth's Savile Row gallery. Through his use of found,
commonplace objects, the New Delhi-based artist explores cultural dislocation prevalent
in an era of shifting powers, as well as personal histories. 'What does the vessel contain,
that the river does not' evokes the conflicting feelings of belonging and displacement,
movement and stability, and explores the liminal space between these states of being.
Inspired by the work of the 13th century Persian poet, Jalāl ad-Dīn Muhammad Rūmī,
'What does the vessel contain, that the river does not' is a traditional fishing boat from
Kerala, India that measures over 20 metres and straddles the entire stretch of the gallery.
The boat is filled from bow to stern with chairs, beds, window frames, fishing nets, plastic
jars, cans, an old radio, cooking pots and pans, suitcases and a bicycle.
The ancient Sufi philosophy embedded in Rūmī's poetry speaks eloquently about the
idea of the microcosm – the containing of an entire universe within the human soul. With
this large-scale work, Gupta too creates a microcosm containing one person's entire
existence, bundled together and crammed into a vessel which appears as if it is about to
set sail. For the artist, this boat ceases to be just a simple mode of transportation, but has
evolved into an extension of the greater paradigm of survival, sustenance and livelihood.
Subodh Gupta was born in 1964 in Khagaul, India and now lives and works in New Delhi.
Gupta's works are featured in major international private and institutional collections and
he has been the focus of numerous shows worldwide.
Recent solo exhibitions include 'Line
of Control', Kiran Nadar Museum of Art, New Delhi, India (2012); Sara Hildén Art Museum,
Tampere, Finland (2011); 'A glass of water', Hauser & Wirth New York NY (2011); 'Et tu,
Duchamp?', KÖR am Kunsthalle Wien project space Karlsplatz, Vienna, Austria (2011);
'Take off your shoes and wash your hands', Tramway, Glasgow, Scotland (2010); and
'Subodh Gupta. Faith Matters', Pinchuk Art Centre, Kiev, Ukraine (2010). 'Spirit Eaters' is
currently on view at Kunstmuseum Thun in Switzerland until 28 April 2013. Gupta's works
will be included in the group exhibition 'Trade Routes' at Hauser & Wirth's Piccadilly gallery
from 3 May to 27 July 2013 and he will present a solo exhibition at CAC Centro de Arte
Contemporáneo, Malaga, Spain in July 2013. A major survey show of Gupta's works will
open at the National Gallery of Modern Art, New Delhi, India in January 2014.
Opening: Friday 17 May 6 – 8 pm
Hauser & Wirth - Savile Row
23 Savile Row, London
Hours: Tuesday to Saturday, 10 am – 6 pm
Free Admission