One of the best known political artist activist of America. Rosler works in video, photo-text, installation, and performance, and writes criticism. She has lectured extensively nationally and internationally. Her work in the public sphere ranges from everyday life — often with an eye to women's experience - and the media to architecture and the built environment.
Oct 27- 31, 16 pm
Contemporary Art Centre and American Centre in Vilnius present one of the best known political artist activist of America
VIDEO/ART/POLITICS VIDEOTAPES AND READINGS
“Since the mid-1960s, Martha Rosler has been relentless in her scrutiny of the
ideologies that shape our social interactions and cultural experiences. Rosler's
extensive body of work in a variety of media, her rigorous artistic practice,
and her contributions to the on-going critical discussions related to
contemporary art and social theory have profoundly influenced an entire
generation of younger artists. In all aspects of her work, Rosler encourages a
dialogue, asking probing questions while declining to provide definitive
answers.
“Martha Rosler's work illuminates a broad range of discourses, including art
history, sociology, women studies, architecture, urban planning, film and media
theory, and contemporary cultural studies. As artist, activist, and writer, she
has made significant contributions to on-going discussions of social and
political issues that shape all of our lives. Among her many accomplishments has
been her ingenuity in reconciling art with everyday experience and thereby
harnessing the capacity of art to stimulate dialogue, extending its relevance
far beyond a traditional and privileged "art" audience.†(Anne Ellegood)
Martha Rosler was born in Brooklyn, New York. She took her B.A. from Brooklyn
College in 1965 and her M.F.A. from University of California, San Diego in 1974.
Rosler works in video, photo-text, installation, and performance, and writes
criticism. She has lectured extensively nationally and internationally. Her work
in the public sphere ranges from everyday life — often with an eye to women's
experience — and the media to architecture and the built environment.
She has published several books of photographs, texts, and commentary on public
space, ranging from airports and roads to housing and homelessness. Her work has
been seen in the "Documenta" exhibition in Kassel, Germany; several Whitney
biennials; the Institute of Contemporary Art in London; the Museum of Modern Art
in New York; the Dia Center for the Arts in New York; and many other
international venues.
A retrospective of her work has been shown in five European cities and in New
York at the New Museum and the International Center of Photography (2000). An
accompanying book has been published by MIT Press. Her writing has been
published widely in catalogues and magazines, such as Artforum, Afterimage, and
NU Magazine. Rosler has six published books. She has produced numerous other
"Word Works" and photo/text publications — now exploring cookery in a mock
dialogue between Julia Child and Craig Claiborne, now analysing imagery of women
in Russia or exploring responses to repression, crisis, and war.
During the seminars in Vilnius Contemporary Art Centre Martha Rosler will offer
an introductory history of independent video production. In terms of time, the
work covers most of the early history of video art. She will focus on a
particular type of video art, with a critical relation to broadcast television,
and often to other elements of contemporary culÂture, primarily US culture. Most
were made by and for U.S. audiences.
The readings will show that same critical tendency. In addition, many of the
articles will be the same ones that were read by video makers and critics at the
time.
Vilnius
Contemporary Art Centre
Vokieciu 2 LT- 2001
tel +370 5 2121954