David Armstrong Six
Rodney Graham
Benny Nemerofsky Ramsay
Barbara Prokop
Kevin Schmidt
Althea Thauberger
Vanessa Ohlraun
The exhibition shows works by Canadian artists who explore the figure of the pop star. In their enactments, the artists imitate Britney, rappers, rock stars, play with performative conventions in the music world and question notions of authenticity and representation.
with David Armstrong Six (Toronto), Rodney Graham (Vancouver), Benny
Nemerofsky Ramsay (Berlin/Toronto), Barbara Prokop (Berlin/Vancouver),
Kevin Schmidt (Vancouver) and Althea Thauberger (Vancouver)
Curator: Vanessa Ohlraun
Vernissage: Saturday, February 7, 2004, 8 p.m.
Opening hours: Wednesdays to Sundays 2 p.m. to 7 p.m.
Artist Talk / Finissage: February 29, 2004, 3 p.m. Artist Barbara Prokop
and Curator Vanessa Ohlraun will be giving an introduction to the
exhibition and to the Canadian contemporary art scene.
contact
The exhibition "I Wanna Be a Popstar is part" of the program of Club
Transmediale and takes up its festival theme “Performing Soundâ€. The
exhibition shows works by Canadian artists who explore the figure of the
pop star. In their enactments, the artists imitate Britney, rappers,
rock stars, play with performative conventions in the music world and
question notions of authenticity and representation.
A central issue shared by the artists exhibited is their fundamental
ambivalence towards the figure of the pop star. On the one hand, the pop
star serves as a projection screen for dreams and desires, as well as a
model of identification that is revered and imitated. The performances
of the artists convey a certain authenticity and a genuine desire to be
taken seriously as musicians. On the other hand, the amateurish nature
of their “music videosâ€, as well as their overstylized settings and
unprofessional imitations undermine conventional representations and
constructions of the pop star.
The video Long Beach Led Zep (2002) by Kevin Schmidt shows this
ambivalence in an exemplary way. In this work, the artist plays the rock
classic “Stairway to Heaven†on his electric guitar while standing in a
dramatic West Coast landscape at sunset. The sentimentality of the rock
song is visually mirrored in the representation of nature, but can
hardly be taken seriously in this exaggerated form. In his 8mm film A
Little Thought (2000), Rodney Graham also plays with romantic landscape
images, interspersing them with funky erotic guitar shots and
accompanying them with his own music. The romanticism seems to be
presented with less irony in Althea Thauberger ’s video Songstress
(2001/02), which shows a series of young women interpreting their
self-composed folk songs in lush natural settings. In their awkwardness,
these personal performances come across as refreshingly honest and
unpretentious. They offer an alternative to the artificial music video
productions of the commercial music industry. The latter are mimicked by
Benny Nemerofsky Ramsay in his piece I am a Boyband (2002). In this
video, the artist manifests himself as four digitally cloned singers
performing in the typical manner of a boyband, thereby taking the
artificiality of media-made pop stars to an extreme. His emotional
lyrics, however, reveal a touch of romanticism and a hidden wish to be a
pop star. In Barbara Prokop’s video Britney: Still Me (2003), a Britney
Spears fan plays the role of her idol. Dance and music scenes alternate
with improvised interviews in which the performer puts herself in the
place of the revered star. Instead of presenting herself as the
artificial product of the music industry that she is often claimed to
be, “Britney†adopts a position of self-determination and empowerment.
David Armstrong Six is more critical towards the music world in his
video I’ve Been Thinkin’ (2002). In this piece, the artist performs as a
rap singer, employing the characteristic codes of the genre: car rides
through the city, angry lyrics and the direct gaze into the camera are
common means of conveying authenticity in rap music videos. Yet with his
oversized sunglasses mirroring the outside world, the artist alludes to
the mediated nature of “realnessâ€, thus subverting claims to authenticity.
An exhibition in the program of Club Transmediale, in cooperation with
the Canadian Embassy Berlin, loop - raum für aktuelle kunst and Verein
zur Förderung aktueller Kunst, Berlin e.V.
loop - raum für aktuelle kunst
Westflugel 2. OG
Kopenicker Str. 16
10997 Kreuzberg