The artist borrowed the distortions of form and brilliant color from modern art but drew her imagery from personal sources. Her paintings, mostly in watercolor, are all whimsical and at times fantastic. Subject matter reveals her appreciation of nature (landscape and flowers) and her wonderful sense of the absurd.
Zelda by Herself
The Frederick R. Weisman Museum of Art at Pepperdine University
is pleased to present Zelda by Herself: The Art of Zelda Fitzgerald, on view
from October 15 to December 18, 2005. Zelda Fitzgerald is best known as the
flamboyant wife of American writer F. Scott Fitzgerald. Although often
overshadowed by her more celebrated husband, she was herself a creative
talent who not only studied ballet but also wrote plays, short stories, and
a novel. She was also a dedicated artist. This exhibition includes 54 of her
watercolors that were inspired by literature as well as by her life with
Scott, providing a fascinating look into America's Jazz Age.
JAZZ AGE ICONS
Zelda and F. Scott Fitzgerald were famous in their day as the couple who
embodied the fun, exuberance, and glamour of the 1920s. It was Scott himself
who named the decade the 'Jazz Age.' He also coined the term 'flapper' to
refer to a new breed of modern, independent woman‹inspired in large part by
the freethinking, strong-willed Zelda.
THE ARTIST
Zelda Sayre (1900Â1948) was the youngest daughter of an Alabama Supreme
Court judge. When she met F. Scott Fitzgerald at the age of 18, she was
deemed one of the most beautiful debutantes in Montgomery. After a long and
tumultuous courtship, she married Scott in 1920, but only after his first
book proved a success.
The phenomenal success of his early novels provided the couple with wealth
and fame that captivated the nation. The Fitzgeralds lived as rich and
privileged socialites, traveling freely between New York and Europe. Their
exploits were covered in newspapers and newsreels. Zelda served as a model
for the glamorous and worldly heroines of Scott¹s novels.
But their sensational lives were far from perfect. Bitter over Scott's
chronic drinking, Zelda sought to rival her husband¹s success and pursued
numerous creative avenues of her own. With intense dedication, she wrote,
studied ballet, and painted‹but never received the recognition she craved.
At age 25, Zelda began painting the one artistic expression that she
practiced throughout her life. At 27, she became obsessed with ballet. Too
old to become an accomplished dancer, she nevertheless embarked on a
grueling routine that resulted in a nervous breakdown in 1930.
Zelda's mental health slowly deteriorated and she soon was diagnosed as
schizophrenic. She spent the last 18 years of her life in and out of
institutions. Despite her illness, she remained lucid for long periods and
spent the majority of her days painting. Ironically, in the 1930s she
created some of her best work, including her only novel, Save Me the Waltz.
In 1948, Zelda died tragically in a hospital fire at the age of 48.
THE PAINTINGS
When the Fitzgeralds moved to Paris in 1924, they became part of a circle of
writers and artists that included Pablo Picasso, Ernest Hemingway,
Constantin Brancusi, and Gertrude Stein. Their influence may have inspired
Zelda to begin painting seriously in 1925. She borrowed the distortions of
form and brilliant color from modern art but drew her imagery from personal
sources. Her paintings, mostly in watercolor, are all whimsical and at times
fantastic. Subject matter reveals her appreciation of nature (landscape and
flowers) and her wonderful sense of the absurd. A large group depicts fairy
tales and offers dynamic reinterpretations of traditional children's
stories. After Scott died of a heart attack in 1940, she created a series
depicting places in New York and Paris they had visited. Zelda's
granddaughter, Eleanor Lanahan (who will lecture at Pepperdine on November
22), describes the paintings as ³theatrical. They¹re like on a raised stage
floor, and the characters are actors who are before you, waiting to
perform.'
HISTORY OF THE PAINTINGS
Zelda's paintings, though difficult to date precisely, are primarily from
the 1930s and 1940s. These works were exhibited rarely in her lifetime‹once
in 1934 in a New York gallery and in a few private showings. After her
death, many paintings were lost or destroyed and today they are relatively
rare. The rediscovery of Zelda's paintings began with a 1974 exhibition at
the Montgomery Museum of Fine Arts. A book on her paintings, Zelda: An
Illustrated Life, was published in 1995. This is the first time this
exhibition has been shown in California. This exhibition and tour was
organized by International Arts and Artists, Washington, D.C.
THE FREDERICK R. WEISMAN MUSEUM OF ART presents
a slide lecture on Zelda and F. Scott Fitzgerald
by Eleanor Lanahan, their granddaughter
Tuesday, November 22, 2005, 7 Â 8 p.m., at Smothers Theatre, Pepperdine
University
The Frederick R. Weisman Museum of Art at Pepperdine University is pleased
to present a slide lecture by Eleanor Lanahan, granddaughter of Zelda and F.
Scott Fitzgerald, on Tuesday, November 22, from 7 to 8 p.m. at Pepperdine's
Smothers Theatre. There is no admission charge. Lanahan's lecture will
recount the fascinating lives of the Fitzgeralds, icons of America's Jazz
Age. Drawing upon family stories and extensive interviews with her mother,
'Scottie' (the Fitzgerald's only child), Lanahan will offer rare personal
insight into the creative and personal relationships of America¹s most
celebrated literary couple.
LECTURER:
Eleanor Lanahan is a published author, illustrator, and animator. Over the
years she has made significant contributions to documenting the story of her
fascinating family. Lanahan attended Sarah Lawrence College and Rhode Island
School of Design. In 1995 she wrote a biography of her mother: Scottie the
Daughter of...: The Life of Frances Scott Fitzgerald Lanahan Smith,
published by Harper Collins. In 1996 she researched, edited, and contributed
an introduction to Zelda: An Illustrated Life, published by Harry Abrams,
Inc., the first book to examine Zelda¹s long-forgotten paintings. In
conjunction with this publication, she helped organize an exhibition of
Zelda Fitzgerald's paintings which has been circulated to museums across the
United States under the auspices of International Arts and Artists. In 2002
she wrote an introduction to Dear Scott, Dearest Zelda: The Love Letters of
F. Scott and Zelda Fitzgerald, edited by Jackson Bryer and Cathy Barks,
published by St. Martin's Press. Lanahan resides in Vermont.
ADDITIONAL EVENTS:
Family Art Day: Sunday, November 20, 3 Â 5 p.m
.
Pepperdine University Theatre Department presentation of Cole Porter's
Anything Goes:
Smothers Theatre
Thursday  Saturday, November 10  12 and 17  19, 70 p
Matinees: Sunday, November 13, 2 p.m., and Saturday, November 19, 2 p.m.
Tickets: $20; Box Office: (310) 506-4522
Image: Zelda Fitzgerald, 'The Queen's Croquet-Ground" ("Alice in Wonderland"
series), n.d., watercolor. Courtesy of Eleanor Lanahan.
Opening Reception: Saturday, October 15, 6-8pm
Frederick R. Weisman Museum of Art
Pepperdine University
24255 Pacific Coast Highway, Malibu
Hours: Tuesday through Sunday, 11:00 A.M. to 5:00 P.M.; Closed Mondays and
major holidays