3/2/2015
Marlene Dumas
Tate Modern, London
The Image as Burden. Her intense, psychologically charged paintings explore themes of sexuality, love, death and shame, often referencing art history, popular culture and current affairs.
Marlene Dumas is one of the most prominent painters working today. Her intense, psychologically charged works explore themes of sexuality, love, death and shame, often referencing art history, popular culture and current affairs.
‘Secondhand images’, she has said, ‘can generate first-hand emotions.’ Dumas never paints directly from life, yet life in all its complexity is right there on the canvas. Her subjects are drawn from both public and personal references and include her daughter and herself, as well as recognisable faces such as Amy Winehouse, Naomi Campbell, Princess Diana, even Osama bin Laden. The results are often intimate and at times controversial, where politics become erotic and portraits become political. She plays with the imagination of her viewers, their preconceptions and fears.
Born in 1953 in Cape Town, South Africa, Dumas moved to the Netherlands in 1976, where she came to prominence in the mid-1980s. This large-scale survey is the most significant exhibition of her work ever to be held in Europe, charting her career from early works, through seminal paintings to new works on paper.
The title of the exhibition is taken from The Image as Burden 1993, a small painting depicting one figure carrying another. As with many of Dumas’s works, her choice of title deeply affects our interpretation of the work. It hints at the sense of responsibility faced by the artist in choosing to create an image that can translate ideas about painting and the position of the artist. For Dumas it is important ‘to give more attention to what the painting does to the image, not only to what the image does to the painting.’
In an age dominated by the digital image and mass media, Dumas cherishes the physicality of the human touch with work that is a testament to the meaning and potency of painting.
A survey of works by the South-African born artist gives reason to why she is perhaps the world’s most interesting figure painter
Exhibition organised by Tate Modern in collaboration with Fondation Beyeler, Riehen/Basel and the Stedelijk Museum, Amsterdam
For further information contact Ruth Findlay in Tate Press Office on 020 7887 4941/ 07813655406, email ruth.findlay@tate.org.uk or Max Stocker, Ipswich Borough Council’s Communications and Marketing Manager, on 01473 432035 /07736 826104, email max.stocker@ipswich.gov.uk
Private view Wednesday 4 February 2015, 10.00–17.15 and 18.45–21.30
Tate Modern
Bankside London
Opening times
10.00–18.00, Sunday – Thursday
Last admission and ticket sales to special exhibitions is at 17.15. Ticket desks close at this time.
10.00–22.00, Friday – Saturday
Last admission and ticket sales to special exhibitions is at 21.15. Ticket desks close at this time.
Adult £16.00 (without donation £14.50)
Concession £14.00 (without donation £12.70)