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19/3/2005

Toulouse-Lautrec and Montmartre

National Gallery of Art, Washington

Overview: Artists' fascination with the decadent spirit and glamour of bohemian life in the Parisian district of Montmartre at the turn of the 20th century is the focus of this major exhibition of more than 250 works primarily by Henri de Toulouse-Lautrec (1864-1901). Paintings, drawings, posters, prints, sculptures, zinc silhouettes from the Chat Noir shadow play, and printed matter, such as illustrated invitations, song sheets, advertisements, and admission tickets, will be presented alongside depictions of similar subjects by fellow artists, including Toulouse-Lautrec's predecessors Edgar Degas and Edouard Manet; his contemporaries Pierre Bonnard, Vincent van Gogh, and Pablo Picasso; and poster artist Jules Chéret.

The themes of the exhibition include dance halls, cafés-concerts, and cabarets (featuring a section devoted to the Chat Noir); and performers, such as Aristide Bruant, La Goulue, Jane Avril, Yvette Guilbert, May Belfort, May Milton, Loïe Fuller, and Marcelle Lender. The exhibition will be dominated by Toulouse-Lautrec's most important paintings and celebrated posters, including A la Mie (c. 1891), Ambassadeurs: Aristide Bruant (1892), The Laundryman (c. 1894), Marcelle Lender Dancing the Bolero in "Chilpéric" (1895-1896), the Elles poster and album of prints (1896), and 12 of the 50 known Loïe Fuller prints from 1893, colored by hand by the artist.

Toulouse-Lautrec's work will be seen in the company of important works by many of his contemporaries, including Van Gogh's Agostina Segatori at the Café du Tambourin (1887); Picasso's Le Divan Japonais (1901); and Degas' Café-Concert (c.1876-1877). In addition to seminal paintings, the exhibition will feature a number of important early posters by Jules Chéret, including his Bal du Moulin Rouge (1889) and Folies-Bergère: La Loïe Fuller (1893), and Théophile Alexandre Steinlen's Tournée du Chat Noir (1896).

The exhibition concludes with a selection of Toulouse-Lautrec's depictions of circus performers, which he drew to secure his release from involuntary confinement in a sanatorium.

Image: Henri de Toulouse-Lautrec, French, 1864 - 1901 At the Moulin Rouge 1892/1895, oil on canvas 123 x 141 cm (48 7/16 x 55 1/2 in.) The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection

Organization: The exhibition was organized by the National Gallery of Art, Washington, and The Art Institute of Chicago.

Sponsor: Time Warner Inc. is the corporate sponsor of the exhibition.

The Catherine B. Reynolds Foundation is proud to be the foundation sponsor for the exhibition.

The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Schedule: National Gallery of Art, March 20 - June 12, 2005; The Art Institute of Chicago, July 16 - October 10, 2005

National Gallery of Art
6th Street and Constitution Avenue DC 20565 Washington
East Building, Mezzanine and Upper Level

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