Simon Ungers, Maria Blondeel, Christian Kieckens. The CCNOA wants to be a platform for audio art, not during the exhibitions of visual art, but next to them, on an equal base, in a neutral space, free from visual distraction.
Simon Ungers, Maria Blondeel, Christian Kieckens
The phonograph, the telephone and some time later also the radio. All of a
sudden man was able to fix the immaterial and move or displace it. The
nowadays commonplace virtual reality is a contemporary resultant of this;
the fourth dimension has been transferred from theoretical physics to the
leisure industry. For artists the ephemeral sound medium became shapeable
matter. Especially during the last decade where technology has produced
affordable high grade tools providing a continuous resolution improvement
(strangely enough the opposite has happened to the visual media, where
resolution has been regressing: from the very fine grain of slides and
film to the coarse lines and pixels of video and computer images.)
CCNOA wants to provide audio artists with a 'stage' to present their
works. The conventional concert facilities, regardless of sound
amplification technology achievements, still approach music in a 19th
century manner - there seem to be unwritten rules about average concert
length (with a clear beginning and ending) and about the positioning of
the audience in comparison to the sound source, as a negation of the multi
dimensional aspect of sound, or as an overrating of the visual aspect of
the event. Although these ideas are slowly becoming global we should not
forget that they are often typically western.
On the other hand museums and galleries are seldom or never equipped
and/or designed to host sound art and are often very object oriented (a
loudspeaker often receives visual rather than aural attention.)
With Earwitness CCNOA wants to be a platform for audio art, not during the
exhibitions of visual art, but next to them, on an equal base, in a
neutral space, free from visual distraction. There has been a very
conscious selection of artists with a musical background, for whom sound
is the only material (this as opposed to sculptors building sound
sculptures or music machines.)
The 4 Earwitness events are presented in a similar format: an evening
presentation with the artist on Friday and continuous installation on
Saturday and Sunday afternoons.
(Guy De Bie'vre, coordinator)
support.
The Ministry of the Flemish Community, the Flemish Community Commission
of the Brussels-Capital Region, the City of Brussels, and the CCNOA
Friends.
opening.
Thursday, 16/03/2006, 18.00 - 20.00
CCNOA
center for contemporary non-objective art
Blvd Barthelemylaan 5 - Brussels
opening hours.
Friday, Saturday & Sunday, 14.00 - 18.00