Mahony
dal 12/6/2013 al 13/8/2013
Segnalato da
12/6/2013
Mahony
La Criee Centre for Contemporary Art, Rennes
Slow Season. The solo exhibition combines a variation on the theme of absence with an exploration of our cultural and economic models, past and present.
Curated by Sophie Kaplan
From 13 June to 14 August La Criée is presenting «Slow Season», the first solo
exhibition in France by Mahony, an Austrian art collective currently based in Berlin.
«Slow Season» combines a variation on the theme of absence with an exploration of
our cultural and economic models, past and present.
Different geographical and historical zones, different social and political contexts: Mahony’s
projects often start out with aspects – real or fictional, known or unknown – of our collective
memory. The collective provokes confrontations, two-way trajectories and spatio-temporal
connections between several strata and several interpretations of the same narrative; the
upshot is a rhizomatic, constantly evolving work process whose issues lie neither in the
trigger factor nor the ultimate purpose, but in the data constellation created in between.
Slow Season takes its inspiration from its La Criée context – the history, the space and the
site of an art centre in a former fish market – and from the tutelary figures of the heroes of
Homer and James Joyce.
The exhibition is built around a succession of reciprocally responding works and clues that
form an assemblage made of scraps of a story – or maybe several possible stories.
Entering the exhibition space, visitors are confronted by Slow Season (2013), a large-format
archival photograph of the covered market dating from the 1920s, repainted by hand. This
work sets up an interaction between the space itself, its built environment and its history: a
direct echo of La Criée, it makes the centre a full protagonist in the exhibition scenario.
References to the Ulysses of Joyce and Homer are everywhere. Meeting of the Waters
(2013), for example, offers a map of the public garden in Dublin where part of Chapter 10 of
Joyce’s Ulysse is played out. A response in the form of Swansong (2013), a quotation from
the same chapter, prompts interplay between the exhibition’s historical roots and variations
on its mythical theme.
The literary allusions are paralleled by a close focus on the complexities and excesses of
contemporary society. This leads Mahony to an emphasis on objects that channel conflict,
and whose contradictory nature they spotlight: mass consumption items and archaeological
artefacts treated and considered both as merchandise and as vehicles for meaning.
For Mahony these objects, which circulate on the global market, are inherently an expression
of today’s materialist culture. The installation Gum - Paste Incident (2011) contains a
reference to a Mayan statue whose authenticity was recently challenged when it came up
for sale: the installation questions its value as an (art) object and calls attention to the power
struggles taking place between Old Europe and the ‘other worlds’.
Slow Season’s equilibrium is doubly underpinned by this subtle mix of the poetic and the
political and by the artists’ attentiveness to the exhibition’s setting. Crucial here is the image
of the sharp-eyed nomadic observer: the flâneur, from Leopold Bloom to Walter Benjamin, or
the long-distance traveller, from Ulysses to Ernest Shackleton.
More informations
Carole Brulard T. (+33) (0)2 23622511 c.brulard@ville-rennes.fr
Émilie Cénac T. (+33) (0)2 23622512 e.cenac@ville-rennes.fr
Communication: Ms. Solène Marzin s.marzin@ville-rennes.fr
Opening Thursday 13 June 2013, 6:30pm
Meeting with Mahony
Saturday 15 June 2013, 3pm at La Criée
Guided tours
Thursday 20 June 2013, 5:30pm at La Criée
Friday 28 June 2013, 5pm at La Criée
La Criee Centre for Contemporary Art
Place Honore' Commeurec, Rennes
Hours: from Tuesday to Friday : Noon to 7pm
Saturday and Sunday : 2pm to 7pm
Closed on Monday and bank holiday
Free Admission