Rimbaud
dal 23/6/2004 al 6/8/2004
Segnalato da
Andisheh Avini
Tracy Baran
Stefan Bruggemann
Juan Matos Capote
Milena Dragicevic
Koken Ergun
Janine Gordon
Daniel Guzman
Esther Harris
Karen Heagle
Charles LaBelle
Keith Mayerson
Fiorenze Menini
Paul P
Erik Parker
Poka-yio
Sam Samore
Josh Smith
Kelley Walker
Max Henry
23/6/2004
Rimbaud
I-20 Gallery, New York
French Symbolist poet Arthur Rimbaud is the archetypical anti-hero known for his visionary poetry, rebellion from social convention, and journeys to unexplored lands. The works in the show allude to Rimbaud's life while remaining firmly rooted in contemporary art currents.
Andisheh Avini, Tracy Baran, Stefan Brüggemann, Juan Matos Capote, Milena Dragicevic, Köken Ergun, Janine Gordon, Daniel Guzman, Esther Harris, Karen Heagle, Charles LaBelle, Keith Mayerson, Fiorenze Menini, Paul P, Erik Parker, Poka-yio, Sam Samore, Josh Smith, and Kelley Walker.
Curated by Max Henry
I loved the desert, dried orchards, faced shops and tepid drinks. I dragged myself through stinking alleys and, eyes closed, I offered myself to the sun, the God of fire...
Rimbaud, A Season in hell
On June 24, I-20 will present its third group show, Rimbaud, guest curated by Max Henry. French Symbolist poet Arthur Rimbaud is the archetypical anti-hero known for his visionary poetry, rebellion from social convention, and journeys to unexplored lands. The works in the show allude to Rimbaud's life while remaining firmly rooted in contemporary art currents.
Artists in these works retreat into a labyrinth of personal, idiosyncratic realms distrustful of the surrounding post-9/11 culture of corruption, violence and dissonance. A sense of Rimbaud's 'otherness' and 'derangement of the senses' is conveyed. You might say that the doomed 'poet maudit' anticipated much of today's geo-political dislocation, and, as 'seers' the artists in this show reflect the present day conditions.
For the exhibition, in place of master narratives we get (through a variety of media and styles) what visually amounts to the irregular cadences in Rimbaud's free verse. This is information-age Romanticism with multi-faceted ties to literature, music and painting.
In the role of egoistic creator the artist constructs a surrogate otherworldly iconography. The overall working methodology is not a pastiche but a distillation of technologically induced overload. There is a reaction of the social disorder with historical antecedents. Voicing the monstrous, the remote, the absurd and the decadent, the artists in Rimbaud transcend the inadequacy and guilt of the moment.
Image:
Same Samore, Mustafa of Aswan, 1981/2004
Opening: June 24, 2004, 6-8 PM
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Next exhibitions:
Gregory Kucera
September 11 – October 16, 2004
João Onofre
October 23 – December 4, 2004
I-20
529 West 20th Street, 11th Floor, NY 10011
New York