The Lab. The eight works and associated ephemera included in this exhibition were produced between 1953 and 1955, the most intensive period of the artist's process-based experimentation.
New York – The Drawing Center presents Sari Dienes, the first museum show ever devoted to the
artist.
In the early 1950s, Sari Dienes used experimental processes to create bold works on paper,
impressing into her pictorial support the gritty and vibrant terrain of New York City’s streets. Her
transfer drawings of subway grates, sidewalks, and manhole covers produced images that were at
once abstract patterns and highly recognizable subjects. Armed with an ink roller, she mapped her
urban haunts as well as her body’s movement; uneven and ghostly skeins of pigment document her
repetitive application of a standard-size brayer across the surface.
Dienes placed drawing at the
center of her practice while simultaneously challenging traditionally held views about the medium.
The eight works and associated ephemera included in this exhibition were produced between 1953
and 1955, the most intensive period of the artist’s process-based experimentation. These drawings
had a profound formal, technical, and iconographic impact on a young generation of artists,
including Robert Rauschenberg and Jasper Johns. While widely exhibited and well–received at the
time of its creation, her work has been largely overlooked in recent decades. This exhibition
highlights her practice and sheds new light on her legacy. Curated by Alexis Lowry Murray and
Delia Solomons.
ABOUT SARI DIENES
Sari Dienes (b. 1898, Debreczen, Hungary; d. 1992, Stony Point, New York), neé Sarolta Maria
Anna Chylinska, studied art in Paris and London with Fernand Léger, Amédée Ozenfant, André
Lhote, and Henry Moore. In 1939, Dienes traveled to New York; although she intended to stay a
few weeks, the outbreak of World War II prevented her return to Europe. She made New York her
permanent home and became an active contributor to its many avant-garde circles. She created figurative surrealist drawings in the early 1940s, before her introduction to Zen Buddhism and the
expanses of the American West prompted a shift in her approach to art. Over the following
decades, she tirelessly experimented with varied styles and practices from abstract expressionism and
assemblage to Xerox, mail, and performance art. In addition to her work as a visual artist, Dienes
was a successful textile designer.
Throughout her career Dienes exhibited widely, including four solo shows in the 1950s at the Betty
Parsons Gallery, the preeminent space for abstract expressionism in New York City. She also
participated in major group exhibitions such as the Museum of Modern Art's Art of Assemblage in
1961, and was the recipient of numerous residencies and fellowships throughout her life, for
example from the National Endowment for the Arts in 1980.
PUBLIC PROGRAM
Thursday, November 13 at 6:30pm
Curator-led exhibition tour with Alexis Lowry Murray and Delia Solomons, followed by
Conversation moderated by Julia Robinson, Assistant Professor, Department of Art History, NYU
CREDITS
Sari Dienes is made possible by the support of Fiona and Eric Rudin and Pavel Zoubok Gallery.
Special thanks to Barbara Pollitt and Rip Hayman of the Sari Dienes Foundation.
ABOUT THE DRAWING CENTER
The Drawing Center is the only not-for-profit fine arts institution in the country to focus solely on
the exhibition of drawings, both historical and contemporary. It was established in 1977 to provide
opportunities for emerging and under-recognized artists; to demonstrate the significance and
diversity of drawings throughout history; and to stimulate public dialogue on issues of art and
culture.
Image: Sari Dienes, Tred Squares, c.
1953–55, Ink on webril, 36 x
36 inches. Courtesy of The
Sari Dienes Foundation,
Pomona, NY. © Sari Dienes
Foundation/ Licensed by
VAGA, New York, NY.
For further information and images, please contact
Molly Gross, Communications Director, The Drawing Center
212 219 2166 x119 | mgross@drawingcenter.org
The Drawing Center
35 Wooster Street between Broome and Grand Streets in SoHo, New York.
Gallery hours are Wednesday-Sunday 12pm–6pm, Thursday, 12pm–8pm.
Tickets: $5 Adults, $3 Students and seniors, Children under 12 are free, and
free admission Thursdays 6-8pm.
The Drawing Center is wheelchair accessible.