A Life World. Installations by Ilya & Emilia Kabakov (Morning, Evening, Night: a giant installation, built in the large interior of the former church. As a Chinese box system, the world of the imagination is visualised as layers on layers of levels of reality) and Joseph Kosuth (Recognizable Differences and Andersen Self-Described: the fairy tale The Emperor's New Clothes has been woven into a carpet, as has a selection of quotes by S. Kierkegaard which are a subtext to the fairy tale). Both work with themes such as memory and identity, language and existence - which were also significant to the writer.
A Life World. Installations by Ilya & Emilia Kabakov and Joseph Kosuth
Two of the most prominent artists within contemporary art enter into a
dialogue with Hans Christian Andersen at Nikolaj, Copenhagen
Contemporary Art Center. Both are pioneering artists within today's
art, and at the same time their current works function as a living
reference point for young artists. The artists are the Russian/American
artist couple Ilya & Emilia Kabakov and the American artist Joseph
Kosuth. Both have previously exhibited in Denmark; but this is the
first time there is an opportunity to see new works made specifically
for an exhibition in a Danish context.
Both the Kabakovs and Kosuth work with themes such as memory and
identity, language and existence - themes which were also significant
to Hans Christian Andersen. Joseph Kosuth was one of the main figures
in the 1960's as the groundwork was laid for conceptual art and has
ever since occupied an almost mythical position within visual art. This
also applies to the Russian Soviet-born Ilya & Emilia Kabakov who ever
since leaving for the West have been creating their magical
installations which have fascinated art audiences and colleagues alike.
As conceptually working artists both the Kabakovs and Kosuth are
concerned with the visualisation of abstract matters; but whereas
Kosuth works in the cross field between word and image in a clear,
conceptualist idiom, the Kabakovs' universe is one of memory and
imagination, brought to life through the stagings of spaces and
objects.
Ilya & Emilia Kabakov: Morning, Evening, Night
Ilya & Emilia Kabakov’s work Morning, Evening, Night is a giant
installation, built in the large interior of the former church. As a
Chinese box system with rooms within rooms and with a condensed fairy
tale core, the world of the imagination is visualised as layers on
layers of levels of reality, moving from from the outer world of
everyday life into the magical core. This work invites a dialogue with
both body, vision and imagination, all of which are sent on a journey
into the archetypal fairy tale universe.
Ilya & Emilia Kabakov can currently be seen at exhibitions in Berlin,
at the Akademie der Künste, and in London, at Tate Modern where they
participate in the large exhibition Open Systems: Rethinking Art c.
1970.
Joseph Kosuth: Recognizable Differences and Andersen Self-Described
Joseph Kosuth’s work Recognizable Differences literally presents an
opportunity to wander about in Andersen's intellectual universe.
Recognizable Differences's form of presentation is a giant carpet,
covering all of Nikolaj's Upper Gallery. The fairy tale The Emperor's
New Clothes has been woven into the carpet, as has a selection of
quotes by Søren Kierkegaard which are a subtext to the fairy tale. As
it is generally known, Kierkegaard was a fierce critic of Andersen's
work; and what Kosuth does is to refute this criticism by using
Kierkegaard's own words, and the carpet thus unfolds as a birthday
present to Hans Christian Andersen, which provides the basis for a
recognition from Søren Kierkegaard that he always wanted.
Kosuth's second work is a neon work consisting of two parts, inside and
outside the tower respectively. This work relates to Hans Christian
Andersen's replies to the many questions in a visitor's book concerning
his preferences within all aspects of life, and it thus serves as a
kind of self portrait. The questions can be found inside the tower, and
Andersen's replies will shine over the city from the outside of
Nikolaj's distinctive tower.
Joseph Kosuth is also represented at major international exhibitions at
the moment, viz. the Basels Art Fair, ‘The Material of Ornament’,
Querini Stampalia Foundation, Venedig, ‘Twice Defined’, Miyagi
Prefectual Library, Japan and a 120 meter floorwork in the new German
Parliament.
In their meeting with Andersen, the artists engage in an exchange which
transcends a specific discourse and history and which expresses itself
as an exploration of the richness of language, of metaphors and a
shared cultural language. These are key elements to be found both in
Andersen’s universe and in those of contemporary artists.
In connection with the exhibition, a catalogue will be published with
articles and interviews by Fiona Biggiero, Elisabeth Delin Hansen,
Carsten Juhl, Sanna Marander and Ann Lumbye Sørensen about the artists
and their Andersen projects, as well as with sections edited by the
artists themselves which function as an elaboration in words and
pictures of their projects. Since the catalogue will furthermore
feature photos documenting the works of the exhibition which will be
installed right up until the opening, it will not be available on that
occasion but will be produced as soon as possible thereafter. Already
now, however, it is possible to order the catalogue and have it sent
when it is published.
The exhibition has been curated by freelance curator and senior
lecturer at the University of Copenhagen, Ann Lumbye Sørensen, MA.
The exhibition will subsequently be shown at the Reykjavik Museum of
Art.
Opening on Friday June 17 from 5 to 7 p.m. The artists will be present.
LECTURE
Ilya & Emilia Kabakov will give a lecture on their works on Thursday
June 16 at 5 p.m. at the Schools of Visual Arts of the Royal Danish
Academy of Fine Arts, the Auditorium, 2, Peder Skrams Gade, in the yard
to your left lift to 3B (Auditorium). Arranged by Ann Lumbye Sørensen
and Henrik B. Andersen.
Press photos and additional information: please contact Christina
Helvad on t: (+45) 33931626 or e: pr@nikolaj-ccac.dk
Nikolaj's collaborators:
The Danish Arts Council's Committee for International Visual Art
The Fund for Art and Culture, City of Copenhagen
The artists' collaborators:
Ege Carpets
City Neon
Montana
Nykredit
The exhibition is a part of Hans Christian Andersen 2005:
Hans Christian Andersen 2005 aims at promoting the awareness and image
of Hans Christian Andersen’s life and work in celebration of the
bicentennial of the storyteller’s birth in 2005. The celebration will
feature a great many projects within film, TV, literature, theatre,
opera, dance, multimedia, rhythmic and classic music, entertainment,
visual art, museum exhibitions and education and tourism. The stated
aim is that as many people as possible world-wide – children and adults
alike – will gain a greater and deeper understanding of the author. In
2005, the world-wide celebration of Hans Christian Andersen will
include major international events as well as smaller, local events.
The Hans Christian Andersen 2005 Foundation has been established by the
Kingdom of Denmark with the support of the Ministry of Culture, the
Ministry of Economic and Business Affairs, the Odense Municipality, the
County of Funen and the Bikuben Foundation.
Nikolaj Contemporary Art Center
Nikolaj Plads 10
Copenhagen