Emma Biggs/Matthew Collings, Matthew Higgs, Jon Thompson. The proposal was to invite three artists who have become widely recognised as facilitators, educators and commentators within the art world and to take a look at their personal practice.
Emma Biggs/Matthew Collings, Matthew Higgs, Jon Thompson with texts by Jeremy
Deller, Colin Lowe, Roddy Thomson, Mark Wallinger
The carriage door opened and a well-manicured hand beckoned me to enter. I was
handed a blindfold and told to put it on. We drove through the night for what
seemed about an hour, the cold fragrant air giving no clue as to our
destination. I was led from the carriage over a gravel driveway, up some steps
and a heavy door was closed behind us. The blindfold was removed and I was
confronted by a group of gentlemen sat around a large table.
MOT is interested in the big questions; the structures and systems that govern
the art world and an artist's changing relationship to them. Over the years the
boundaries between education, curation, criticism and an artist's personal
practice have become consistently more blurred. Artists have become so involved
in the mechanics of their own destiny, that it has become common to find artists
who curate exhibitions, write reviews and lecture within art schools while
continuing to make work. We are interested how these crossovers are changing the
traditional roles and how this effects the type of work that artists make, what
gets exhibited and how the art world is presented to a wider audience.
The proposal for Round Table was to invite three artists who have become widely
recognised as facilitators, educators and commentators within the art world and
to take a look at their personal practice. MOT then invited three more artists,
who had benefited directly from the professional attention of the initial
practitioners and asked these artists to write a short text in response to the
work. All these elements will make up the exhibition.
Round Table has been curated around personality, rather than work and as such
the artists were asked to choose which pieces of work they would exhibit. The
three artists that we invited to show work are Matthew Collings, Matthew Higgs
and Jon Thompson each for their major roles in the fields of comment, curation
and education. Matthew Collings chose to show a collaborative piece that he is
making with his wife Emma Biggs and so we invited both Colin Lowe and Roddy
Thomson, who normally work together, to write two separate responses to the
work. Jeremy Deller will write a response to the work of Matthew Higgs and Mark
Wallinger to that of Jon Thompson. It was important that all the participants
and their inter-connecting relationships were internationally recognised so that
even though we were only presenting a slice, up for scrutiny, it would at least
retain a high proportion of the icing. Also, we limited ourselves to British
artists in order to keep some continuity, although many
of the participants live and work abroad and all are widely known throughout
the world for their work in the arts.
These crossovers have existed before now, but never have they been so prevalent
as today and this trend seems to have emanated from Britain over the last
decade. Previously our art scene was notorious for being stuffy, outdated and
traditional in comparison to that of other countries and it was, as a reaction
to this, that many of our artists decided to take more control. The artists in
Round Table are just some of the key figures responsible for this turn around.
They have become so successful within their fields that they are now an
established part of the new mechanic and, as such, it is interesting to subject
their work to the critique of other artists. It is a mark of the greater
understanding of the need for constant reassessment that all these established
figures have agreed to take part in this project at MOT and highlights the
importance of supporting independent spaces such as our own.
I was asked to roll up my left trouser leg and repeat a number of words in a
language that I did not recognise.
Private View Friday 17th October 6 - 9
Open Fri, Sat, Sun 12-5 or by appointment
FUTURE EXHIBITIONS AT MOT
RENDER RED NOSE 28TH NOVEMBER - 11TH JANUARY
MOT
Unit 54/5th floor Regents Studios
8 Andrews Road London E8 4QN
t +44 (0)7931 305 104
Bethnal Green Underground Bus 394,106,253,26,48,55,D6, D3, 8