A per Abisso. L'origine, l'uso e l'abuso delle immagini
Clement Rodzielski's works question the appearance of images, the shadow of their reproduction and the diversions of their circulation. "His works are mainly focused on measuring the gap between what we receive and the origin of images, their uses, abuses and their destinations" (Benjamin Thorel "A la lisiere des choses - Clement Rodzielski: image, panneaux, miroirs", May #1, 06/2009) Rodzielski recently took part in several shows in museums and exhibition spaces, including La Synagogue de Delme (2014), Palais de Tokyo, Paris (2014), the FRAC Champagne-Ardenne, Reims (2012), the Betonsalon, Paris (2005). His works also feature in many public and private collections, such as the Musee d'Art Moderne de la Ville de Paris, the FRAC Champagne-Ardenne, The FRAC Nord-Pas-de-Calais and the Fondation Kadist. Curated by Eva Svennung. Opening April 28th 6 - 9 pm.