27/1/2005
Sharon Kivland
Domo Baal, London
Mes Fils. The artist investigates how our lives are governed by systems of order that complement, overlap and contradict one other while undergoing continual periods of change. Spheres such as language, time, philosophy, politics, nature and history are involved. The focus of this approach is represented by the identity of a woman and her body.
Mes Fils
Domo Baal is delighted to present Sharon Kivland's first solo exhibition in London since 2002.
Sharon Kivland investigates how our lives are governed by systems of order that complement, overlap and contradict one other while undergoing continual periods of change. Spheres such as language, time, philosophy, politics, nature and history are involved. The focus of this approach is represented by the identity of a woman and her body. The site where sense is made of it all is palpable in the titles of the work as the presence of an individual speaker, in the possessive pronoun 'mes'. The viewer encounters a private lexicon, whose poetic basso continuo is modulated by the rich philosophical background that shimmers through allusively.
Mes Fils, from which the exhibition takes its title, includes a continuing series of photographs, each showing the same woman in an embrace with a different man. Closer inspection reveals that the woman is much older than her partner, old enough, in fact, to be his mother. The work engages with the Oedipus complex and its resolution in prohibition, when the son must renounce his desire for his mother. The way in which each child navigates his passage through the Oedipal relation will determine both his assumption of a sexual position and his choice of sexual object. For the analyst Jacques Lacan, it is a passage to the symbolic, one that passes through a complex sexual dialectic. Here no father intervenes, however, to impose his law and to separate mother from child. The scandal is evident, and there is a further underlying transgression in the work. As the series continues, the woman - the artist - gets older while the men (all former students of Kivland) remain the same age. They are, however, completely interchangeable, while she is constant and singular. In the same series are several other works that also take up the themes of prohibition and transgression in an atmosphere of elegant refinement.
Sharon Kivland last exhibited at domoBaal in March 2003 in A Reader (publication, domoBaal editions). Recent solo shows include L'Autre Corps Bugdahn & Kaimer, Düsseldorf, Germany (July 2003), flair at The Bartlett School of Architecture (publication, domoBaal editions), University College London, Cela aura déjà eu lieu (November 2004) Château de Morsang-sur-Orge, France (November 2004). Nature and Nation a national touring exhibition curated by Eggebert-and-Gould for the Hastings Museum and Art Gallery and touring (catalogue). She is editor of Transmission: Speaking and Listening, a new publication series, now in its 3rd year, published by Site Gallery and Sheffield Hallam University, and co-editor of Transmission: The Rules of Engagement, Artworks Publishing, London. Sharon Kivland is also exhibiting currently in Diderot, curated by David Bate at Danielle Arnaud (14.01-27.02.05).
Includes publication
Opening Friday 28th January 2005, 6 - 9pm
DomoBaal contemporary art - 3 John Street - London