The Edge of the World. In this show Periton takes his scalpel to rural landscapes and urban wastelands. Railway tracks, graffiti tagged walls and abandoned factories meet Suffolk hedgerows and an idyllic landscape taken from the repeated pattern of a net curtain.
The Edge of the World
For his third show at HQ Simon Periton takes his scalpel to our rural landscapes and urban wastelands. Railway tracks, graffiti tagged walls and abandoned factories meet Suffolk hedgerows and an idyllic landscape taken from the repeated pattern of a net curtain. The source material travels from the pylon studded English countryside to the oil fields of the Middle East, ranging from a parochial vision of damaged arcadia to the heart of destruction on a global scale. Stairway to Heaven, a floor to ceiling multiple layered vista of oil wells and electricity pylons stands as the centre piece. The title of the show is borrowed from Michael Powell and Emeric Pressburger’s film The Edge of the World (1937), with which it shares a romantic, but slightly doom laden air, a kind of melancholy nostalgia.
Periton’s cut paper works develop the window metaphor inherent in landscape paintings, as the negative spaces create apertures. From here he plays further with dimensions and illusions of depth through his layering of coloured paper, while the large scale allows the works to engulf us like the great outdoors or the make believe stage flats of a theatre or film set. The repetition of elements, off set by slight discrepancies within mirror images enhances this natural, vegetal dimension. Furthermore there is an organic quality to the intricately cut, delicate layers of paper, strands held together in a dense web, mirroring the dichotomous fragility and tenacity of a creeper as they spread out across the gallery walls
Simon Periton lives and works in London. He has had solo shows throughout Europe and the US, including Mint Poisoner at Inverleith House, Royal Botanic Garden Edinburgh (2003) and Camden Arts Centre (1998) and his work has been included in many group shows including this year’s Summer Exhibition at the Royal Academy for which he was nominated for the Charles Wollaston Award. He has worked on many collaborations including working with Junya Watanabe/Comme des Garçons on their Autumn Winter Collection 2003-04. In 2004 Periton was commissioned to create works for the Channel 4 Television headquarters and the BBC Media Centre and is currently working on a project for the new Home Office building.
13 Oct - 27 Nov 2004
private view, 13 Oct, 6-8pm
Image:
Simon Periton
Tongue Twister
2004
fluorescent pink, printed paper / beige, cream and printed paper / black paper
143cm x 108cm
For further information please contact Sara Harrison on +44 20 7434 2227
Sadie Coles HQ
35 Heddon Street LondonSadie Coles HQ W1B 4BP