Architecture Reimagined. The exhibition considers architecture from the angle of the human encounter: how vision, touch, sound and memory play a role in our perceptions of space, pro portion, materials and light.
In January 2014,
Sensing Spaces: Architecture Reimagined
will see the Main Galleries of the
Royal Academy of Arts transformed by seven architec
tural practices from around the world. The
RA has commissioned the architects to create site-s
pecific installations; the shared brief is to
explore the essential elements of architecture. Ins
tead of representations of buildings in the form
of models, plans or photographs, the RA is re-defin
ing the traditional architectural exhibition to
immerse visitors in a multi-sensory experience. Sen
sing Spaces: Architecture Reimagined
considers architecture from the angle of the human
encounter: how vision, touch, sound and
memory play a role in our perceptions of space, pro
portion, materials and light.
The architects include well-known and emerging prac
tices and hail from diverse geographical and
cultural backgrounds. Collaborating across the glob
e on this project are:
Grafton Architects
(Ireland);
Diébédo
Francis Kéré
(Germany/Burkina Faso);
Kengo Kuma
(Japan);
Li Xiaodong
(China);
Pezo von Ellrichshausen
(Chile);
Eduardo Souto de Moura
and
Álvaro Siza
(Portugal). The architects have been carefully sele
cted to form a group whose distinct approaches
share similarities and offer contrasts. They all cr
eate work that is particularly responsive to people
and place. They share an understanding of the senso
rial capacity of architecture and its
materiality.
The interventions within the Academy’s Grade II* li
sted galleries will engage visitors with
structures, textures, sounds, spaces and even scent
s. A monumental structure by Pezo von
Ellrichshausen, occupying the largest of the galler
ies, will challenge our sense of perspective;
inspired by a Ko-Do, the Japanese smell ceremony, K
uma will highlight the importance of scent;
Kéré’s tunnel will invite visitors to physically in
teract with the structure’s fabric; a labyrinth by
Li
Xiaodong will create a sense of containment and com
pression in contrast to Grafton’s exploration
of light. Siza and Souto de Moura’s subtle installa
tions will encourage visitors to consider the
architectural history of the building.
A specially made film will provide visitors with th
e opportunity to ‘meet’ the architects. The footage
will present a range of their previous building pro
jects, transporting the viewer from a house on the
rugged Chilean coast to a school in Burkina Faso, A
frica. Filmed interviews with the architects will
provide further insights about their work and inspi
rations.
Kate Goodwin, Drue Heinz Curator of Architecture at
the RA said
‘Architecture is the ever-present
background to our lives and we often don’t recognis
e the impact it has. We have challenged the
architects to create an experience which excites th
e senses and sparks the imagination. We hope
to transform the way you think about the spaces aro
und you and how they make you feel’.
Shelley McNamara and Yvonne Farrell of Grafton Arch
itects said ‘
Our interest is to engage the
public: it’s about imagination and memory, because
if you can touch those chords you create
something very powerful.’
For further press information, please contact Johan
na Bennett at the Royal Academy Press
Office on 020 7300 5615 or
press.office@royalacademy.org.uk
Press view: Tu
esday 21 January 2014, 10am – 2pm
Royal Academy of Arts
Burlington House Piccadilly - London
Open to public: Saturday 25 January – Sunday 6 Ap
ril 2014
10am – 6pm daily (last admission 5.30pm)
Late night opening: Frida
ys until 10pm (last admission 9.30pm)
Admission
£14 full price; concessions available; children und
er 12 free; Friends of the RA go free