Anonda Bell
Sean Capone
Mark Dion
Dana Sherwood
Mary Temple
Marina Zurkow
Lynn Aldrich
Maria Magdalena Campos-Pons
Mat Collishaw
Jim Dine
Barnaby Furnas
Adam Fuss
Rona Pondick
Naomi Reis
Lina Puerta
Pipilotti Rist
Alexis Rockman
Fred Tomaselli
Contemporary Artists Wander the Garden. The exhibition explores the direct and indirect influence of the Genesis story of the Garden of Eden on artists working today including six new works commissioned by Mobia as well as 13 pieces created in the past 15 years. Works by Anonda Bell, Sean Capone, Pipilotti Rist, Fred Tomaselli...
New York, NY, May 15, 2014—The Museum of Biblical Art (MOBIA) is organizing Back to Eden:
Contemporary Artists Wander the Garden, an exhibition that explores the direct and indirect influence of
the Genesis story of the Garden of Eden on artists working today. Back to Eden includes six new works
commissioned by MOBIA—the first commissions in the museum’s history—as well as 13 pieces created in
the past 15 years. Ranging from intimate paintings to large-scale installations, the works explore themes
evoked by the story of Eden: loss, desire, the relationship between humans and the natural world, and the
longing for an inaccessible paradise. The new commissions are by Anonda Bell, Sean Capone, Mark Dion,
Dana Sherwood, Mary Temple, and Marina Zurkow; other works in the exhibition include pieces by Lynn
Aldrich, Maria Magdalena Campos-Pons, Mat Collishaw, Jim Dine, Barnaby Furnas, Adam Fuss, Rona
Pondick, Naomi Reis, Lina Puerta, Pipilotti Rist, Alexis Rockman, and Fred Tomaselli. A number of the
featured artists will visit MOBIA during the course of the exhibition to participate in a series of public
programs. Back to Eden is curated by scholar and independent curator Jennifer Scanlan and will be on
view at MOBIA from June 27 through September 28, 2014.
The works MOBIA has commissioned for Back to Eden are:
Sean Capone — a projected video installation that suggests a continuous cycle of growth, death,
and rebirth by immersing the viewer in a morphing virtual garden.
Dana Sherwood — a video installation that examines the seemingly futile human desire for
control in the face of natural forces by documenting the artist’s practice of creating elaborate
confections, leaving them outside, and letting animals and nature overtake them.
Marina Zurkow — an animation depicting a dystopian future in which Times Square is taken
over by nature, with the built world crumbling around powerless humans.
Mary Temple — a trompe-l'oeil wall painting depicting light streaming through an imagined
window and illusory trees and foliage outside casting shadows.
Anonda Bell — a cut-paper installation depicting Lilith and Eve, exploring the construction of
enduring, problematic archetypes through biblical narratives.
Mark Dion — a diorama of the Garden’s serpent, presenting the snake as he may have looked
before he was condemned to spend eternity on his belly.
“Back to Eden represents a tremendous opportunity for MOBIA to work with contemporary artists to reveal
the influence of biblical narratives in today’s culture and society,” said MOBIA’s director Richard P.
Townsend. “The story of Eden is a framework that gives contemporary artists access to universal themes,
speaking to age-old human desires and potential. We are thrilled to commission works for the first time in
the museum’s history, opening up new avenues for the museum’s exploration of the Bible’s enduring
influence on the visual and cultural landscape today.”
Additional works featured in Back to Eden include:
Barnaby Furnas — The Fruit Eaters (2013), a large-scale painting that evokes the classic subject
of Adam and Eve biting the apple through a moment of temptation, loss, and menacing malevolence
in a dreamlike landscape.
Jim Dine — Garden of Eden (2003), a free-standing sculptural gate constructed from brightly
painted objects from the artist’s childhood that celebrate the memory of an unsullied paradise.
Alexis Rockman — Gowanus (2013), an intricate, large-scale painting that depicts the Gowanus
Canal, the notorious Brooklyn Superfund site, as a toxic wasteland, reflecting the disastrous
potential for the destruction of nature by man.
