Renate Bertlmann
Gunter Brus
VALIE EXPORT
Adolf Frohner
Anestis Logothetis
Otto Muehl
Hermann Nitsch
Friederike Pezold
Rudolf Schwarzkogler
Ana Mendieta
Stephanie Rosenthal
Sabine Breitwieser
Tina Teufel
"Traces" presents a comprehensive overview, with roughly 150 central works in diverse media ranging from photography, film, and sculpture through to drawing. Coinciding with it will be an extensive holdings of works related to the so-called Viennese Actionism, along with works by women artists who put forth an entirely different image of the body and of women. A selection of these works will be presented.
Curators:
Stephanie Rosenthal, Chief Curator of the Hayward Gallery, and Sabine Breitwieser, Director, with Tina Teufel, Curator, Museum der Moderne Salzburg
Ana Mendieta is among the most important and influen
tial artists of our era. She was
born in 1948 in Cuba, and was sent by her parents a
t the age of twelve, together with
her sister, to be raised in the United States. She di
ed in New York in 1985, at the age
of thirty-six. Her pioneering work has been acknowl
edged by large retrospectives in
the United States and Europe, and is represented in t
he collections of major
museums. Long overdue in the German-speaking area,
especially in Austria, are a
comprehensive exhibition and German monograph on Ana
Mendieta. The exhibition
presents a comprehensive overview, with roughly 150
central works in diverse media
ranging from photography, film, and sculpture throu
gh to drawing. A large section of
the show will present the artist’s archive: slides
and photographs, notebooks and
postcards will be specially prepared for the exhibi
tion.
Ana Mendieta devotes her work to a search for her or
igins and identity. In the course
of her brief career—and likewise short life—the art
ist created a radical and original
oeuvre in which her interest in the correlation of
ritual and sculpture, body and nature
became manifest. Using her own body in connection w
ith elementary materials, such
as blood, fire, earth, and water, she created “body
prints,” and ephemeral “earth
body-” sculptures. In these, Mendieta explored them
atic complexes such as life and
death, rebirth and spiritual transformation. The p
ain and rupture caused by cultural
displacement and exile are clearly legible in sever
al of her works. For example, the
outline of the artist’s body is wiped away by black
powder, fireworks, or water.
Mendieta shapes depictions of ancient goddesses in
the sand, scratches them into
rocks, and draws them in clay or on leaves. While t
he artistic media that Mendieta
uses in her works could not be any more diverse, th
e images that she produces are
characterized by a distinctive, overwhelming, and m
ystical poetics.
The exhibition has been organized by the Museum der
Moderne Salzburg in
cooperation with the Hayward Gallery, London, where
Ana Mendieta. Traces
was
shown from September 24 to December 15, 2013.
Exhibition architecture: Kuehn Malvezzi, Berlin
Catalogues have been published by Hayward Publishing, London (English edition)
and Hatje Cantz Verlag, Ostfildern (German edition)
-------
In Dialogue: Viennese Actionism
With Renate Bertlmann, Günter Brus, VALIE EXPORT, Adolf Frohner, Anestis Logothetis, Otto Muehl, Hermann Nitsch, Friederike Pezold, and Rudolf Schwarzkogler
Curators: Sabine Breitwieser, Director, with Barbara Herzog, Assistant Curator,
Museum der Moderne Salzburg
For the first time, the Museum der Moderne Salzburg
is devoting a special exhibition
to artists and works from the collection associated
with so-called Viennese Actionism.
In addition, one space will exhibit works by women
artists who introduce an entirely
different concept of the body and a new image of wo
men, while connecting it with a
media critique. This special focus on the Museum d
er Moderne Salzburg’s collection
provides access to astonishing holdings; impressive
in range and with hitherto rarely
shown material. Thus its diversity makes us readin
g a history of the representation
of body-based art and its various articulations in
the museum context during the past
decades.
This exhibition will take place parallel to the ret
rospective of Ana Mendieta and in
dialogue with her work. During her studies with Han
s Breder at the Intermedia
Program of the School of Art and Art History at the Un
iversity of Iowa, USA, which
Breder ran from 1968 for more than three decades, Me
ndieta came into contact with
the work of artists such as Vito Acconci, Mary Beth Ede
lson, Hans Haacke, Allan
Kaprow, and Robert Wilson, but also with the Viennese
Actionists. Clear resonances
are evident in Mendieta’s performances and artistic
practice. A few of the
connections that we are able to recognize today are
—to name a few—the radical use
of the body as artistic means, the precise selectio
n of photographs assigned the task
of mediating performance-based works in the gallery
context, and the experimental
use of concepts and disciplines.
Symposium
Saturday, March 29, 2014, 2:30–7:30 p.m.
Mönchsberg, Auditorium
On the occasion of these two exhibitions — Ana Mendieta. Traces and In Dialogue: Viennese Actionism —
the Museum der Moderne Salzburg is organizing a
symposium in which the exhibited artists and works
will be examined as prime case
studies of body- and performance-based art, along with their implementation in art
institutions.
Press contact:
Christine Forstner T +43 662 842220-601 M +43 664 8549983 christine.forstner@mdmsalzburg.at
Opening: Saturday, March 29, 2014, 11 a.m.
Museum der Moderne Salzburg
Mönchsberg 32, 50 - 20 Salzburg
Hours
Tuesday - Sunday: 10.00 am - 6.00 pm
Wednesday: 10.00 am - 8.00 pm
Monday: closed
Admission
Adults: € 8,-
Seniors: € 6,-
Children (6 to 15 years): € 6,-
Youth (16 to 18 years): € 6,-
Students (to 26 years): € 6,-
Groups over 10 persons: € 7,-/person
Family ticket: € 12