Roberta Bayley
Penny Davis
Chris Daze Ellis
Jess Holzworth
Valentina Loi
Billy Name
Kanako Okazaki
Sam Samore
Group exhibition of painting, photography, and mixed media works
A group exhibition of painting, photography, and mixed media works by
Roberta Bayley, Penny Davis, Chris "Daze" Ellis, Jess Holzworth, Valentina Loi,
Billy Name, Kanako Okazaki, and Sam Samore.
"Summer Of 10019," an homage to the Summer 1991 campaign for "Summer of 90210," is a
gentle reminder that the cultural season is ongoing past the Memorial Day Weekend of late May and that Modern Culture is located on Fifth Avenue, between 56th & 57th Streets, in the 10019
postal code.
Roberta Bayley (New York) is recognized for her portraits of The Ramones, Blondie,
Television, Iggy Pop, Joe Strummer, and other culture-shaping individuals of the
late 1970's. In this exhibition, Ms. Bayley's color portrait of The
Heartbreakers--Johnny Thunders, Jerry Nolan, Walter Lure, and Billy Rath--is being
exhibited in the USA for the first time. The original 35-mm. positive for this
photograph, the cover image for the band's seminal, 1977 debut album, "L.A.M.F.,"
resurfaced last October, after having been stored in a photo archive in London for
27 years. The work of Ms. Bayley, the chief photographer of "Punk" Magazine in the
late 1970's and early 1980's, has been presented in solo and group exhibitions in
the USA, Mexico, Spain, France, Germany, and the Netherlands.
Penny Davis (Portsmouth, United Kingdom) radically alters manufactured and
mass-produced items. In this exhibition, Ms. Davis, with her work, "Ten Samples
From the Mr. and Mrs. Edward Simpson," calls attention to the legacy of the
abdicated King of England and his bride. Ms. Davis is an alumna of the MFA program
of Slade School of Fine Art, London. Her work is in the collection of The Douglas
F. Cooley Memorial Art Gallery, Reed College, Portland.
Chris "Daze" Ellis (New York) is recognized for his pictorial paintings of urban
life in New York City. During the past five years, Mr. Ellis has been traveling to
Rio de Janeiro, painting public murals and becoming acquainted with the city's
leading young artists. In the process, he's gained entry into Rio's renowned
"favelas." This exhibition features vivid portraits of a 14-year-old "favelado," a
teenager, wearing shorts and flip flops and carrying an automatic machine gun, and a
young, teenage, native Brazilian boy, an "indio." The work of Mr. Ellis has been
extensively exhibited in the Americas, Europe, Australia, and Asia since the late
1970's. His works are in the collections of The Museum Of Modern Art; The Brooklyn
Museum Of Art; The Sammlung Ludwig, Aachen; and other prestigious museums.
Jess Holzworth (San Diego) celebrates the capacity for the commonplace to reveal the
transgressive. In this exhibition,
a skull-and-crossbones, set within a black background, is composed of sewn-together
sequins and displayed in a pre-fabricated, store-bought frame. Ms. Holzworth's work
has been exhibited in the Biennale di Arte Contemporanea 2004 in Transito, Rome; The
Institute Of Contemporary Art, Philadelphia; and P.S. 1, Long Island City. A solo
exhibition of Ms. Holzworth's work will take place at Modern Culture from
mid-October to mid-November 2005.
Valentina Loi (Milan & Paris) explores the dynamics of childhood and adulthood in
her video works and paintings. In this exhibition, the confluence of both stages of
life is explored in Ms. Loi's paintings of amusement park bumper cars. The work of
Ms. Loi, an alumna of New York University's MFA program, has been featured in
"Manifesta 4," Frankfurt; Assab One, Milan; and Artists Space, New York. A solo
exhibition of Ms. Loi's work will take place at Modern Culture in April 2006.
Billy Name (New York) is internationally recognized for his 1960's photographs of
Andy Warhol and his contemporaries. Credited with comprehensively and
authoritatively revealing the life in and around Mr. Warhol's famous studio during
the height and aftermath of the Pop Art era, Billy Name is responsible for
influencing the culture-at-large through his documentation of the production of Mr.
Warhol's paintings and films and his distinctive images of Mr. Warhol's assistants,
"Superstars," friends, acquaintances, associates, collectors, and peers. In this
exhibition, a silver gelatin print photograph depicts two views of Mr. Warhol, Fred
Hughes, Paul Morrissey, and Steve Sesnick walking to the wedding of John Cale and
Betsy Johnson. Billy Name's work is in the collections of The Museum of Modern
Art's Film Department, The Whitney Museum of American Art, The Boston Museum of Fine
Art, The San Francisco Museum of Modern Art, and The Frances Lehman Loeb Art Center
at Vassar College.
Kanako Okazaki (Yokohama) explores vitality and mortality in her photographs,
sculpture, installations, drawings, and prints. In this exhibition, a silver
gelatin print, self-portrait of the artist--appearing to be slumbering eternally--is
visible behind an arrangement of artificial flowers, from which streams of blood-red
ink appears to be flowing. Ms. Okazaki is an alumna of New York University's BFA
program. A solo exhibition of her work was presented at Modern Culture in 2004.
Her work has also been exhibited in Tokyo and Milan.
Sam Samore (New York) is widely recognized for his photographic explorations of the
human visage. In his "Allegories Of Beauty (Incomplete)" series--inspired by an
ancient Egyptian sculpture of Nerfertiti's head--Mr. Samore explores the classical
through the lens of post-modernism. In work #101 of this series, two views of a
female subject's face elegantly bring to mind the many mysterious ways that humans
can be regarded and studied through cinema and sculpture and in life, itself. Solo
exhibitions of Mr. Samore's work have been presented in New York, , Berlin, Cologne,
Paris, Geneva, Milan, Brussels, and Tokyo. A solo exhibition of Mr. Samore's work
will be presented in Mexico City this summer.
Image: SAM SAMORE, Allegories Of Beauty (Incomplete) (#101) 1990's. Silver gelatin print, framed 27 x 41 inches (68.6 x 101.1 cm.) (including framing) Edition of 2
Modern Culture is located at The Crown Building, 730 Fifth Avenue, 9th Floor,
(between 56th & 57th Street) in the 57th Street District of Midtown Manhattan, New York NY 10019 USA.
Viewing hours for this exhibition will be Monday to Friday, 1:00 to 5:00 pm, and by
appointment. For further information, please call Barry Neuman at 212.659.7749.
Subway: F & Q to 57th Street & Avenue of the Americas; E & V to Fifth Avenue & 53rd
Street; N & R to Fifth Avenue & 60th Street.