David Blandy
Mel Chin & Gala Committee
Christoph Draeger
Reynold Reynolds
Gary Breslin
Gorilla Tapes
Leon Grodski
David Hall
Christian Jankowski
Dorit Margreiter
Chris Morris
Armando Iannucci
Antonio Muntadas
Nam June Paik
Ilene Segalove
Brian Springer
William Wegman
Artists' Video, Media & Reality. For 'Nothing Special', curator, Claire Doherty, has brought together historical and contemporary works for the first group exhibition at the FACT Centre. The show will examine the ways in which artists have used video to disrupt or recreate their own versions of the mediated real.
Artists' Video, Media & Reality
Ant Farm & T.R. Uthco, David Blandy, Mel Chin & Gala Committee, Christoph
Draeger / Reynold Reynolds and Gary Breslin, Gorilla Tapes, Leon Grodski,
David Hall, Christian Jankowski, Dorit Margreiter, Chris Morris & Armando
Iannucci, Antonio Muntadas, Nam June Paik, Ilene Segalove, Brian Springer,
William Wegman
Way before cable and satellite television were part of our everyday lives
Andy Warhol wanted to stage his own non-stop tv show. It was his great
unfulfilled ambition and he wanted to call it 'Nothing Special'.
By 1975, television was fifty years old and artists such as Warhol, Nam June
Paik and Ant Farm were recognising the medium's inherent contradiction: as
TV began to dominate our experience of the world, so mediated reality
(however banal) became more desirable  more real - than everyday life.
For 'Nothing Special', curator, Claire Doherty, has brought together
historical and contemporary works for the first group exhibition at the FACT
Centre. The show will examine the ways in which artists have used video to
disrupt or recreate their own versions of the mediated real.
David Hall's influential work 'Stooky Bill TV' (1990) recreates the first
televised transmission in 1925 using a system almost identical to John Logie
Baird's original device. It offers a cautionary introductory note
counterbalanced by David Blandy's haunting recent work 'Ghost' (2001), in
which the viewer has come to exist only through the reflected light of a
late-night movie.
Throughout the exhibition, artists mimic or disrupt the blending of news
with entertainment, questioning our mediated memories of historical events
such as the assassination of John F. Kennedy or September 11. Ant Farm's
1975 work 'The Eternal Frame' is at once a taped re-enactment of the
assassination, a 'mock-umentary' and a simulation of the now famous home
movie by Abraham Zapruder. Leon Grodski's award-winning 'Great Balls of
Fire' (2001) presents a disquieting modern-day soothsayer against the
background of the still smouldering World Trade Centre days after the
terrorist attack.
You might catch yourself laughing at what seems like an inappropriate moment
in 'Nothing Special'. There's undeniable satirical humour here from Ronald
Reagan's love tryst with Margaret Thatcher in Gorilla Tapes' scratch- video
work 'Death Valley Days' (1984) to Chris Morris' first broadcast episode of
'The Day Today' (1994)). This gives way to moments of pure surrealism in
William Wegman's 'Dog Baseball' (1986), produced for the legendary Saturday
Night Live.
America predominates throughout 'Nothing Special' in the stereotypes and
clichés of global media. Whilst many of the works have been broadcast
themselves, such as Christian Jankowski's 'The Holy Art Work' (2001) which
was filmed and broadcast as part of a Televangelist's weekly TV show, this
exhibition is not primarily concerned with visual art on television. Rather,
as Nam June Paik's seminal video work 'Global Groove' (1973) indicates, this
exhibition presents the subversion of the language of television and asks
what is the reality of this fiction?
'Nothing Special' is part of the Eternal Frame strand of projects which are
being presented at FACT during the next 12 months. It includes symposia and
exhibitions, curated by Claire Doherty, which seek to examine significant
ideas about moving image culture which have emerged through artists' use of
video. The second exhibition in the Eternal Frame series, 'Nothing
Personal', will open in March 2004.
For further information please call Joanna Rowlands on 0151 707 4401
Works are screened courtesy the artists, the following individuals and
organisations: Galerie Beckers; Christine Burgin; Electronic Arts Intermix,
New York; Illuminations; Klosterfelde; Galerie Krobath Wimmer; Netherlands
Media Art Institute and Videoart Databank and BBC Worldwide.
FACT is proud to be in
LIVERPOOL, EUROPEAN CAPITAL OF CULTURE 2008
FACT, the Foundation for Art & Creative Technology
88 Wood Street
Liverpool, L1 4DQ
t: + 44 (0)151 707 4422
f: + 44 (0)151 707 4445