Maria Magdalena Campos-Pons — a mixed-media work, The One That Carries Fire (2011),
exploring the tree and the female figure as archetypes that reach across cultures.
Naomi Reis — Vertical Garden (Weeds) and Vertical Garden (Falling Water) (2007-8), drawings
of imaginary Modernist buildings overlaid with lush plants and fountains that show the attempt to
recreate an exotic paradise within a completely foreign environment.
Pipilotti Rist — Sparking of the Domesticated Synapses (Funkenbildung der domestizierten
Synapsen) (2010), an installation that explores the desire to control the natural world and the
potential to destroy it. A shelf with a vase, flowers, and projected video demonstrates the elements
of pleasure and control that are inherent in the act of flower arranging.
Fred Tomaselli — Study for Expulsion (2000), a mixed-media painting that depicts Adam and
Eve, referencing Masaccio’s Expulsion (early 15th century), dwarfed by a constellation of
psychotropic drugs, flowers, plants, bugs, birds, and snakes.
PROGRAMS
In conjunction with Back to Eden, MOBIA has organized a series of free public programs involving several
of the participating artists.
July 10 — Sean Capone will discuss his commission for MOBIA.
July 27 — Mary Temple will discuss her commission for MOBIA.
August 5 —Naomi Reis and Lina Puerta will join Back to Eden curator Jennifer Scanlan for a
special tour of the exhibition and discussion on the symbolic meanings that gardens have held
across cultures throughout history, in the exhibition, and in the artists’ work.
August 21 —Alexis Rockman and Marina Zurkow will participate in a panel discussion moderated
by Back to Eden curator Jennifer Scanlan. The artists will discuss how their practices connect to
activism and environmentalism, addressing their interest in the story of Eden as way to explore the
relationship between human beings and nature.
September 17 — Mark Dion and Dana Sherwood will speak together about their commissions for
MOBIA as well as their collaborative garden and outdoor endeavors.
SUPPORT
Back to Eden is organized by the Museum of Biblical Art and made possible by the generous support of Case
Systems, the Sister Fund, and The Bowden Family Fund. Support for educational programs is provided, in
part, by TD Charitable Foundation. Additional support provided by the Atrium Café by Gabriel’s.
Major support for MOBIA's exhibitions and programs is provided by American Bible Society and by Howard
and Roberta Ahmanson. Support for this program is provided, in part, by the New York City Department of
Cultural Affairs in partnership with the City Council. Support for educational programming is provided, in
part, by TD Charitable Foundation.
CATALOGUE
Back to Eden: Contemporary Artists Wander the Garden will be accompanied by a 50-page illustrated
catalogue, which will include essays by the exhibition’s curator, Jennifer Scanlan; Robert Alter, Professor
of Hebrew and Comparative Literature at the University of California, Berkeley; and Dr. Sean McDonough,
Professor of New Testament at Gordon-Conwell Theological Seminary in Boston, Massachusetts.
ABOUT THE MUSEUM OF BIBLICAL ART
The Museum of Biblical Art (MOBIA), which opened in May 2005, is an independent museum committed
to engaging diverse audiences in the exploration of historical to contemporary art that has been influencedor inspired by the Bible. MOBIA is an inclusive cultural institution bound by no creed or era that celebrates
and interprets art related to the Bible and its cultural legacy in Jewish and Christian traditions through
exhibitions, education, and scholarship. Its exhibitions have featured works by artists as varied as Bartolo
di Fredi, Enrique Martínez Celaya, Marc Chagall, William Kentridge, Louis Comfort Tiffany, and Jacopo
Tintoretto. Incorporated as a not-for-profit educational institution, MOBIA is the nation’s only scholarly
museum working at the intersection of art and the Bible. MOBIA is located between Columbus Circle and
the Lincoln Center for Performing Arts at 1865 Broadway in New York City. For more information on the
MOBIA and its programs, visit www.mobia.org.
Image: Fred Tomaselli, Study for Expulsion, 2000. Leaves, pills, acrylic, photocollage, and resin on wood panel, 24 x 30 in. © The Artist / Courtesy of James Cohan Gallery, New York/Shanghai
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Museum of Biblical Art
1865 Broadway at 61st Street - New York, NY 10023
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